From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Sat Mar 30 13:21:02 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Sat, 30 Mar 2002 13:21:02 +0100 Subject: [ x ][ 0 ]( 30-3-2002-13:21 )[ yellow.green._orange_.black ][ 2, 6, 5.3, '4', 3, 8, 1, 9, 7 ] Message-ID: <001e01c1d7e5$82a4b700$2db507d5@jmcs2> {  }{  }{  }{  }{  }{  } {}{}{}{}{}{} _ {}{}{}{}{}{} {}{}{}{}{}{} {}{}{}{}{}{} {}{}{}{}{}{} {}{}{}{}{}{} {}{}{}{}{}{} ent. int. {}x{}x{}x{}x{}x{} .5 {}{}{}{}{}{} {}.{|}{}{}{}{} {}{}{}{}{}{iiiii} >       > > part. seq .. ______ . 3|0|1|15|0|12|12|22|16|14|3|20| 17|15|3|4|7|0|16|10|22|0|22|16| 16|19|2|18|0|6|0|7|4|17|1|12| 23|1|22|11|20|8|4|10|4|4|15|19| 18|11|1|20|4|5|4|9|6|6|1|12| 9|20|0|16|10|14|13|11|10|19|0|18| 17|15|4|5|21|11|16|16|13|12|1|16| 22|1|21|1|6|19|10|16|12|8|3|9| 0|21|5|2|22|5|8|3|19|9|17|18| 11|18|14|5|20|20|12|18|5|20|5|8| 19|11|13|11|21|9|15|17|2|23|1|8| 20|13|15|16|19|16|20|23|9|2|17|15| 2|11|20|5|18|14|9|21|5|8|7|14| 19|7|21|23|8|9|17|14|8|14|15|13| 18|16|6|5|19|0|8|3|0|13|20|15| 2|23|15|5|4|17|2|2|10|0|5|4| 13|20|8|14|7|20|3|16|22|17|1|5| 18|21|22|19|12|7|0|23|13|7|5|19| 16|1|19|9|13|4|1|11|21|4|16|14| 10|11|20|23|22|9|0|4|23|14|20|15| 22|4|6|16|3|15|10|23|20|21|23|8| 22|0|20|18|18|10|22|2|4|7|14|6| 14|7|7|16|0|18|13|12|20|18|1|11| 19|12|15|23|5|1|12|6|22|12|1|21 >       > > . > * > intrusion inserting .. ______ . __|/__ /\ .. ______ . > >  .. > fact. dat. re. tria. abl. >  . dangle. lanca >   ...  , 1 1 >  ..... , 1 0 , 0 0 in between | and | r/D > _ a cru. curve. v. curvature > .  \__ > > > ??????????? > >  ..  > > >     .....  , 0 1 | > > neighboring > > .. ______ . >  .... > > > >    ....  >       "k., /lipe > ...... >       > not bending, not stretching > >       _\/_ / || > sharing edges ======p > > A > > n > |'"| > > > group dig. > | |___________ > >  ... from p to p > > > >       .. ______ . > > > > .. ______ . bending, stretching >      ...... adjacency__________F( f ) > > > S > ( e"int; reo......" ? ) p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From restate at restate.org Fri Mar 29 16:22:33 2002 From: restate at restate.org (restate) Date: Fri, 29 Mar 2002 17:22:33 +0200 (EET) Subject: Message-ID: 111100101001000101100111111010TTAGGG dear devout devotee wrote: |- Rebelle/Restate on Neural.it |- http://www.neural.it/nnews/rebelle.htm |- (link it from your site, if you want) |- |- Today you're on the home/cover: |- http://www.neural.it |- check it daily. i do speak w thunder and celestial fireworks to your slack and sleeping senses > > the agility ov restate superorganitsm correlates to its perceptsion. (esse est percipi) lion. laughing. me. restate/rebelle -_ the elegant ice breaker availabelle in may 2002 restate/rebelle _- see her live premiere in bratislava in april 2002 p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From ctgr at free.fr Thu Mar 28 10:21:00 2002 From: ctgr at free.fr (clement Thomas) Date: Thu, 28 Mar 2002 10:21:00 +0100 Subject: pu References: <200203272042.WAA25532@pukuveras.is.lt> Message-ID: <005901c1d639$e0534cc0$d702a8c0@CLEMENT> laPITY.com Pavu Institute for Talents Young demands immediate jumellage http://www.laPITY.com -/ the pavu.com En-gArde scool ! /- ----- Original Message ----- From: To: Sent: Wednesday, March 27, 2002 10:00 PM Subject: pu > > http://www.pu.ru/ > > > > Petersburg University > > > > > > > > p____________o____________s_____________t > a r c h i v e http://www.o-o.lt/post > > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From scientist at o-o.lt Wed Mar 27 22:43:09 2002 From: scientist at o-o.lt (scientist at o-o.lt) Date: Wed, 27 Mar 2002 22:43:9 +0100 Subject: pu Message-ID: <200203272042.WAA25532@pukuveras.is.lt> http://www.pu.ru/ Petersburg University p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Wed Mar 27 13:18:48 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Wed, 27 Mar 2002 13:18:48 +0100 Subject: [ x ][ 0 ]( 27-3-2002-13:21 )[ white.orange ][ 3, '4', 8, 1, 6, 5, 2, 7, 9 ] Message-ID: <014501c1d589$e1d12320$86b107d5@jmcs2> { ( "( "a connection of time")" ) ( "L. > | | > | | > |____________| { > |????????????| > | | > | | > | | | | | > |_|_|x__|__ __| { > |????????????| > || > | | | | | | | |spac.incl. |. > | | | | | | | | | > |____________| { > |????????????| > | | | | | | | | | | | | | | |cg 0":, "r"( addr ), "r"( rSi. ,, get from h. 00 00 00 00 00 FF 00 00 00 80 00 00 00 00 00 00 get 00 00 FF 00 80 00 00 00 get 00 00 00 FF 00 00 00 00 00 00 00 80 00 00 00 00 get 00 00 00 00 00 FF 00 00 00 80 00 00 00 00 00 00~ get 00 00 00 FF 00 00 00 00 00 00 00 80 00 00 00 00* get 00 00 00 FF 00 00 00 00 00 00 00 80 00 00 00 00** 1 --> a ByteArray(2 1 0 0 0 0) 2 --> a ByteArray(0 2 1 0 0 0) 3 --> a ByteArray(0 0 2 1 0 0) 4 --> a ByteArray(0 0 0 2 1 0) 5 --> a ByteArray(0 0 0 0 2 1) 6 --> a ByteArray(0 0 0 0 0 0)| | | | | | |,XIX, _A at: 2 put: 1. a ByteArray(0 1 0 0 _A a ByteArray(0 1 2 0 0 0 0 0) get in f. 01 02 03 04 00 00 00 00 A : f. 02 01 04 03 00 00 00 00 00 01 00 02 00 03 00 04 00 00 00 00 00 00 00 00~~~~~~ ARM *********** > _A( 0.0 ) _A( 0.3 ) _A( 0.4 ) _A( 0.6 ) _A( 0.2 ) _A( 0.5 ) }, *_A( 0.6 ) . > CI. > _U.u( 0.6)_E.e( 0.2)_K.k( 0.6)_T.t( 0.0)_J.j( 0.1)_F.f( 0.1)_O.o( 0.5)_Z.z( 0.5)_D.d( 0.7)_K.k( 0.0)_J.j( a comparison 41967213 bytecodes/sec; 1384425 sends/sec 42022324 bytecodes/sec; 1383274 sends/sec 42160737 bytecodes/sec; 1384425 sends/sec 42160737 bytecodes/sec; 1397211 sends/sec 42049934 bytecodes/sec; 1398385 sends/sec 41830065 bytecodes/sec; 1398385 sends/sec 41504539 bytecodes/sec; 1398385 sends/sec 41423948 bytecodes/sec; 1397211 sends/sec 42188529 bytecodes/sec; 1398385 sends/sec 42188529 bytecodes/sec; 1398385 sends/sec 37457270 bytecodes/sec; 1442009 sends/sec 44016506 bytecodes/sec; 1440761 sends/sec 43537414 bytecodes/sec; 1440761 sends/sec 43478260 bytecodes/sec; 1435788 sends/sec 43895747 bytecodes/sec; 1425946 sends/sec 43986254 bytecodes/sec; 1440761 sends/sec 43925875 bytecodes/sec; 1365118 sends/sec 44077134 bytecodes/sec; 1442009 sends/sec 44077134 bytecodes/sec; 1439514 sends/sec 43656207 bytecodes/sec; 1413830 sends/sec 45293701 bytecodes/sec; 1453344 sends/sec 45878136 bytecodes/sec; 1473940 sends/sec 45584045 bytecodes/sec; 1471334 sends/sec 45714285 bytecodes/sec; 1473940 sends/sec 45390070 bytecodes/sec; 1476556 sends/sec 45551601 bytecodes/sec; 1455887 sends/sec 45714285 bytecodes/sec; 1475247 sends/sec 45325779 bytecodes/sec; 1463569 sends/sec 45551601 bytecodes/sec; 1453344 sends/sec 46142754 bytecodes/sec; 1475247 sends/sec * ************ I\O I\X asm volatile ( "add %0,%0,%2; srw. %0,%0,%1; :"r"( ad dr ),"r" ( last ) ); asm volatile ( "L2: icbi 0,6; add 6,6,%0; add last,last add addr,addr,rc icbi r0, addr ( "li 0,0; dcbz %0,0": : "r"( addr ) ); ,fff++ = 0xFFFFFFFF; rSpace[i] == 0x00 ") > I, > ( "i" ) > 6.2.5.6.5.1. > 6.1.6.4.2.4. > ( "i{ }i" ), > "theshipbuilder*," > "theshipbuilder0," > X*x,~~~~~~~~~~,i > " } .. p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From scientist at o-o.lt Wed Mar 27 00:22:08 2002 From: scientist at o-o.lt (scientist at o-o.lt) Date: Wed, 27 Mar 2002 0:22:8 +0100 Subject: aa Message-ID: <200203262221.AAA76777@mail.is.lt> aa (ah-ah) noun Lava having a rough surface. [From Hawaiian, apparently from the sound one emits on touching the hot lava surface.] Aa is one of the two kinds of lava typically found in Hawaiian volcanoes. The other kind is pahoehoe, one with a smooth, ropy surface. You can see their pictures at: http://volcanoes.usgs.gov/Products/Pglossary/aa.html http://volcanoes.usgs.gov/Products/Pglossary/pahoehoe.html "Aa has a surface that's broken into blocks with sharp, spiny projections." Ian Skilling, Lavas and Life, The World & I (Washington, DC), Jul 1998. "With so much to memorize, trying to recall that aa is a kind of solidified lava or that an ai is a three-toed sloth, would tax the brain unnecessarily. Mr. Keskaroonkul estimates he knows nearly 110,000 words, or nearly 70% of Webster's New World Dictionary, published by Merriam-Webster. In comparison, the average college graduate is said to have an active vocabulary of 10,000 to 15,000 words." Joseph Pereira, Hard Scrabble: Thais Who Play Very Well Learn the Dictionary -- But Some Have No Idea at All What the Words Mean; Why Clutter Up the Mind?, The Wall Street Journal (New York), Jul 19, 1999. This week's theme: words that seem unreal. Today's AWAD is sponsored by NannyTax, Inc., offering on-line tax preparation and payroll tax compliance services to employers of domestic help. Please visit http://www.nannytax.com Reach 532739 readers with your message here. Contact us at sponsor at wordsmith.org. ............................................................................. The happiest is the person who suffers the least pain; the most miserable who enjoys the least pleasure. -Jean-Jacques Rousseau, philosopher and author (1712-1778) AWAD on your Website: http://wordsmith.org/awad/add.html Gift subscription: http://wordsmith.org/awad/gift.html Bulletin board: http://wordsmith.org/board AWAD archives: http://wordsmith.org/awad/archives.html Pronunciation: http://wordsmith.org/words/aa.wav http://wordsmith.org/words/aa.ram p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From scientist at o-o.lt Wed Mar 27 00:21:44 2002 From: scientist at o-o.lt (scientist at o-o.lt) Date: Wed, 27 Mar 2002 0:21:44 +0100 Subject: ha-ha Message-ID: <200203262221.AAA76767@mail.is.lt> ha-ha (ha-ha) noun Sunk fence. [From French haha, reduplicative of ha!, exclamation of surprise, that might come out when tripped by such an obstacle.] "They covet our haha fences, tucked out of view by ditches and so named because of their surprise value." Tina Kelley, Zoo Nice To See You: Woodland Park Basks In Spotlight, The Seattle Post-Intelligencer, Sep 19, 1995. Instead of explaining in a thousand words what a ha-ha looks like, I'll show you a picture: http://www.yale.edu/yup/images/bormann3.jpg Etymologists claim we got the word ha-ha from ha!, the sound one might exclaim on getting tripped by that trap, otherwise known as a sunken fence. I'm sure they have done their research and are right. But I can't help thinking it might have been derived from the laughter of a French aristocrat when an unsuspecting guest tripped while visiting his chateau. Ah-ha, that gives me an idea, just in time for this April Fool's Day! I think I'll call a landscape designer. "Hi, Mr. Dougwell? I'd like to order a ha-ha around my apartment." "You'd like to order what?" "Ha-ha! You think you can do it by next week? I've some visitors coming over. And don't forget to bring your Hard Hat and Hack Hammer." All kidding aside, what's the brouhaha about this thing? In the 18th century someone came up with the clever idea of a fence that let the property owner have an unhindered view of the landscape, giving an illusion of contiguous land, while protecting him from trespass. Here's a fascinating essay on the deeper meanings of ha-ha: http://bsc.edu/~jtatter/borders.html Well, this week's words may give you an impression that I'm playing an April Fool's prank on you, but that's not true. All words featured this week, as in any week, are "real" dictionary words. -Anu Today's AWAD is sponsored by NannyTax, Inc., offering on-line tax preparation and payroll tax compliance services to employers of domestic help. Please visit http://www.nannytax.com ............................................................................. Solitude, though it may be silent as light, is like light, the mightiest of agencies; for solitude is essential to man. All men come into this world alone; all leave it alone. -Thomas De Quincey, writer (1785-1859) Send your comments to anu at wordsmith.org. To subscribe or unsubscribe, send a message to wsmith at wordsmith.org with "Subject:" line as "subscribe " or "unsubscribe". Archives, FAQ, gift subscription form, bulletin board, and more at http://wordsmith.org/awad/ Pronunciation: http://wordsmith.org/words/ha-ha.wav http://wordsmith.org/words/ha-ha.ram p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From scientist at o-o.lt Wed Mar 27 00:19:30 2002 From: scientist at o-o.lt (scientist at o-o.lt) Date: Wed, 27 Mar 2002 0:19:30 +0100 Subject: Pick a Number between Zero and Infinity... Message-ID: <200203262219.AAA76684@mail.is.lt> ----------------------------------------------------------- http://www.u.arizona.edu/~chalmers/notes/pick-a-number.html ----------------------------------------------------------- Pick a Number between Zero and Infinity... David J. Chalmers From: dave at cogsci.indiana.edu (David Chalmers) Newsgroups: sci.math,sci.math.num-analysis Subject: Re: call for votes: most & least boring numbers Date: 17 Jan 90 20:40:02 GMT In article <18311.25b44848 at merrimack.edu> ain14924 at merrimack.edu writes: Reminds me of a friend of mine who claims that the number 17 is "the most random" number. His proof ran as follows: pick a number. It's not really as good a random number as 17, is it? (Invariable Answer: "Umm, well, no...") This reminds me of a little experiment I did a couple of years ago. I stood on a busy street-corner in Oxford, and asked passers-by to "name a random number between zero and infinity." I was wondering what this "random" distribution would look like. The results: (most common numbers first, out of about 150 responses in all): 3 (11 people) 7 (9 people) 5 (8 people) 12 (6 people) 1, 4, 10, 77 (5 people each) 2, 47, infinity-1 (4 people each) 15, 17, 20, 27 (3 people each) 18, 23, 26, 30, 42, 99 (2 people each) 6, 13, 14, 19, 21, 22, 25, thirteen more 2-digit numbers, twenty 3-digit numbers, twelve 4-digit numbers, one 5-digit number, one 6-digit number, four 7-digit numbers, one 8-digit number, one non-integer (328.39), one huge number (9.265.10^10^10). (1 person each) Of course a uniform distribution is a priori impossible so I couldn't have expected that :-). Even a logarithmic distribution is impossible (it has infinite integral). Interestingly enough, this distribution, taken coarsely, was quite close to logarithmic up to 1000 or so. There were roughly the same number of 2-digit responses as 1-digit responses, and a few less 3-digit reponses. Then things fell off sharply, however. Other interesting features: 17 wasn't quite as "random" as might have been predicted. Extreme frequency of the digit "7" all round. Especially notable are the good performances of 77 and 47. Poor performance of digit "8", also "6" and "9". Both "very prime" (e.g. 17) and "very composite" (e.g. 12) numbers did well. Then I could tell you about the "random word" experiment I did on Sydney harbour...perhaps another time. p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From david at davidstill.org Tue Mar 26 11:45:30 2002 From: david at davidstill.org (David Still) Date: Tue, 26 Mar 2002 11:45:30 +0100 (MET) Subject: job offer Message-ID: <20020326104530.B58401C0A4@s169.widexs.nl> Dear o-o Since our first message I have been very aware of your communication skills. I feel that you demonstrate a number of capacities closely resembling my own, which is why I am approaching you. My company is looking to expand, and is interested in developing its communications staff. Basically, they asked me to find someone with abilities parallel to mine. I am aware that your capacities in IT and communications in general have been underestimated, and would like to see you in the position you deserve. I firmly believe I can offer you a job that will do justice to your talents. With us you would be able to stretch your abilities, and develop your skills. It goes without saying that this would also be attractively reflected in your financial reward. Clearly things are at an early stage. I'm testing the waters to see if you're interested - if you are, we'll take it further. I feel quite certain you could join our team, and have every faith that you could do the job equally as well as me. Please let me know if I've managed to trigger your interest in what could be, I'm sure, a fascinating career move. David Still ______________________________ Free as freeware, human as you http://davidstill.org/news p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From master_of_many_etwas at o-o.lt Tue Mar 26 09:28:43 2002 From: master_of_many_etwas at o-o.lt (master_of_many_etwas at o-o.lt) Date: Tue, 26 Mar 2002 9:28:43 +0100 Subject: [ x ][ o ]( 25-3-2002-19:35 )[ red.green ][ 3, '4', 5, 8, 6, 1, 7, 9, 2 ] Message-ID: <200203260727.JAA03635@pukuveras.is.lt> yawn kafkian At 2002.03.25 20:02:00, you wrote: >The art of carpet weaving in o-o is deeply connected with the >culture and the customs of the people of this comunity and it >sources from their instinctive feelings. > > >Johan Meskens CS2 jmcs2 wrote: > >> ( "plural and "a"->"an" >> ( "the \s switch for spaces. i.e. >> ( "from 's'to's' >> ( >> ( "interpreting zero >> ( "dropping to, > >M>)\^(BT2`0:0"``$```````!``$``0>0!@`(````Y`0```````#H``$(@`<` >M&````$E032Y-:6-R;W-O9G0 at 36%I;"Y.;W1E`#$(`0N``0`M````-#8V1CM-D0R,#M``X```#2!P,`&0`-``8`+``!`#4!`2"``P`.````T@<#`!D`#0`&`"P``0`U >M`0$)@`$`(0```#DY-C1!.#4Q,C!&-S$Q-$8X044Q,T(U04(P,3)".39%`!L' >M`02``0`N````1F]R1F]R;2!P;W-T960 at 9G)O;2!-:6-R;W-O9G0 at 26YT97)N970@ >M17AP;&]R97(N`/40`0V`!``"`````@`"``$#D`8`)`0``"`````#`"8````` >M`$``.0"`+7K2)]3!`0,`\3\)!```'@`Q0`$````+````0TQ93D=!4DM/4P`` >M`P`:0``````>`#!``0````L```!#3%E.1T%22T]3```#`!E```````(!"1`! >M````:@```&8```#"````3%I&=:?$I_*'``H!#0-#=&5X=`'W_P*D`^0%ZP*# >M`%`"\P:T`H,F,@/%`@!C:`K`MT`,P;XAB:F$"0'!H(!A@"PJC"H!]&1````,`_3_D!```'@!P``$````N```` >M1F]M1F]M1F]R;2!P;W-T960 at 9G)O;2!-:6-R;W-O9G0 at 26YT97)N970 at 17AP;&]R97(N >M`````@%Q``$````6`````<'4)])Z%'X+7SN;1^>N&5W8-E4BGP```@%'``$` >M```\````8SU54SMA/2`[<#U,:71H;VYI82!!9V5N=',[;#U!-#M,2TP,C`S,C4Q.#`V-#1:+3$W-S(``@'Y/P$```!5`````````-RG0,C`0A`: >MM+D(`"LOX8(!`````````"]//4Q)5$A/3DE!($%'14Y44R]/53U!1U0T-S$O >M0TX]4D5#25!)14Y44R]#3CU#3%E.1T%22T]3`````!X`^#\!````&````$QY >M;F=AM``(!^S\!````50````````#M251(3TY)02!!1T5.5%,O3U4]04=4-#M3D=!4DM/4P`````>`/H_`0```!@```!,>6YG87)K;W,L($-HM+@`>`#E``0````L```!#3%E.1T%22T]3``!```MTB?4P0$>`#T``0````$`````````'@`=#@$````N````1F]R;2!P;W-T960@ >M9G)M9G)O;2!-:6-R;W-O9G0 at 26YT97)N970 at 17AP;&]R97(N````'@`U$`$```!+ >M````/$1&0C$S.#)!13$V-C(U-$-!1C$S13=%,#DS,CM-S%315)615(Q+D%'14Y4-#M```````+`",```````,`!A```````P`'$``````#`!`0``````,`$1`````` >M'@`($`$````!``````````(!?P`!````2P```#Q$1D(Q,S at R044Q-C8R-31# >M048Q,T4W13`Y,S(W.#DQ0C$R.$4U0T!!-#M:6=H=&EN9RYN970^``"<[0("D`8`#@````$``````"``(```````00`"$H`# >M``X```#2!P,`&0`-``8`*@`!`#,!`A.``P`.````T@<#`!D`#0`&`"H``0`S >M`0(0@`$`#0```%!/4U1$051!+D%45`!W`P(1@`8`N`T```$`"0```]P&```` >M`"$&``````4````)`@`````%`````0+___\`I0```$$+Q@"(`"``(``````` >M(``@```````H````(````$`````!``$````````!```````````````````` >M`````````/___P`````````````````````````````````````````````` >M```````````````````````````````````````````````````````````` >M```````````````````````````````````````````````````````````` >M`````/````/P```#\````_````/P```#\````_````/P```#\````_````/P >M```#\````_````/P```#\````_````/P```#\````_````/P```#\````_`` >M``/P```#\````_````/P```#\```!_````_P```?\```/_```'_P``#_(08` >M`$$+1@!F`"``(```````(``@```````H````(````"`````!`!@````````, >M```````````````````````````````````````````````````````````` >M```````````````````````````````````````````````````````````` >M````````````````````````````````````````````````A(:$QL?&QL?& >MQL?&QL?&QL?&QL?&QL?&QL?&QL?&QL?&QL?&QL?&QL?&QL?&QL?&QL?&QL?& >MQL?&QL?&QL?&QL?&QL?&QL?&QL?&````````````````````````````A(:$ >M____________________________________________________________ >M________________________________QL?&```````````````````````` >M````A(:$____________________________________________________ >M________________________________________QL?&```````````````` >M````````````A(:$____________________________________________ >M________________________________________________QL?&```````` >M````````````````````A(:$____________ > >p____________o____________s_____________t >a r c h i v e http://www.o-o.lt/post > >. > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From ------.--- at asco-o.com Tue Mar 26 03:12:59 2002 From: ------.--- at asco-o.com (------.--- at asco-o.com) Date: Tue, 26 Mar 2002 03:12:59 +0100 Subject: [ x ][ o ]( 25-3-2002-19:35 )[ red.green ][ 3, '4', 5, 8, 6, 1, 7, 9, 2 ] References: <008e01c1d42b$aa0ac7c0$b3b307d5@jmcs2> <3C9F743C.5070600@o-o.lt> <00f201c1d431$5ef3b340$b3b307d5@jmcs2> <3C9F7AEB.5050504@o-o.lt> Message-ID: <3C9FD92B.582DF704@asco-o.com> .... e-eru-utlu-uC gni-inra-ae-eL a-a ni-i sre-entra-aP .e-eru-utlu-uC gni-inra-ae-eL a-a ni-i sre-entra-aP ... .tpi-ircSa-ava-aJ ... u-uo-oY .e-emo-oh o-og o-ot e-ere-eh kci-ilC ... ..::::o-o-%o-oo-o::::o-o:.::::o-o-%o-oo-o::::o-o:.::::o-o-%o-oo-o::::o-o:.::::o-o-%o-oo-o::::o-o: 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-:o-o:o-o%o-o-:o-o::o-oo-o-o-o-:o-o:o-o%o-o-:o-o::o-oo-o-o-o-:o-o:o-o%o-o-:o-o::o-oo-o-o-o-:o-o:o-o%o-o-:o-o::o-oo-o-o-o tso-op/tl.o-o-o-o.www//:ptth e-e v i-i h c r a-a t_____________s____________o-o____________p 0----00----00----00----00----00----00----00----00----00----00----00----0 _ _ _ _ _ _ _ _ _ * _ _ _ | |_) |_| |_ |_| | | | | | | | |_ | | | | | | | | | | | | | | \ | | __| | | |_ |_| |\| |\| |_ |_ | | |_| |\| * |_ |_| |\/| 0----00----00----00----00----00----00----00----00----00----00----00----0 p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From mi_ga at o-o.lt Mon Mar 25 20:30:51 2002 From: mi_ga at o-o.lt (=?ISO-8859-1?Q?=A4?=) Date: Mon, 25 Mar 2002 20:30:51 +0100 Subject: [ x ][ o ]( 25-3-2002-19:35 )[ red.green ][ 3, '4', 5, 8, 6, 1, 7, 9, 2 ] References: <008e01c1d42b$aa0ac7c0$b3b307d5@jmcs2> <3C9F743C.5070600@o-o.lt> <00f201c1d431$5ef3b340$b3b307d5@jmcs2> Message-ID: <3C9F7AEB.5050504@o-o.lt> ... Click here to go home. You ... JavaScript. ... Partners in a Learning Culture. Partners in a Learning Culture ... O-oo::o:-o%o:o:-O-oo::o:-o%o:o:-O-oo::o:-o%o:o:-O-oo::o:-o%o:o:- -oo::O:.-::oOoo:-oo::O:.-::oOoo:-oo::O:.-::oOoo:-oo::O:.-::oOoo: :o:-OoO.-:OOo:o::o:-OoO.-:OOo:o::o:-OoO.-:OOo:o::o:-OoO.-:OOo:o: :o::::-OOOO-:oOo:o::::-OOOO-:oOo-o::::-OOOO-:oOo-o::::-OOOO-:oOo ::-o-o.o:oO:-oo-::-o-o.ooOo-oo-::-:::-::oOo-oo-::-:::-::oOo-oo-: :o-::oo::.:oo:Oo:o-::oo:.oooOo:o-::oo:.-ooo-%o:o-::oo:.-ooo-%o:o ::o-:O:o.o:ooooo::::O::o:o-oOo:--:%o-Ooo-ooO::::-:%o-Ooo-ooO:::: O-o-oOOoOOo:o:--oo-OOOOoooo:o:-oo-OO%O:oo::o-O-o-:OO%O:oo::o-O-o -o:-:o::oOo-::O-o::o:::OOo:-::O-o::o::oOo-::::o:-:o:::oOo-::::o: o-:-oO-o:ooo:o:-::oO::o::ooo:o:-::oO::o::oo::-:OoOOo-:o::oo::-:O :o-:::%::O:O-O:oo::::O%::O:O-O:oo::::O%::O:o%:.:::::o%%::O:o%:.: :-:::-oo::%-:-:-:o:::-oo::%-:-:-:o:::-oo::%-:--o:::--ooo::%-:--o :-o::Ooooo-:-%O-:OO-:Ooooo-:-%O-:OO-:Ooooo-:-O::O-oooooooo-:-O:: :::ooooOoOoo::o::-oooooOoOoo::o::-oooooOoOoo::o::o:OOoo%oOoo::o: o:oooo:::Ooo:-oo::oooo:::Ooo:-oo::oooo:::Ooo:-o:::o::::::Ooo:-o: :o::o::oO-:-.:::o:::o::oO-:-.:::o:::o::oO-:-.::o::o:::o:O-:-.::o o-oo:O::-oOoO-o:-ooo:O::-oOoO-o:-ooo:O::-oOoO-o-oo-Oo::--oOoO-o- o-o::oo:oo-::::-:oO::oo:oo-::::-:oO::oo:oo-:::::oo:OOoo:oo-::::: -o::-o:O-O-:oo-o::-:-o:O-O-:oo-o::-:-o:O-O-:ooo:-:-oo:oO-O-:ooo: O:Ooo:o:ooo:OoO:OOooo:o:ooo:OoO:OOooo:o:ooo:oo:%ooo::O::ooo:oo:% o:oO-o:oo::%Ooo:oO:-o::oo::%Ooo:oO:-o::oo:::ooOO--oo:::oo:::ooOO ::O:o-o:o::oO:-:o:o:-Oo:o::oO:-:o:o:-Oo:o:oO%:%oo:--:Oo:o:oO%:%o O.-:ooOOoo:ooo%O.:ooOO:ooo-Ooo%O.:oo%Oooo:oooo.-:ooO%Oooo:oooo.- O.o::-O:oo:o::o--o:.O:oo:o:o:O--o:.Ooo:o:o:O-O.o:o.Ooo:o:o:O-O.o oOO:-oo::oo%oo-:ooo-oo-ooOO:-o:oo-Oo:OooO:--ooOoo-Oo:OooO:--ooOo ooo:oO:Ooo:oo%o:ooo:o:OooO:#o:ooO:ooOoo-O:%%o:ooO:ooOoo-O:%%o:oo oo:ooo-o%-:%o:o:oo:ooo-OO-%ooo-oo:Oo:::%:-%ooo-oo:Oo:::%:-%ooo-o O:O:o:o:%::Oo:oOO:O:o:o:%::Oo:oOO:O:o:o:%::Oo:oOO:O:o:o:%::Oo:oO Oo:o:o:-Oo::oo-oOo:o:o:-Oo::oo-oOo:o:o:-Oo::oo-oOo:o:o:-Oo::oo-o ::::o::::o:ooO-O::::o::::o:ooO-O::::o::::o:ooO-O::::o::::o:ooO-O :o:-o::o-::::%Oo:o:-o::o-::::%Oo:o:-o::o-::::%Oo:o:-o::o-::::%Oo :o::::OO%-o::::.:o::::OO%-o::::.:o::::OO%-o::::.:o::::OO%-o::::. p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Mon Mar 25 20:15:04 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Mon, 25 Mar 2002 20:15:04 +0100 Subject: [ x ][ o ]( 25-3-2002-19:35 )[ red.green ][ 3, '4', 5, 8, 6, 1, 7, 9, 2 ] References: <008e01c1d42b$aa0ac7c0$b3b307d5@jmcs2> <3C9F743C.5070600@o-o.lt> Message-ID: <00f201c1d431$5ef3b340$b3b307d5@jmcs2> ( "teach me the culture and the customs of the people of this community and my day will have been worthwhile.learnt something" ) From: "?" > The art of carpet weaving in o-o is deeply connected with the > culture and the customs of the people of this comunity and it > sources from their instinctive feelings. > > > Johan Meskens CS2 jmcs2 wrote: > > > ( "plural and "a"->"an" > > ( "the \s switch for spaces. i.e. > > ( "from 's'to's' > > ( > > ( "interpreting zero > > ( "dropping to, > > M>)\^(BT2`0:0"``$```````!``$``0>0!@`(````Y`0```````#H``$(@`<` > M&````$E032Y-:6-R;W-O9G0 at 36%I;"Y.;W1E`#$(`0N``0`M````-#8V1C M-D0R,# M``X```#2!P,`&0`-``8`+``!`#4!`2"``P`.````T@<#`!D`#0`&`"P``0`U > M`0$)@`$`(0```#DY-C1!.#4Q,C!&-S$Q-$8X044Q,T(U04(P,3)".39%`!L' > M`02``0`N````1F]R1F]R;2!P;W-T960 at 9G)O;2!-:6-R;W-O9G0 at 26YT97)N970@ > M17AP;&]R97(N`/40`0V`!``"`````@`"``$#D`8`)`0``"`````#`"8````` > M`$``.0"`+7K2)]3!`0,`\3\)!```'@`Q0`$````+````0TQ93D=!4DM/4P`` > M`P`:0``````>`#!``0````L```!#3%E.1T%22T]3```#`!E```````(!"1`! > M````:@```&8```#"````3%I&=:?$I_*'``H!#0-#=&5X=`'W_P*D`^0%ZP*# > M`%`"\P:T`H,F,@/%`@!C:`K` MT`,P;XAB:F$"0'!H(!A@"PJC"H!]&1````,`_3_D!```'@!P``$````N```` > M1F]M1F]M1F]R;2!P;W-T960 at 9G)O;2!-:6-R;W-O9G0 at 26YT97)N970 at 17AP;&]R97(N > M`````@%Q``$````6`````<'4)])Z%'X+7SN;1^>N&5W8-E4BGP```@%'``$` > M```\````8SU54SMA/2`[<#U,:71H;VYI82!!9V5N=',[;#U!-# M,2TP,C`S,C4Q.#`V-#1:+3$W-S(``@'Y/P$```!5`````````-RG0,C`0A`: > MM+D(`"LOX8(!`````````"]//4Q)5$A/3DE!($%'14Y44R]/53U!1U0T-S$O > M0TX]4D5#25!)14Y44R]#3CU#3%E.1T%22T]3`````!X`^#\!````&````$QY > M;F=A M``(!^S\!````50````````# M251(3TY)02!!1T5.5%,O3U4]04=4-# M3D=!4DM/4P`````>`/H_`0```!@```!,>6YG87)K;W,L($-H M+@`>`#E``0````L```!#3%E.1T%22T]3``!``` MTB?4P0$>`#T``0````$`````````'@`=#@$````N````1F]R;2!P;W-T960@ > M9G)M9G)O;2!-:6-R;W-O9G0 at 26YT97)N970 at 17AP;&]R97(N````'@`U$`$```!+ > M````/$1&0C$S.#)!13$V-C(U-$-!1C$S13=%,#DS,C M-S%315)615(Q+D%'14Y4-# M```````+`",```````,`!A```````P`'$``````#`!`0``````,`$1`````` > M'@`($`$````!``````````(!?P`!````2P```#Q$1D(Q,S at R044Q-C8R-31# > M048Q,T4W13`Y,S(W.#DQ0C$R.$4U0T!!-# M:6=H=&EN9RYN970^``"<[0("D`8`#@````$``````"``(```````00`"$H`# > M``X```#2!P,`&0`-``8`*@`!`#,!`A.``P`.````T@<#`!D`#0`&`"H``0`S > M`0(0@`$`#0```%!/4U1$051!+D%45`!W`P(1@`8`N`T```$`"0```]P&```` > M`"$&``````4````)`@`````%`````0+___\`I0```$$+Q@"(`"``(``````` > M(``@```````H````(````$`````!``$````````!```````````````````` > M`````````/___P`````````````````````````````````````````````` > M```````````````````````````````````````````````````````````` > M```````````````````````````````````````````````````````````` > M`````/````/P```#\````_````/P```#\````_````/P```#\````_````/P > M```#\````_````/P```#\````_````/P```#\````_````/P```#\````_`` > M``/P```#\````_````/P```#\```!_````_P```?\```/_```'_P``#_(08` > M`$$+1@!F`"``(```````(``@```````H````(````"`````!`!@````````, > M```````````````````````````````````````````````````````````` > M```````````````````````````````````````````````````````````` > M````````````````````````````````````````````````A(:$QL?&QL?& > MQL?&QL?&QL?&QL?&QL?&QL?&QL?&QL?&QL?&QL?&QL?&QL?&QL?&QL?&QL?& > MQL?&QL?&QL?&QL?&QL?&QL?&QL?&````````````````````````````A(:$ > M____________________________________________________________ > M________________________________QL?&```````````````````````` > M````A(:$____________________________________________________ > M________________________________________QL?&```````````````` > M````````````A(:$____________________________________________ > M________________________________________________QL?&```````` > M````````````````````A(:$____________ > > p____________o____________s_____________t > a r c h i v e http://www.o-o.lt/post > > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From mi_ga at o-o.lt Mon Mar 25 20:02:20 2002 From: mi_ga at o-o.lt (=?ISO-8859-1?Q?=A4?=) Date: Mon, 25 Mar 2002 20:02:20 +0100 Subject: [ x ][ o ]( 25-3-2002-19:35 )[ red.green ][ 3, '4', 5, 8, 6, 1, 7, 9, 2 ] References: <008e01c1d42b$aa0ac7c0$b3b307d5@jmcs2> Message-ID: <3C9F743C.5070600@o-o.lt> The art of carpet weaving in o-o is deeply connected with the culture and the customs of the people of this comunity and it sources from their instinctive feelings. Johan Meskens CS2 jmcs2 wrote: > ( "plural and "a"->"an" > ( "the \s switch for spaces. i.e. > ( "from 's'to's' > ( > ( "interpreting zero > ( "dropping to, M>)\^(BT2`0:0"``$```````!``$``0>0!@`(````Y`0```````#H``$(@`<` M&````$E032Y-:6-R;W-O9G0 at 36%I;"Y.;W1E`#$(`0N``0`M````-#8V1C`#!``0````L```!#3%E.1T%22T]3```#`!E```````(!"1`! M````:@```&8```#"````3%I&=:?$I_*'``H!#0-#=&5X=`'W_P*D`^0%ZP*# M`%`"\P:T`H,F,@/%`@!C:`K`N&5W8-E4BGP```@%'``$` M```\````8SU54SMA/2`[<#U,:71H;VYI82!!9V5N=',[;#U!-#`/H_`0```!@```!,>6YG87)K;W,L($-H`#E``0````L```!#3%E.1T%22T]3``!````#T``0````$`````````'@`=#@$````N````1F]R;2!P;W-T960@ M9G)M9G)O;2!-:6-R;W-O9G0 at 26YT97)N970 at 17AP;&]R97(N````'@`U$`$```!+ M````/$1&0C$S.#)!13$V-C(U-$-!1C$S13=%,#DS,C [ x ][ o ]( 25-3-2002-19:35 )[ red.green ][ 3, '4', 5, 8, 6, 1, 7, 9, 2 ] Message-ID: <008e01c1d42b$aa0ac7c0$b3b307d5@jmcs2> ( "plural and "a"->"an" ( "the \s switch for spaces. i.e. ( "from 's'to's' ( ( "interpreting zero ( "dropping to, s\///\/\/o\ \/\\ //50\ //\\/ 5\ \\ \\ \"/ "6 / 0:l /\/\\/ \\\\\ 0/ \\ 7\\ \\/\/\ 0\/\/\/\/\/\/\/ : \9/ \0/ 2o4 6 \/ \ :\\ /\\ O\\/\/\ / 706 /0(a\/2 \O \ \ \ \ \) \ //o5\ \ /,7 yy/\" /\/ \ /\ /\/\ / \\ \/t /\\6/\,\\ /1 /\/95\/ \ a520(\ \//\ \/\ \/o/i /3\// 2/42il) // \//O\'/\c/\/ \:\/ \\/ \/ /\ // /\\ \\/ \\\ \,/\\ \ a \/ \ \\ \\ \ \/\ "0)0 /\\ \t//\ /\\\95\/\\/\\/\\/ \ \ /\ \/ \\/ \\ / \ \/ \ \/\\/ \ \ / \ \/\ \ / \\ / \ \ /\ \/\\ / \ \/\ \/ \\/ \\/\ \ / \ \/\ \ / \\ / \/,5// \\\/\\/ \ /\a/\\/ h\\/\/\ /\//\\O \/ 0n \ \ /\ O \\/\\\\\/\\'8/a.423//\.8H("nti\\0/: / 6\ \/20// \/\\\ // \ \ /\(:// S 5o\\/\ \/\\/ \ \ / \ \/\ \/\\/\\ / \\/\ \/ \ \/ \\ / \ \ /\/\\8 3 \/\/\ \ \\ \\ .042ooo oo \\/ \ \/\\/ \ \/ \\ / \ \/\\ /\ \\\/:\0 //\ \ \/3.//2\\ \\\\\ \\/ \ e\ \ 3 0.5178\\ \3 \/\ / b \\/\/\\'/ 2 \ \\\0. 51 7 7 n \\/ \\/ /\\\\// 65/8061\/\/\/\/\/\/\/\ ?2o460 21//\\/\\/\/\\5\/ \e7 ,\/O\ \ / \ /\\0 3/\/4///0\/ 9 5\\ 7\\ 953\oooooo/\\/ \) /(/ \O //Z\ /. 5 1\\ // \ \// \/// f\/\\/ \\ \/\/\\/8.A,7:\\\\7/\70\\/\/16\\ \1\\\0\43 5 \am ou n(\// /\ 2/O\\\\\// // \0( /(\ /// \1\ \\\\ \ :29 /e\/\/0' /,/\\/\/\\\\/:\\ / \\ /:\// \r65\\aa i/\/\//\.257 0 /\\ / \\/ /\\ 0t/2 \//\ //\\//\\\d i f \5 /\/ /\/\\\//\\:\ /\\ \\ \i.\\\ao o oo oo/\\// 1\ /\\\/\// \/\\ /\:oooooo/\\/\\/\\/\\/\\/\\/\\/\\/\/ \\ \/ \ :/\6 7\pql //\1 7 \: \//\\/,/\\ \0 9\ 7: \\ \/// \/\ \ / 8 . A,7:\\ \\ 7 / \ 70 \\/\/ 1 6\ //\\9 \\\\\ /(, 1 \ \ \ / t \/n \ \ /\\\ /\/\\//O\ '\ \/\/ff/ 5\3 \/2 1 / \/\7/\/ \\ \/ //\\.0/257/ \ ////\ \1amo\.4 i/ \ 61 \/ \ / \ / \/\ / \/ \ / \/\\\/ 78\ //\/ 6770 \\ \ /\" /0 705/ /\/\//( /\3/ \\// \/82 2\\h\/\\/\\\/ \/ \/\\ 9\25/ \ /4// / 0/\595:\/hi/0/\/0.6\ /l/ \\ \\\0.04\ \ \\\ \ /\3\\\5\\ o ooo oo/ \ \ / \ \ /\\/ \\ /\ \/ \\/ \ \ / \ \ /\\/\ \ \ // 00/ \//\/\ //o o o oo o \ \/ \\ / \\ / \\/ \\ 01 04\5 \\\\\\ \\/ \ /\ //\ \/\ \ \0 \0 \ \/\\ 9 53\\:\yy5\\\/c e \O/\/ \\\/\\ \\\ /\\/\ \8\ \\ \4\ /\ 170 /\////\\ \// 22\/\\/\\\d\/\ /\/ \ / \ / \/ \\/2 ,/\//:e \\\//\/:\\ 7( \ \/ \\\i\ :oooooo\\/\\/\\/\\/\\/\\/\\0n/\/\ \//O 0n\822\ /\\/\\ ///// \3\O\ \\/0. 0429\ /3 /? "ai a \ \/ ql\ /\\ /\/ /\\\ \ //, 0 t/ t/ /\"/\/\/\/\/\5 :\/h i/0/theS\ /\0 \O\ /\/\0(a \ / /\ / /,/\\ ..\/\\/ \ /\:( 0 0 5 /\8\ /\\ \/\ 2 \\ \ /p \. /u/\\/ / \ / / \/:/\ \u\ ,:(\/\3 \/\\" \ 5/ )\/\\\1\/\0 5\/\s .. .. p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From scientist at o-o.lt Mon Mar 25 00:48:04 2002 From: scientist at o-o.lt (scientist at o-o.lt) Date: Mon, 25 Mar 2002 0:48:4 +0100 Subject: citate Message-ID: <200203242247.AAA03362@mail.is.lt> Yes. Some times one is led to think that Wittgenstein would have done wonders working for the "Mad" magazine -- at least A. Jaffee's column "Snappy answers to stoopid questions". J L Speranza [analytic] Digest Number 374 p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From refertofriend at reply.yahoo.com Sun Mar 24 20:38:25 2002 From: refertofriend at reply.yahoo.com (Yahoo! Finance) Date: Sun, 24 Mar 2002 11:38:25 PST Subject: Yahoo! Finance Story - Yahoo - Techs Still Crazy After All These Years Message-ID: <200203242244.g2OMi3M15544@news.konferencijos.lt> An HTML attachment was scrubbed... URL: http://www.o-o.lt/pipermail/post/attachments/20020324/1d8e3213/attachment.htm From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Sat Mar 23 19:42:10 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Sat, 23 Mar 2002 19:42:10 +0100 Subject: [ x ][ o ]( 23-3-2002-19:15 )[ | |.blue.yellow ][ '5.rejecthen5', 7, '4', 3, 1, 2, 8, 9, 6 ] References: <200203231821.UAA18127@mail.is.lt> Message-ID: <00f901c1d29c$8476e4c0$683b07d5@jmcs2> ( "abc > ^perte_ccaparr" )diem > cab > rpertca rpeca > cab > carpertre pca > cab > cpertre parca > cab > cre parpertca > cab > ccaparre rtpe > abc > ccapar pertre ----- Original Message ----- From: "|{.f|." > abc > carpert carpe. > > At 2002.03.23 19:17:00, you wrote: > >aaaaabaac p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From ke_an at o-o.lt Sat Mar 23 20:22:02 2002 From: ke_an at o-o.lt (|{.f|.) Date: Sat, 23 Mar 2002 20:22:2 +0100 Subject: [ x ][ o ]( 23-3-2002-19:15 )[ | |.blue.yellow ][ '5.rejecthen5', 7, '4', 3, 1, 2, 8, 9, 6 ] Message-ID: <200203231821.UAA18127@mail.is.lt> abc carpert carpe. At 2002.03.23 19:17:00, you wrote: >aaaaabaacaadaaeaafaagaahaaiaajaakaalaamaanaaoaapaaqaaraasaataauaavaawaaxaayaazabaabbabcabdabeabfabgabhabiabjab >kablabmabnaboabpabqabrabsabtabuabvabwabxabyabzacaacbaccacdaceacfacgachaciacjackaclacmacnacoacpacqacracsactacua >cvacwacxacyaczadaadbadcaddadeadfadgadhadiadjadkadladmadnadoadpadqadradsadtaduadvadwadxadyadzaeaaebaecaedaeeaef >aegaehaeiaejaekaelaemaenaeoaepaeqaeraesaetaeuaevaewaexaeyaezafaafbafcafdafeaffafgafhafiafjafkaflafmafnafoafpaf >qafrafsaftafuafvafwafxafyafzagaagbagcagdageagfaggaghagiagjagkaglagmagnagoagpagqagragsagtaguagvagwagxagyagzahaa >hbahcahdaheahfahgahhahiahjahkahlahmahnahoahpahqahrahsahtahuahvahwahxahyahzaiaaibaicaidaieaifaigaihaiiaijaikail >aimainaioaipaiqairaisaitaiuaivaiwaixaiyaizajaajbajcajdajeajfajgajhajiajjajkajlajmajnajoajpajqajrajsajtajuajvaj >wajxajyajzakaakbakcakdakeakfakgakhakiakjakkaklakmaknakoakpakqakraksaktakuakvakwakxakyakzalaalbalcaldalealfalga 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JohanMeskensCS2 at ChromaticSpaceAndWorld.com Sat Mar 23 19:17:05 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Sat, 23 Mar 2002 19:17:05 +0100 Subject: [ x ][ o ]( 23-3-2002-19:15 )[ | |.blue.yellow ][ '5.rejecthen5', 7, '4', 3, 1, 2, 8, 9, 6 ] Message-ID: <003701c1d297$201f4760$683b07d5@jmcs2> aaaaabaacaadaaeaafaagaahaaiaajaakaalaamaanaaoaapaaqaaraasaataauaavaawaaxaayaazabaabbabcabdabeabfabgabhabiabjab kablabmabnaboabpabqabrabsabtabuabvabwabxabyabzacaacbaccacdaceacfacgachaciacjackaclacmacnacoacpacqacracsactacua cvacwacxacyaczadaadbadcaddadeadfadgadhadiadjadkadladmadnadoadpadqadradsadtaduadvadwadxadyadzaeaaebaecaedaeeaef aegaehaeiaejaekaelaemaenaeoaepaeqaeraesaetaeuaevaewaexaeyaezafaafbafcafdafeaffafgafhafiafjafkaflafmafnafoafpaf qafrafsaftafuafvafwafxafyafzagaagbagcagdageagfaggaghagiagjagkaglagmagnagoagpagqagragsagtaguagvagwagxagyagzahaa 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rbzrczrdzrezrfzrgzrhzrizrjzrkzrlzrmzrnzrozrpzrqzrrzrszrtzruzrvzrwzrxzryzrzzsazsbzsczsdzsezsfzsgzshzsizsjzskzsl zsmzsnzsozspzsqzsrzsszstzsuzsvzswzsxzsyzszztaztbztcztdzteztfztgzthztiztjztkztlztmztnztoztpztqztrztszttztuztvzt wztxztyztzzuazubzuczudzuezufzugzuhzuizujzukzulzumzunzuozupzuqzurzuszutzuuzuvzuwzuxzuyzuzzvazvbzvczvdzvezvfzvgz vhzvizvjzvkzvlzvmzvnzvozvpzvqzvrzvszvtzvuzvvzvwzvxzvyzvzzwazwbzwczwdzwezwfzwgzwhzwizwjzwkzwlzwmzwnzwozwpzwqzwr zwszwtzwuzwvzwwzwxzwyzwzzxazxbzxczxdzxezxfzxgzxhzxizxjzxkzxlzxmzxnzxozxpzxqzxrzxszxtzxuzxvzxwzxxzxyzxzzyazybzy czydzyezyfzygzyhzyizyjzykzylzymzynzyozypzyqzyrzyszytzyuzyvzywzyxzyyzyzzzazzbzzczzdzzezzfzzgzzhzzizzjzzkzzlzzmz znzzozzpzzqzzrzzszztzzuzzvzzwzzxzzyzzz p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From ke_an at o-o.lt Sat Mar 23 20:20:02 2002 From: ke_an at o-o.lt (|{.f|.) Date: Sat, 23 Mar 2002 20:20:2 +0100 Subject: Fw: http://www.7-11.org Message-ID: <200203231819.UAA17958@mail.is.lt> >From: Christine Hall >To: ke_an at o-o.lt >Subject: http://www.7-11.org Y.it's me. >Hi > >I visited http://www.7-11.org, and noticed that you're not listed on some search engines! I think we can >offer you a service which can help you increase traffic and the number of visitors to your website. > >I would like to introduce you to TrafficMagnet.net. 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Fri, 22 Mar 2002 12:23:35 +0100 Subject: the spring is coming Message-ID: <3C9B1437.2050205@o-o.lt> http://www.smufsa.nu/money/karaoke.mov Money, money, money Must be funny In the rich man's world Money, money, money Always sunny In the rich man's world Aha-ahaaa All the things I could do If I had a little money It's a rich man's world p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From master_of_many_etwas at o-o.lt Fri Mar 22 01:38:15 2002 From: master_of_many_etwas at o-o.lt (master_of_many_etwas at o-o.lt) Date: Fri, 22 Mar 2002 1:38:15 +0100 Subject: [ x ][ o ]( 21-3-2002-23:07 )[ black.yellow ][ 3.., '4+7', 5, 8, 6, 1, 7, 9, 2 ] Message-ID: <200203212337.BAA89108@mail.is.lt> gegen sraffa.00 excess. critisized mr. wtt.[was moved!]38'56' pour language+mit+keine-philosophy denn _n/ At 2002.03.21 23:52:00, you wrote: >'und etwas frege' > > > >----- Original Message ----- >From: >To: >Sent: Friday, March 22, 2002 12:00 AM >Subject: Re: Re: [ x ][ o ]( 21-3-2002-23:07 )[ black.yellow ][ 3.., '4+7', 5, 8, 6, 1, 7, 9, 2 ] > > >> At 2002.03.22 00:19:00, you wrote: >> >At 2002.03.21 23:12:00, you wrote: >> >>'the concept of addition', adding >> >> >> >>( "a comparison" ) >> >>( "the concept of location" ) >> >>( "the location of color", a color ) >> >>( "the location of number", a number ) >> >>( "the concept of zero" ) >> >>( "the location zer0ed, meliat, dradria,triankq )" >> >>.. >> >Bloomsberry language >> > \ >> >>the^t ngineengi> ^the engine >> >>thei.theinthei.thei> thei.thein >> >>and otheranot box> and another box >> >>ngt> theingang >> >>i am g> i am malfunctioning >> keynesian cross >> >>the ipbuildershipbuil spottedspotte the dot> the shipbuilder spotted the dot >> >>he pilledspill it ithwi peechspee> he spilled it with speech >> >>i meh> i meh >> >>t veh to l you the ruthtru> might have to tell you the truth >> >>a am> a am >> >>amanama aidsa llthealallthe ldt had eallthd d|butchan onlyonl didthhedi> aman said alltheal theworld had >> >>thdeall changed|but only hedidth >> >>therether was a d> there was a bend >> >>tru> tru >> >>tru> tru >> >>tryntry> tryn >> >>t> t >> master_of_many_etwas at o-o.lt >> >>tryntry> tryn >> >>g to nbendunbe> trying to unbend >> >>uriusort'couriu> 'couriusort >> >>e e on top is elyun the one to be experiencedexperience> 'the space on top is unlikely the one to be >> >>experienced >> >>i,p erien,terie ter,pte te,pe s> perei, terien, pter, perte, s >> >>n the> then the >> >>e.> e. >> >>te.> te. >> >>the end of a eneli as as n n"" , iradi> the end of a liene as as asuloutinon "solution" ment.e, dira >> >>etal'me und t rehungdrehu> 'metal und t drehung >> >>t ; und ua> foundt i,d; und ua >> >>u.A> u.A >> >>_._> _._ >> >>ck.anderdesck.a w derde istri,',dis , elm all , o.,c> desck.ander w deskander ',distri, "cande, mittel all >, >> >>ciro.,i >> >>he' e nderto,undert op , e,e expire,expire ,,e> 'the space underto, op , expire, expire, exprie,, >> >>the end as s hnt> the end as s tehn >> >>thenthe the> then the >> >>ee.> ee. >> >>e.t ,> tee. , >> >>i htm heaveheav to telltel you the h> i meight heave to tell you the truth >> >>ll" i r forgotforgo is gatheredgathere re"he> "all i ever forgot is gathered here" >> >>a n> a n >> >>ersnu as nsc> numbers as collections >> >>bersnum as , o> numbers as sets, o >> >>sts'c> 'collests >> >>'i gthmi the nth> 'i migth the nth >> >>l outhyou> 'tell youth >> >>h tru> 'theth tru >> >>'tru,'tru n,t t> 'tru, trun, t >> >>'do eapeatireap ?> 'do ireapeat ? >> >>'do reappearireappe .?> 'do ireappear .? >> >>oi,'d ? et andolio,quandol nsase> 'doi, ? et quandolio, sensa >> >>elyun to> unlikely to >> >>lyu the one to> unlikely the one to >> >>the t gem illwi be rittenwirit> the next message will be wiritten >> >>the nextnex e rithenwirit l be a oman,woma bie and bie> the next message wirithen will be a woman, bie and >bie >> >>"i am uallysexu ientedorien> "i am sexually oriented >> >>"i am sexuallysexuall tedor and us ?> "i am sexually oriented and us ? >> >>the malefem of sex reh> the female of sex here >> >>ndk> kind >> >>hildchi> child >> >>'a ertaincerta t of e> 'a certain amount of time >> >>'a certaincertai untam of e> 'a certain amount of time >> >>a erteancerte t of e ssedadr> a certean amount of time adressed >> >>r> "aaver >> >>'a rtaincert untam of rgyen> 'a certain amount of energy >> >>'a aince ountamo of ergyene> 'a certain amount of energy >> >>a rtiancert nta of ergyene d> a certian amount of energy adressed >> >>ungre> reichtingung >> >>a b> a b >> >>a nuinegenu voicevoic ( e s are re"ra )> a genuine voice ( "genuine voices are rare" ) >> >>e and siredes> force and desire >> >>tige'de ilmfi f?r enw , ea> 'derichtige film f?r welchen anlass', ea >> >>she doesdoe> she does >> >>she oesdo not> she does not >> >>she 'td> she doesn't >> >>he doesdoe too> he does too >> >>he oesdo t> he does toon't >> >>e esamtgesa n'tdo not [ y, at5 ]> 'the gesamt don't not [ y, at5 ] >> >>in eenbe urespic of nau> in between pictures of nau >> >>in betweenbetwee esp of naturenatur and naturenatur i tyc> in between pictures of nature and nature i >chosity >> >>( at" is a triangletriangl as to the cationdeifi of a lec it is ot"no )> ( "what is a triangle as to the >> >>deification of a circle it is not" ) >> >>tew akenlymesta i dti of why> wirote mestakenly i inst?dt of why >> >>app> app >> >>whi WI> whi WI >> >>'da n'h ' and d the air hatth oundedsurro him> 'da hinten' ' and slapped the air that surrounded him >> >>( i t veh l th,th st. acradia> ( i might have toell thruth, st. diacra >> >>ndh sta air> hand against air >> >>"i don'tdon' likelik r"a> "i don't like air" >> >>ONSOUNDTONSOU> TONSOUND >> >>an owl h eyesine n can n headtsh hreethr imestim nda the d> an owl with inerteyes turn can turn tshead >three >> >>times around the world >> >>lyo to see> only to see >> >>( this"th belongsomewherelse"belongsomewherelse )> ( "this belongsomewherelse" ) >> >>caramas and emaci> mascara and cinema >> >>i skedask her thenthe i met her> i asked her then i met her >> >>hat'w is l and hatwh n'tis ?'> 'what is real and what isn't ?' >> >>she d i was owedall> she said i was allowed >> >>ine^e> ^engine >> >>.. >> >>'addedingD(------)' >> >>'a d d n D, 0, ' >> >>'zOOOOO, >> >>_ >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >>p____________o____________s_____________t >> >>a r c h i v e http://www.o-o.lt/post >> >> >> >>. >> >> >> > >> > >> >p____________o____________s_____________t >> >a r c h i v e http://www.o-o.lt/post >> > >> > >> >> p____________o____________s_____________t >> a r c h i v e http://www.o-o.lt/post >> >> > >p____________o____________s_____________t >a r c h i v e http://www.o-o.lt/post > > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Thu Mar 21 23:52:44 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Thu, 21 Mar 2002 23:52:44 +0100 Subject: [ x ][ o ]( 21-3-2002-23:07 )[ black.yellow ][ 3.., '4+7', 5, 8, 6, 1, 7, 9, 2 ] References: <200203212221.AAA85110@mail.is.lt> Message-ID: <021e01c1d12b$1e9896c0$8f0406d5@jmcs2> 'und etwas frege' ----- Original Message ----- From: To: Sent: Friday, March 22, 2002 12:00 AM Subject: Re: Re: [ x ][ o ]( 21-3-2002-23:07 )[ black.yellow ][ 3.., '4+7', 5, 8, 6, 1, 7, 9, 2 ] > At 2002.03.22 00:19:00, you wrote: > >At 2002.03.21 23:12:00, you wrote: > >>'the concept of addition', adding > >> > >>( "a comparison" ) > >>( "the concept of location" ) > >>( "the location of color", a color ) > >>( "the location of number", a number ) > >>( "the concept of zero" ) > >>( "the location zer0ed, meliat, dradria,triankq )" > >>.. > >Bloomsberry language > > \ > >>the^t ngineengi> ^the engine > >>thei.theinthei.thei> thei.thein > >>and otheranot box> and another box > >>ngt> theingang > >>i am g> i am malfunctioning > keynesian cross > >>the ipbuildershipbuil spottedspotte the dot> the shipbuilder spotted the dot > >>he pilledspill it ithwi peechspee> he spilled it with speech > >>i meh> i meh > >>t veh to l you the ruthtru> might have to tell you the truth > >>a am> a am > >>amanama aidsa llthealallthe ldt had eallthd d|butchan onlyonl didthhedi> aman said alltheal theworld had > >>thdeall changed|but only hedidth > >>therether was a d> there was a bend > >>tru> tru > >>tru> tru > >>tryntry> tryn > >>t> t > master_of_many_etwas at o-o.lt > >>tryntry> tryn > >>g to nbendunbe> trying to unbend > >>uriusort'couriu> 'couriusort > >>e e on top is elyun the one to be experiencedexperience> 'the space on top is unlikely the one to be > >>experienced > >>i,p erien,terie ter,pte te,pe s> perei, terien, pter, perte, s > >>n the> then the > >>e.> e. > >>te.> te. > >>the end of a eneli as as n n"" , iradi> the end of a liene as as asuloutinon "solution" ment.e, dira > >>etal'me und t rehungdrehu> 'metal und t drehung > >>t ; und ua> foundt i,d; und ua > >>u.A> u.A > >>_._> _._ > >>ck.anderdesck.a w derde istri,',dis , elm all , o.,c> desck.ander w deskander ',distri, "cande, mittel all , > >>ciro.,i > >>he' e nderto,undert op , e,e expire,expire ,,e> 'the space underto, op , expire, expire, exprie,, > >>the end as s hnt> the end as s tehn > >>thenthe the> then the > >>ee.> ee. > >>e.t ,> tee. , > >>i htm heaveheav to telltel you the h> i meight heave to tell you the truth > >>ll" i r forgotforgo is gatheredgathere re"he> "all i ever forgot is gathered here" > >>a n> a n > >>ersnu as nsc> numbers as collections > >>bersnum as , o> numbers as sets, o > >>sts'c> 'collests > >>'i gthmi the nth> 'i migth the nth > >>l outhyou> 'tell youth > >>h tru> 'theth tru > >>'tru,'tru n,t t> 'tru, trun, t > >>'do eapeatireap ?> 'do ireapeat ? > >>'do reappearireappe .?> 'do ireappear .? > >>oi,'d ? et andolio,quandol nsase> 'doi, ? et quandolio, sensa > >>elyun to> unlikely to > >>lyu the one to> unlikely the one to > >>the t gem illwi be rittenwirit> the next message will be wiritten > >>the nextnex e rithenwirit l be a oman,woma bie and bie> the next message wirithen will be a woman, bie and bie > >>"i am uallysexu ientedorien> "i am sexually oriented > >>"i am sexuallysexuall tedor and us ?> "i am sexually oriented and us ? > >>the malefem of sex reh> the female of sex here > >>ndk> kind > >>hildchi> child > >>'a ertaincerta t of e> 'a certain amount of time > >>'a certaincertai untam of e> 'a certain amount of time > >>a erteancerte t of e ssedadr> a certean amount of time adressed > >>r> "aaver > >>'a rtaincert untam of rgyen> 'a certain amount of energy > >>'a aince ountamo of ergyene> 'a certain amount of energy > >>a rtiancert nta of ergyene d> a certian amount of energy adressed > >>ungre> reichtingung > >>a b> a b > >>a nuinegenu voicevoic ( e s are re"ra )> a genuine voice ( "genuine voices are rare" ) > >>e and siredes> force and desire > >>tige'de ilmfi f?r enw , ea> 'derichtige film f?r welchen anlass', ea > >>she doesdoe> she does > >>she oesdo not> she does not > >>she 'td> she doesn't > >>he doesdoe too> he does too > >>he oesdo t> he does toon't > >>e esamtgesa n'tdo not [ y, at5 ]> 'the gesamt don't not [ y, at5 ] > >>in eenbe urespic of nau> in between pictures of nau > >>in betweenbetwee esp of naturenatur and naturenatur i tyc> in between pictures of nature and nature i chosity > >>( at" is a triangletriangl as to the cationdeifi of a lec it is ot"no )> ( "what is a triangle as to the > >>deification of a circle it is not" ) > >>tew akenlymesta i dti of why> wirote mestakenly i inst?dt of why > >>app> app > >>whi WI> whi WI > >>'da n'h ' and d the air hatth oundedsurro him> 'da hinten' ' and slapped the air that surrounded him > >>( i t veh l th,th st. acradia> ( i might have toell thruth, st. diacra > >>ndh sta air> hand against air > >>"i don'tdon' likelik r"a> "i don't like air" > >>ONSOUNDTONSOU> TONSOUND > >>an owl h eyesine n can n headtsh hreethr imestim nda the d> an owl with inerteyes turn can turn tshead three > >>times around the world > >>lyo to see> only to see > >>( this"th belongsomewherelse"belongsomewherelse )> ( "this belongsomewherelse" ) > >>caramas and emaci> mascara and cinema > >>i skedask her thenthe i met her> i asked her then i met her > >>hat'w is l and hatwh n'tis ?'> 'what is real and what isn't ?' > >>she d i was owedall> she said i was allowed > >>ine^e> ^engine > >>.. > >>'addedingD(------)' > >>'a d d n D, 0, ' > >>'zOOOOO, > >>_ > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >>p____________o____________s_____________t > >>a r c h i v e http://www.o-o.lt/post > >> > >>. > >> > > > > > >p____________o____________s_____________t > >a r c h i v e http://www.o-o.lt/post > > > > > > p____________o____________s_____________t > a r c h i v e http://www.o-o.lt/post > > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From master_of_many_etwas at o-o.lt Fri Mar 22 00:22:05 2002 From: master_of_many_etwas at o-o.lt (master_of_many_etwas at o-o.lt) Date: Fri, 22 Mar 2002 0:22:5 +0100 Subject: [ x ][ o ]( 21-3-2002-23:07 )[ black.yellow ][ 3.., '4+7', 5, 8, 6, 1, 7, 9, 2 ] Message-ID: <200203212221.AAA85110@mail.is.lt> At 2002.03.22 00:19:00, you wrote: >At 2002.03.21 23:12:00, you wrote: >>'the concept of addition', adding >> >>( "a comparison" ) >>( "the concept of location" ) >>( "the location of color", a color ) >>( "the location of number", a number ) >>( "the concept of zero" ) >>( "the location zer0ed, meliat, dradria,triankq )" >>.. >Bloomsberry language > \ >>the^t ngineengi> ^the engine >>thei.theinthei.thei> thei.thein >>and otheranot box> and another box >>ngt> theingang >>i am g> i am malfunctioning keynesian cross >>the ipbuildershipbuil spottedspotte the dot> the shipbuilder spotted the dot >>he pilledspill it ithwi peechspee> he spilled it with speech >>i meh> i meh >>t veh to l you the ruthtru> might have to tell you the truth >>a am> a am >>amanama aidsa llthealallthe ldt had eallthd d|butchan onlyonl didthhedi> aman said alltheal theworld had >>thdeall changed|but only hedidth >>therether was a d> there was a bend >>tru> tru >>tru> tru >>tryntry> tryn >>t> t master_of_many_etwas at o-o.lt >>tryntry> tryn >>g to nbendunbe> trying to unbend >>uriusort'couriu> 'couriusort >>e e on top is elyun the one to be experiencedexperience> 'the space on top is unlikely the one to be >>experienced >>i,p erien,terie ter,pte te,pe s> perei, terien, pter, perte, s >>n the> then the >>e.> e. >>te.> te. >>the end of a eneli as as n n"" , iradi> the end of a liene as as asuloutinon "solution" ment.e, dira >>etal'me und t rehungdrehu> 'metal und t drehung >>t ; und ua> foundt i,d; und ua >>u.A> u.A >>_._> _._ >>ck.anderdesck.a w derde istri,',dis , elm all , o.,c> desck.ander w deskander ',distri, "cande, mittel all , >>ciro.,i >>he' e nderto,undert op , e,e expire,expire ,,e> 'the space underto, op , expire, expire, exprie,, >>the end as s hnt> the end as s tehn >>thenthe the> then the >>ee.> ee. >>e.t ,> tee. , >>i htm heaveheav to telltel you the h> i meight heave to tell you the truth >>ll" i r forgotforgo is gatheredgathere re"he> "all i ever forgot is gathered here" >>a n> a n >>ersnu as nsc> numbers as collections >>bersnum as , o> numbers as sets, o >>sts'c> 'collests >>'i gthmi the nth> 'i migth the nth >>l outhyou> 'tell youth >>h tru> 'theth tru >>'tru,'tru n,t t> 'tru, trun, t >>'do eapeatireap ?> 'do ireapeat ? >>'do reappearireappe .?> 'do ireappear .? >>oi,'d ? et andolio,quandol nsase> 'doi, ? et quandolio, sensa >>elyun to> unlikely to >>lyu the one to> unlikely the one to >>the t gem illwi be rittenwirit> the next message will be wiritten >>the nextnex e rithenwirit l be a oman,woma bie and bie> the next message wirithen will be a woman, bie and bie >>"i am uallysexu ientedorien> "i am sexually oriented >>"i am sexuallysexuall tedor and us ?> "i am sexually oriented and us ? >>the malefem of sex reh> the female of sex here >>ndk> kind >>hildchi> child >>'a ertaincerta t of e> 'a certain amount of time >>'a certaincertai untam of e> 'a certain amount of time >>a erteancerte t of e ssedadr> a certean amount of time adressed >>r> "aaver >>'a rtaincert untam of rgyen> 'a certain amount of energy >>'a aince ountamo of ergyene> 'a certain amount of energy >>a rtiancert nta of ergyene d> a certian amount of energy adressed >>ungre> reichtingung >>a b> a b >>a nuinegenu voicevoic ( e s are re"ra )> a genuine voice ( "genuine voices are rare" ) >>e and siredes> force and desire >>tige'de ilmfi f?r enw , ea> 'derichtige film f?r welchen anlass', ea >>she doesdoe> she does >>she oesdo not> she does not >>she 'td> she doesn't >>he doesdoe too> he does too >>he oesdo t> he does toon't >>e esamtgesa n'tdo not [ y, at5 ]> 'the gesamt don't not [ y, at5 ] >>in eenbe urespic of nau> in between pictures of nau >>in betweenbetwee esp of naturenatur and naturenatur i tyc> in between pictures of nature and nature i chosity >>( at" is a triangletriangl as to the cationdeifi of a lec it is ot"no )> ( "what is a triangle as to the >>deification of a circle it is not" ) >>tew akenlymesta i dti of why> wirote mestakenly i inst?dt of why >>app> app >>whi WI> whi WI >>'da n'h ' and d the air hatth oundedsurro him> 'da hinten' ' and slapped the air that surrounded him >>( i t veh l th,th st. acradia> ( i might have toell thruth, st. diacra >>ndh sta air> hand against air >>"i don'tdon' likelik r"a> "i don't like air" >>ONSOUNDTONSOU> TONSOUND >>an owl h eyesine n can n headtsh hreethr imestim nda the d> an owl with inerteyes turn can turn tshead three >>times around the world >>lyo to see> only to see >>( this"th belongsomewherelse"belongsomewherelse )> ( "this belongsomewherelse" ) >>caramas and emaci> mascara and cinema >>i skedask her thenthe i met her> i asked her then i met her >>hat'w is l and hatwh n'tis ?'> 'what is real and what isn't ?' >>she d i was owedall> she said i was allowed >>ine^e> ^engine >>.. >>'addedingD(------)' >>'a d d n D, 0, ' >>'zOOOOO, >>_ >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >>p____________o____________s_____________t >>a r c h i v e http://www.o-o.lt/post >> >>. >> > > >p____________o____________s_____________t >a r c h i v e http://www.o-o.lt/post > > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From master_of_many_etwas at o-o.lt Fri Mar 22 00:19:14 2002 From: master_of_many_etwas at o-o.lt (master_of_many_etwas at o-o.lt) Date: Fri, 22 Mar 2002 0:19:14 +0100 Subject: [ x ][ o ]( 21-3-2002-23:07 )[ black.yellow ][ 3.., '4+7', 5, 8, 6, 1, 7, 9, 2 ] Message-ID: <200203212218.AAA84959@mail.is.lt> At 2002.03.21 23:12:00, you wrote: >'the concept of addition', adding > >( "a comparison" ) >( "the concept of location" ) >( "the location of color", a color ) >( "the location of number", a number ) >( "the concept of zero" ) >( "the location zer0ed, meliat, dradria,triankq )" >.. Bloomsberry language \ >the^t ngineengi> ^the engine >thei.theinthei.thei> thei.thein >and otheranot box> and another box >ngt> theingang >i am g> i am malfunctioning >the ipbuildershipbuil spottedspotte the dot> the shipbuilder spotted the dot >he pilledspill it ithwi peechspee> he spilled it with speech >i meh> i meh >t veh to l you the ruthtru> might have to tell you the truth >a am> a am >amanama aidsa llthealallthe ldt had eallthd d|butchan onlyonl didthhedi> aman said alltheal theworld had >thdeall changed|but only hedidth >therether was a d> there was a bend >tru> tru >tru> tru >tryntry> tryn >t> t >tryntry> tryn >g to nbendunbe> trying to unbend >uriusort'couriu> 'couriusort >e e on top is elyun the one to be experiencedexperience> 'the space on top is unlikely the one to be >experienced >i,p erien,terie ter,pte te,pe s> perei, terien, pter, perte, s >n the> then the >e.> e. >te.> te. >the end of a eneli as as n n"" , iradi> the end of a liene as as asuloutinon "solution" ment.e, dira >etal'me und t rehungdrehu> 'metal und t drehung >t ; und ua> foundt i,d; und ua >u.A> u.A >_._> _._ >ck.anderdesck.a w derde istri,',dis , elm all , o.,c> desck.ander w deskander ',distri, "cande, mittel all , >ciro.,i >he' e nderto,undert op , e,e expire,expire ,,e> 'the space underto, op , expire, expire, exprie,, >the end as s hnt> the end as s tehn >thenthe the> then the >ee.> ee. >e.t ,> tee. , >i htm heaveheav to telltel you the h> i meight heave to tell you the truth >ll" i r forgotforgo is gatheredgathere re"he> "all i ever forgot is gathered here" >a n> a n >ersnu as nsc> numbers as collections >bersnum as , o> numbers as sets, o >sts'c> 'collests >'i gthmi the nth> 'i migth the nth >l outhyou> 'tell youth >h tru> 'theth tru >'tru,'tru n,t t> 'tru, trun, t >'do eapeatireap ?> 'do ireapeat ? >'do reappearireappe .?> 'do ireappear .? >oi,'d ? et andolio,quandol nsase> 'doi, ? et quandolio, sensa >elyun to> unlikely to >lyu the one to> unlikely the one to >the t gem illwi be rittenwirit> the next message will be wiritten >the nextnex e rithenwirit l be a oman,woma bie and bie> the next message wirithen will be a woman, bie and bie >"i am uallysexu ientedorien> "i am sexually oriented >"i am sexuallysexuall tedor and us ?> "i am sexually oriented and us ? >the malefem of sex reh> the female of sex here >ndk> kind >hildchi> child >'a ertaincerta t of e> 'a certain amount of time >'a certaincertai untam of e> 'a certain amount of time >a erteancerte t of e ssedadr> a certean amount of time adressed >r> "aaver >'a rtaincert untam of rgyen> 'a certain amount of energy >'a aince ountamo of ergyene> 'a certain amount of energy >a rtiancert nta of ergyene d> a certian amount of energy adressed >ungre> reichtingung >a b> a b >a nuinegenu voicevoic ( e s are re"ra )> a genuine voice ( "genuine voices are rare" ) >e and siredes> force and desire >tige'de ilmfi f?r enw , ea> 'derichtige film f?r welchen anlass', ea >she doesdoe> she does >she oesdo not> she does not >she 'td> she doesn't >he doesdoe too> he does too >he oesdo t> he does toon't >e esamtgesa n'tdo not [ y, at5 ]> 'the gesamt don't not [ y, at5 ] >in eenbe urespic of nau> in between pictures of nau >in betweenbetwee esp of naturenatur and naturenatur i tyc> in between pictures of nature and nature i chosity >( at" is a triangletriangl as to the cationdeifi of a lec it is ot"no )> ( "what is a triangle as to the >deification of a circle it is not" ) >tew akenlymesta i dti of why> wirote mestakenly i inst?dt of why >app> app >whi WI> whi WI >'da n'h ' and d the air hatth oundedsurro him> 'da hinten' ' and slapped the air that surrounded him >( i t veh l th,th st. acradia> ( i might have toell thruth, st. diacra >ndh sta air> hand against air >"i don'tdon' likelik r"a> "i don't like air" >ONSOUNDTONSOU> TONSOUND >an owl h eyesine n can n headtsh hreethr imestim nda the d> an owl with inerteyes turn can turn tshead three >times around the world >lyo to see> only to see >( this"th belongsomewherelse"belongsomewherelse )> ( "this belongsomewherelse" ) >caramas and emaci> mascara and cinema >i skedask her thenthe i met her> i asked her then i met her >hat'w is l and hatwh n'tis ?'> 'what is real and what isn't ?' >she d i was owedall> she said i was allowed >ine^e> ^engine >.. >'addedingD(------)' >'a d d n D, 0, ' >'zOOOOO, >_ > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > >p____________o____________s_____________t >a r c h i v e http://www.o-o.lt/post > >. > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Thu Mar 21 23:12:34 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Thu, 21 Mar 2002 23:12:34 +0100 Subject: [ x ][ o ]( 21-3-2002-23:07 )[ black.yellow ][ 3.., '4+7', 5, 8, 6, 1, 7, 9, 2 ] Message-ID: <01e401c1d125$c7ced2a0$8f0406d5@jmcs2> 'the concept of addition', adding ( "a comparison" ) ( "the concept of location" ) ( "the location of color", a color ) ( "the location of number", a number ) ( "the concept of zero" ) ( "the location zer0ed, meliat, dradria,triankq )" .. the^t ngineengi> ^the engine thei.theinthei.thei> thei.thein and otheranot box> and another box ngt> theingang i am g> i am malfunctioning the ipbuildershipbuil spottedspotte the dot> the shipbuilder spotted the dot he pilledspill it ithwi peechspee> he spilled it with speech i meh> i meh t veh to l you the ruthtru> might have to tell you the truth a am> a am amanama aidsa llthealallthe ldt had eallthd d|butchan onlyonl didthhedi> aman said alltheal theworld had thdeall changed|but only hedidth therether was a d> there was a bend tru> tru tru> tru tryntry> tryn t> t tryntry> tryn g to nbendunbe> trying to unbend uriusort'couriu> 'couriusort e e on top is elyun the one to be experiencedexperience> 'the space on top is unlikely the one to be experienced i,p erien,terie ter,pte te,pe s> perei, terien, pter, perte, s n the> then the e.> e. te.> te. the end of a eneli as as n n"" , iradi> the end of a liene as as asuloutinon "solution" ment.e, dira etal'me und t rehungdrehu> 'metal und t drehung t ; und ua> foundt i,d; und ua u.A> u.A _._> _._ ck.anderdesck.a w derde istri,',dis , elm all , o.,c> desck.ander w deskander ',distri, "cande, mittel all , ciro.,i he' e nderto,undert op , e,e expire,expire ,,e> 'the space underto, op , expire, expire, exprie,, the end as s hnt> the end as s tehn thenthe the> then the ee.> ee. e.t ,> tee. , i htm heaveheav to telltel you the h> i meight heave to tell you the truth ll" i r forgotforgo is gatheredgathere re"he> "all i ever forgot is gathered here" a n> a n ersnu as nsc> numbers as collections bersnum as , o> numbers as sets, o sts'c> 'collests 'i gthmi the nth> 'i migth the nth l outhyou> 'tell youth h tru> 'theth tru 'tru,'tru n,t t> 'tru, trun, t 'do eapeatireap ?> 'do ireapeat ? 'do reappearireappe .?> 'do ireappear .? oi,'d ? et andolio,quandol nsase> 'doi, ? et quandolio, sensa elyun to> unlikely to lyu the one to> unlikely the one to the t gem illwi be rittenwirit> the next message will be wiritten the nextnex e rithenwirit l be a oman,woma bie and bie> the next message wirithen will be a woman, bie and bie "i am uallysexu ientedorien> "i am sexually oriented "i am sexuallysexuall tedor and us ?> "i am sexually oriented and us ? the malefem of sex reh> the female of sex here ndk> kind hildchi> child 'a ertaincerta t of e> 'a certain amount of time 'a certaincertai untam of e> 'a certain amount of time a erteancerte t of e ssedadr> a certean amount of time adressed r> "aaver 'a rtaincert untam of rgyen> 'a certain amount of energy 'a aince ountamo of ergyene> 'a certain amount of energy a rtiancert nta of ergyene d> a certian amount of energy adressed ungre> reichtingung a b> a b a nuinegenu voicevoic ( e s are re"ra )> a genuine voice ( "genuine voices are rare" ) e and siredes> force and desire tige'de ilmfi f?r enw , ea> 'derichtige film f?r welchen anlass', ea she doesdoe> she does she oesdo not> she does not she 'td> she doesn't he doesdoe too> he does too he oesdo t> he does toon't e esamtgesa n'tdo not [ y, at5 ]> 'the gesamt don't not [ y, at5 ] in eenbe urespic of nau> in between pictures of nau in betweenbetwee esp of naturenatur and naturenatur i tyc> in between pictures of nature and nature i chosity ( at" is a triangletriangl as to the cationdeifi of a lec it is ot"no )> ( "what is a triangle as to the deification of a circle it is not" ) tew akenlymesta i dti of why> wirote mestakenly i inst?dt of why app> app whi WI> whi WI 'da n'h ' and d the air hatth oundedsurro him> 'da hinten' ' and slapped the air that surrounded him ( i t veh l th,th st. acradia> ( i might have toell thruth, st. diacra ndh sta air> hand against air "i don'tdon' likelik r"a> "i don't like air" ONSOUNDTONSOU> TONSOUND an owl h eyesine n can n headtsh hreethr imestim nda the d> an owl with inerteyes turn can turn tshead three times around the world lyo to see> only to see ( this"th belongsomewherelse"belongsomewherelse )> ( "this belongsomewherelse" ) caramas and emaci> mascara and cinema i skedask her thenthe i met her> i asked her then i met her hat'w is l and hatwh n'tis ?'> 'what is real and what isn't ?' she d i was owedall> she said i was allowed ine^e> ^engine .. 'addedingD(------)' 'a d d n D, 0, ' 'zOOOOO, _ p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From ke_an at o-o.lt Thu Mar 21 08:16:54 2002 From: ke_an at o-o.lt (|{.f|.) Date: Thu, 21 Mar 2002 8:16:54 +0100 Subject: Fw: RHIZOME_RAW: It will happen! "GLOBAL POETRY" NET-ACTION Message-ID: <200203210616.IAA74701@pukuveras.is.lt> >From: "ART ELECTRONICS" >To: >Subject: RHIZOME_RAW: It will happen! "GLOBAL POETRY" NET-ACTION > >GLOBAL EXPERIMENTAL POETRY NET-ACTION (virtual&real) March 21 2002 >Organized by / A cura di: >Caterina Davinio & Karenina.it > >> Contemporaneamente / Contemporaneously >Dove/Where: >Rome (Italy) - Los Angeles, Santa Catarina, San Luis Obispo (California), >New York (Manhattan and Ground Zero), St Petersburg, Izhevsk, Perm, >(Russia), Nova Lima (Minas Gerais, Brazil), Cologne (Germany), Latisana >(Udine, Italy), Lecco (Italy), playa, Pueblo de "Choroni" (Venezuela) and >other cities. > >> On line: Karenina.it > >> In collaborazione con / In co-operation with: >Christina McPhee, Archaeopteryx Art Group, Brice Bowman, Bluecheese >Factory, Joseph >Franklyn McElroy, Alckmar Luiz dos Santos - Gilbertto Prado, Alvaro >Andrade Garcia, Coco Gordon, Klaus Groh, Clemente Padin, Pedro Lopez >Casuso, Eugenio Parziale, Carlo Berto, Giuliana Rossin, Antonella Carraro, >Milos Komadina, Siglinde >Kallnbach, Caterina Davinio, Karenina.it > >> (Scroll down fot the English translation) > >"Contro l'arte delle opere d'arte voglio insegnare un'arte superiore: >quella dell'invenzione di feste" (Friedrich Nietzsche, 1881) > >Lo spirito della Global Poetry Action ? la festa. L'idea ? una >creazione collettiva che ruota in Internet come comunicazione, arte la cui >materia ? la comunicazione, opera che porta in contatto persone che vivono >molto lontano le une dalle altre; ma vogliamo anche giocare sul confine >semantico tra reale e virtuale, per questo la net-performance avr? >prolungamenti fuori dalla rete, in luoghi remoti del pianeta, come "cosa" >concreta: installazione, evento, performance, e poi torner? nella rete in >un sito in cui tutte le installazioni e gli eventi reali (creati con le >poesie/immagini degli artisti partecipanti alla net-action) saranno on >line. >La GLOBAL POETRY NET-ACTION, come opera collettiva di coloro che ad essa >hanno collaboratoto facendola vivere e rendendola possibile, sar? inclusa >nel libro che raccoglie il meglio di Karenina.it. >________________________________________________________________ >"Against the art of the art-works I want to teach a superior art: the art >of invention of fests" (Friedrich Nietzsche, 1881) > > The spirit of the Global Poetry Action is the fest. The idea is a >collective creation which runs in the net as communication, art made of >communication, which brings people who live very far in contact; but we >also play on the semantic limit between real and virtual; so we want >this collaborative performance realizes itself also as concrete, "real" >thing out of the net, in remote places of the planet, as installation, >performance, exhibition, for this reason the collaborative net-performance >will have extensions out from the Internet, in remote places of the Earth, >as concrete "thing": installation, event, performance, and then it will >return in Internet, as web site in which all the real installations and >the real events, created with the poems of the net-action, will be on line. >The GLOBAL POETRY NET-ACTION, as common art-work of all the artists and >the poets who coollaborated, making this project live and making it >possible, >is going to be documented in a book about Karenina.it best initiatives. > >> Places (until now) where performances and / or installations will be >> realized contemporaneously, March 21, with the poem-e-mails from all over >> the world: > >> Christina McPhee The Powerhouse, San Luis Obispo, California > >> Alex - archaeopteryx art group spaces in Spb-Peterburg, Izhevsk, Perm - >Russia > >> Brice Bowman / Multimedia Art Institute of Los Angeles > >> Bluecheese Factory, Rome, Italy > >> Joseph Franklyn McElroy Studio / New York City Manhattan / >Spring & Greenwich Streets > >> Alckmar Luiz dos Santos - Gilbetto Prado - Universidade Federal de Santa >Catarina > >> Alvaro Andrade Garcia - Artist's Studio / Nova Lima, Minas Gerais, Brazil > >> Coco Gordon - Ground Zero / NY, USA > >> Klaus Groh - "Micro Hall Art Center" in Edewecht/Germany > >> Clemente Padin - Place to define / Montevideo, Uruguay > >> Pedro Lopez Casuso - playa, pueblo de "choroni" en Venezuela > >> Caterina Davinio - Art Electronics Studio / Lecco > >> Eugenio Parziale, Carlo Berto, Giuliana Rossin, Antonella Carraro - >Biblioteca Comunale Piove di Sacco / Italy > >> Milos Komadina Studio / Latisana (UD) / Italy > >> Siglinde Kallnbach, Media Park, Cologne, Germany > > >> Among the 200 involved experimental poets, visual poets and artists: > >> David Daniels >> Barry Alpert >> Lamberto Pignotti >> Francesco Mandrino - Ivano Vitali >> Mario Lunetta >> Julia Greenbaum >> Maureen Kendal >> Mirella Bentivoglio >> Luca Patella >> Gianni Broi >> Uzeyir CAYCI >> Lee Wen >> Julian Verne >> Michael Peters >> Daligand Daniel >> Mara Cantoni - Silvia Lelli - Roberto Masotti >> Eugenia Serafini >> Vittore Baroni >> Daniele Virgilio >> Gaetano Colonna >> Alberto Mori >> Eugenio Miccini >> Daniel Acosta >> Caterina Davinio >> Speranza Casillo >> Francesco Leonetti >> Tomaso Binga >> Jean-Pierre Balpe >> Pawel Kwasniewski >> Giorgio Moio >> Albert Mayr >> Gianfranco Chinellato >> Enno Stahl >> Antonio Sassu >> Anna Maria Giancarli >> Calogero Barba >> Oronzo Liuzzi >> Julie Birmant >> Antonino Contiliano >> Kestutis Andrasiunas >> Florian Luedde >> Walter Ungerer - Lesley Becker >> Carlos Zerpa >> Mercedes Roffe >> Curreli Giovanni Elia >> S?rgio Monteiro de Almeida >> H?lia Vannucchi de Almeida Santos >> Julio Carabelli >> Paolo Albani >> Julien d'Abrigeon >> Miguel Alb? >> Marco Palladini >> Agricola de Cologne >> Tommaso Chimenti >> Daniel Young >> Coco Go & Alisa (mom) >> Maurizio Osti >> Bettina Jodda >> Robert Pettena >> Bartolome Ferrando >> Titti Follieri >> Giovanni Strada >> David Fujino >> Ilona Wenek-Ziemba >> delleAli >> Bruno Pollacci >> Catherine Daly >> Fernando Aguiar >> nck >> Paul Murphy >> Birgitta Jonsdottir >> Chondros & Katsiani >> Stanley Borg >> Helen Ferry >> Casaluce Geiger >> Michael Peters >> Vittorio Baccelli >> Mambo Situmorang >> Gio Ferri >> Endre Szk?rosi >> Claudio Parentela >> Maria Rosa Pinilla >> George Arif K >> Elda Torres >>Paolo Guzzi > >> and many, many others... > > -- >karenina.it (poesia in funzione f?tica) >Index: http://www.geocities.com/Paris/Lights/7323/kareninarivista.html >KARENINA.IT (poetry in "f?tica" function) A web project by Caterina Davinio >davinio at tin.it on line since 1998 - By Jakobson, 'f?tico' is the use of >the language which has the finality to maintain open and operative the >communication channel among the interlocutors. On the confine between art >and critic, happening and net performance, Karenina.it is a virtual meeting >place around the theme of the writing and the new technologies, in which >experiences of international artists, curators, theoreticians converge, in a >net that counts thousands of contacts in the world. > >Davinio Art Electronics - Archives / Videotheque >Art Electronics and Other Writings >http://space.tin.it/arte/cprezi > > > > >+ dancing days are here again as the summer evenings grow >-> Rhizome.org >-> post: list at rhizome.org >-> questions: info at rhizome.org >-> subscribe/unsubscribe: http://rhizome.org/subscribe.rhiz >-> give: http://rhizome.org/support >+ >Subscribers to Rhizome are subject to the terms set out in the >Membership Agreement available online at http://rhizome.org/info/29.php3 > > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From master_of_many_etwas at o-o.lt Thu Mar 21 08:15:22 2002 From: master_of_many_etwas at o-o.lt (master_of_many_etwas at o-o.lt) Date: Thu, 21 Mar 2002 8:15:22 +0100 Subject: Message-ID: <200203210614.IAA74666@pukuveras.is.lt> At 2002.03.20 21:42:00, you wrote: >you wrote >"i'm usually use. >( "is that clien ? shhoot me. >( ' " don't bullets mark themshelves ? etwashed parabellum. > >> At 2002.03.19 22:42:00, you wrote: >> >( "is that called cleansing ?" ) PARABELLUM: Polsko-niemiecki konflikt zbrojny 1939-1945. Serwis po?wi?cony jest walce zbrojnej jak? toczy?y mi?dzy sob? dwa narody -- polski i ... >> Y. I'm usually use bullet marker with >> my monitor. >> >> > >> > >> > >> >> Place mark here ->[ ]<- if you want a dirty monitor. >> >> >> >> >> >> >> >> Place mark here ->[ ]<- if you want a dirty monitor. >> >> >> >> >> >> Place mark here ->[ ]<- if you want a dirty monitor. >> >> >> >> >> >> Place mark here ->[ ]<- if you want a dirty monitor.Place mark here ->[ ]<- if you want a >> >dirty monitor. >> >> Place mark here ->[ ]<- if you want a dirty monitor.Place mark here ->[ ]<- if you want a >> >dirty monitor. >> >> >> >> Place mark here ->[ ]<- if you want a dirty monitor. >> >> >> >> >> >> >> >> >> >> Place mark here ->[ ]<- if you want a dirty monitor. >> >> >> >> >> >> and here ->[ ][ ][ ][][][][][] >> >> >> >> Place mark here ->[ ]<- if you want a dirty monitor. >> >> >> >> >> >> >> >> and here ->[ ][ ][ ][][][][][] >> >> >> >> p____________o____________s_____________t >> >> a r c h i v e http://www.o-o.lt/post >> >> >> >> >> > >> >p____________o____________s_____________t >> >a r c h i v e http://www.o-o.lt/post >> > >> >. >> > >> >> >> >> >> >> p____________o____________s_____________t >> a r c h i v e http://www.o-o.lt/post >> >> > >p____________o____________s_____________t >a r c h i v e http://www.o-o.lt/post > >. > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Wed Mar 20 21:42:03 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Wed, 20 Mar 2002 21:42:03 +0100 Subject: References: <200203202031.WAA95665@mail.is.lt> Message-ID: <001801c1d04f$b2381c20$be1006d5@jmcs2> you wrote "i'm usually use. ( "is that clien ? ( ' " don't bullets mark themshelves ? etwashed > At 2002.03.19 22:42:00, you wrote: > >( "is that called cleansing ?" ) > > Y. I'm usually use bullet marker with > my monitor. > > > > > > > > >> Place mark here ->[ ]<- if you want a dirty monitor. > >> > >> > >> > >> Place mark here ->[ ]<- if you want a dirty monitor. > >> > >> > >> Place mark here ->[ ]<- if you want a dirty monitor. > >> > >> > >> Place mark here ->[ ]<- if you want a dirty monitor.Place mark here ->[ ]<- if you want a > >dirty monitor. > >> Place mark here ->[ ]<- if you want a dirty monitor.Place mark here ->[ ]<- if you want a > >dirty monitor. > >> > >> Place mark here ->[ ]<- if you want a dirty monitor. > >> > >> > >> > >> > >> Place mark here ->[ ]<- if you want a dirty monitor. > >> > >> > >> and here ->[ ][ ][ ][][][][][] > >> > >> Place mark here ->[ ]<- if you want a dirty monitor. > >> > >> > >> > >> and here ->[ ][ ][ ][][][][][] > >> > >> p____________o____________s_____________t > >> a r c h i v e http://www.o-o.lt/post > >> > >> > > > >p____________o____________s_____________t > >a r c h i v e http://www.o-o.lt/post > > > >. > > > > > > > > p____________o____________s_____________t > a r c h i v e http://www.o-o.lt/post > > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From master_of_many_etwas at o-o.lt Wed Mar 20 22:36:44 2002 From: master_of_many_etwas at o-o.lt (master_of_many_etwas at o-o.lt) Date: Wed, 20 Mar 2002 22:36:44 +0100 Subject: Fw: Production Mini-plants in mobile containers Message-ID: <200203202035.WAA95968@mail.is.lt> >From: "The Financial News" >To: scientist at o-o.lt >Subject: Production Mini-plants in mobile containers >The Financial News, March 2002 > >Production Mini-plants in mobile containers. Co-investment Program > >"...Science Network will supply to countries and developing regions the technology and the necessary support for the production in series of Mini-plants in mobile containers (40-foot). The Mini-plant system is designed in such a way that all the produ >ction machinery is fixed on the platform of the container, with all wiring, piping, and installation parts; that is to say, they are fully equipped... and the mini-plant is ready for production." > >More than 700 portable production systems: Bakeries, Steel Nails, Welding Electrodes, Tire Retreading, Reinforcement Bar Bending for Construction Framework, Sheeting for Roofing, Ceilings and Fa?ades, Plated Drums, Aluminum Buckets, Injected Polypropy >lene Housewares, Pressed Melamine Items (Glasses, Cups, Plates, Mugs, etc.), Mufflers, Construction Electrically Welded Mesh, Plastic Bags and Packaging, Mobile units of medical assistance, Sanitary Material, Hypodermic Syringes, Hemostatic Clamps, et >c. >Science Network has started a process of Co-investment for the installation of small Assembly plants to manufacture in series the Mini-plants of portable production on the site, region or country where they may be required. One of the most relevant feat >ures is the fact that these plants will be connected to the World Trade System (WTS) with access to more than 50 million raw materials, products and services and automatic transactions for world trade. > >Because of financial reasons, involving cost and social impact, the right thing to do is to set up assembly plants in the same countries and regions, using local resources (labor, some equipment, etc.) > >For more information: Mini-plants in mobile containers > >By Steven P. Leibacher, The Financial News, Editor > > >Mini-plantas de produccion en contenedores moviles. Programa de Co-inversion > >"...Science Network suministrara a paises y regiones en vias de desarrollo la tecnologia y el apoyo necesario para la fabricacion en serie de Mini-plantas de produccion en contenedores moviles (40-foot). El sistema de mini-plantas esta dise?ado de f >orma que todas las maquinas de produccion van instaladas fijas sobre la propia plataforma del contenedor, con el cableado, tuberias e instalaciones; es decir, completamente equipadas... y a partir de ese momento est?n listas para producir." >Mas de 700 sistemas de produccion portatil: Panaderias, Producci?n de clavos de acero, Electrodos para soldadura, Recauchutado de neumaticos, Curvado de hierro para armaduras de construccion, Lamina perfilada para cubiertas, techos y cerramientos de f >achada, Bidones de chapa, Cubos de aluminio, Menaje de polipropileno inyectado, Piezas de melamina prensada (vasos, platos, tazas, cafeteras, etc.) Silenciadores para vehiculos, Malla electrosoldada para la construccion, Bolsas y envases de plastico, >Unidades moviles de asistencia medica, Material sanitario (jeringas hipodermicas, Pinzas hemostaticas, etc.) > >Science Network ha puesto en marcha un proceso de Co-inversion para la instalacion de peque?as Plantas ensambladoras para fabricar en serie las Mini-plantas de produccion portatil, en el lugar, region o pais que lo necesite. Una de las caracter?stic >as relevantes es el hecho de que dichas plantas quedaran conectadas al Sistema del Comercio Mundial (WTS) con acceso a mas de 50 millones de mercancias, materia primas, productos, servicios y las operaciones automaticas de comercio internacional. >Resulta obvio que por razones economicas, de costes y de impacto social, lo apropiado es instalar plantas ensambladoras en los mismos paises y regiones asi como utilizar los recursos locales (mano de obra, ciertos equipamientos, etc.) > >Para recibir mas infromacion: Mini-plantas de produccion en contenedores moviles > >Steven P. Leibacher, The Financial News, Editor > >------------------------------------------------------------------------- >If you received this in error or would like to be removed from our list, please return us indicating: remove or un-subscribe in 'subject' field, Thanks. Editor >? 2002 The Financial News. All rights reserved. > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From master_of_many_etwas at o-o.lt Wed Mar 20 22:34:44 2002 From: master_of_many_etwas at o-o.lt (master_of_many_etwas at o-o.lt) Date: Wed, 20 Mar 2002 22:34:44 +0100 Subject: Forwarded mail.... Message-ID: <200203202033.WAA95860@mail.is.lt> this is the most filigrane turn since B1FF. nn in the shadow. >Posts to this newsgroup directed at Brad Brace will never be answered >because Brad Brace does NOT EXIST!!!!!!!! >These pictures are nothing more than rejected photographic developments >acquired by one of the largest photo processing chains in the US. These >photos are passed on to an e-bot which assigns a serial number as the title >and 'date codes' the photo with the serial number. Besides, the real Brad >Brace is in the Andes searching for the remaining Nazi gold hidden by Eva >Per-n's husband Juan Per-n and her boyfriend Se-or Coconut. >When I told my mom she got so excited she baked me a cake! > > > > > > >begin 666 Eva Per-n.jpg >MM0;:Z+04A9W)5C;'KS]^=:7 > > >p____________o____________s_____________t >a r c h i v e http://www.o-o.lt/post > >. > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From master_of_many_etwas at o-o.lt Wed Mar 20 22:32:02 2002 From: master_of_many_etwas at o-o.lt (master_of_many_etwas at o-o.lt) Date: Wed, 20 Mar 2002 22:32:2 +0100 Subject: Message-ID: <200203202031.WAA95665@mail.is.lt> At 2002.03.19 22:42:00, you wrote: >( "is that called cleansing ?" ) Y. I'm usually use bullet marker with my monitor. > > > >> Place mark here ->[ ]<- if you want a dirty monitor. >> >> >> >> Place mark here ->[ ]<- if you want a dirty monitor. >> >> >> Place mark here ->[ ]<- if you want a dirty monitor. >> >> >> Place mark here ->[ ]<- if you want a dirty monitor.Place mark here ->[ ]<- if you want a >dirty monitor. >> Place mark here ->[ ]<- if you want a dirty monitor.Place mark here ->[ ]<- if you want a >dirty monitor. >> >> Place mark here ->[ ]<- if you want a dirty monitor. >> >> >> >> >> Place mark here ->[ ]<- if you want a dirty monitor. >> >> >> and here ->[ ][ ][ ][][][][][] >> >> Place mark here ->[ ]<- if you want a dirty monitor. >> >> >> >> and here ->[ ][ ][ ][][][][][] >> >> p____________o____________s_____________t >> a r c h i v e http://www.o-o.lt/post >> >> > >p____________o____________s_____________t >a r c h i v e http://www.o-o.lt/post > >. > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Wed Mar 20 21:12:56 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Wed, 20 Mar 2002 21:12:56 +0100 Subject: [ x ][ o ]( 20-3-2002-21:14 )[ white.yellow.black ][ 8.1, 6, '4', 9, 3, 5, 7, 2, 1 ] Message-ID: <012101c1d04b$cc9f4880$793c07d5@jmcs2> somehow rep.switch protection soundingating with heraeing ithes ( "ithe thisi theis thises , ( "this.this amah a mathematical object_purviewur 23.5.32534..53.11216.51306.632311.4624.4.260300.406.1052..1.1520.044466..6052.444403.20150.354 3...64541.231.0.403654.41263.0...52.15343.1405.245.606501.003.452425.0.12050.60032..6400.60314 ..2.62.35.3204.10065.612614.24355.251.44.54.260420.0343.55012.0.5.21.536.64122.13106.62060.6634 ..622232.653.565134.6100.0.013265..100436.26226.606.26012.444516..6.522302.554325.4405.44336.3. 5.162..450052.266231.5245.3461.22.63.026.56.4462.200644..411010.24436.035.4.222452.32031.51.01 1136..500.10110.562.35052.16516.254455.53301.646.2511.05.32665.066511.256.5336.4.26234..002136 ..03.556...111.52644..12.36446.10.1.25140.50524.4.033.6.552.45.66.31.315555..20415.44..553013.0 16216.555...533.43156..56025.0.50.2.45.3.11450.560.6461.1.01.6543..2.43430..0050.6204.21136.36 ..2404..06.4615..41605.54443.43.5.5.33.45441.33..53..16634.3156.202.134332.55.20.11.72453.96186 ..5647.78102.993478.0208.3562.11801.9.205.118818.753.95.08466.0758.9065...7780.5..6.199968.6283 0..5.444.873.9465.014164.70.1.507280.738.6574.322989...0991.616333.705.8479.365723.0530.1432.. 3.7656.676129.34579.999620.780480.44.2.0289.285.256445.5243.8.86..48.32182.836806.3890.27642.7 ..47694.3..2536.6.666195.237100.07469.6422.84006..5..9058.477944..97.628.3.713.52..2956.12.8547 3.19.00.53745.1300.001.98..1724.0221.53814.5.589774.4044..080.1.557044.950876.377457.03109..79 091.1584.98935.5.8997.610..334191.52691...46186.1368.565783..38229.1951.7801.572738..03.2374.2 2221.5068.6034.3.68535.696.381.994.89.96698..24420.165.8.681.86439.67942.18257.618.975.90.5128 3.793841.698510.135.565334..128011.7462.6102..1.904.0847.7757..1.8579.64.304.969447.82261.7485 88.97728.84876...70..54..35..7..6.87..82.581.5.097145..04.2203.6221.29.11..67.1801.94.883.136. 026.077.10..6826...198.7591.95.373..12310.51..938.394.16.795939.1.400.57..395.04395.903.73040. 43.2036.4.70308.1854..88915.463.3.834727.592.12560.0516.040.97.3834.08676.19768.4.51180..099.6 0.919.1.01.41418.709052.8.44512.1589.73.5173.714620.7903.19..597288.0704..88452.942.107.826.37 304.8.68..852467.79547.053833.2987.0870.7685.75.45.693.639.4152.2095.9...46.53652.830237.33.40 0.05343.28193.130881.46.4.33650.103.30212.725082.87.4.0.016.323.755.976323.89.56373.517.10612. 0.923..6603.9949.98..7668.227.95.688.370.533037.33844.6.826349.953410.94.33071.723.0.17.7555.0 4155.319..804.8998.759212..405746.2175.99.2.471106.74.5.8.802.9.641.7268.2244.748.50..54..5619 70.447896.4.8314..14.3..8.685665.438340.8.55855.84.3124.6518...5.2983.32851.8046.066565..475.6 5549.a neueronal comoellpli the clodlubuilettdingui ..architectics, druida ..the gereeader, bloakbo and strimne ..any voice as down ..amethiclabject, severals, deatplura non none nonen noneno neone neneo n n n n n n. > .in eiemfr llfa > the ntencese rgottenfo > he huibledschuilderts okedlo roughth the oftopsro > and saw chea and eryev feli > eplied_d > estangelede_d > roughith s > tr. > the ringmaschinest > estringmassinehi > he"t rmfo it quiresre > he"t rmfo it ceivesre > he"t rmfo its res > he was nningru the nnerru > ( as an tion,ac not an tionac > ( as a nction,fu not a nctionfu > the meti a ntecense artsst in tweenbe it dsn,en its desen > 'in tweenbe its end s > the nnerru ns,ru unneruns"r > its,n > it,h t > histringmashince,t > , the rmfo quri,re the rmfo cetpre > , as for the aginedim it asallsw > ( "an ageim he mm, m,hi im,an se tarxa > ( utting"p meti as a sire,de ttingpu meti as a ansme > ( "i untco on ree > , petititon,re hpoviiou.biois,am rthea dearthan .modulantarch > , as t it.ul timeaul nquadi et ntuoliasiguata ; tora et i > the,; o.deamantikramochalantiro,pr the rtraitpo foa emeth > ( e" the inmo s.iu sula.ir suallair iquodqu im eienfallsfr > > . > > > > ( 'to endunb > > _to dem > > _to omedec > > _to oxdec > > _to enddeb > > e"th facesur of ttha ginatriima tr i t r ii > > not" olen erfurth hant agep ningbegin > > "a initiondef of ber.instancingnum > > "a adbox > > "a box emad up off angle?tangled,tri a nslationtra nlymai > > "to startar. a or,rum senoi and ence,sil m,hum n, .coaxcao of B > > avity"gr as owance,all cefor at our tqueendressed;fee age lleichtvie > > o"tw dpieces,woo two cespie of d,woo an ensity,int a man,sea de > > t"os > > onlce,"si a nkbla nski cked,cra ;dGZlsj > > w"ho yman dmovementshan aytod ? > > "i f i ewer one was lzah nnthe > > > . ..zff.addent ..porabj ..rechtschrebi ..definiotn _tan _T _etula. dia. dioda, nel fataria +-plusminus.those -+minusplus.those _these ? _theos. adimina ill. um sile.o._i X p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From bbrace at eskimo.com Wed Mar 20 01:11:20 2002 From: bbrace at eskimo.com ({ brad brace }) Date: Tue, 19 Mar 2002 16:11:20 -0800 (PST) Subject: Forwarded mail.... Message-ID: ath: news.icnc.com!newsrouter.icnc.com!gestalt.direcpc.com!news.stealth.net!news.stea lth.net!nntp-relay.ihug.net!ihug.co.nz!falcon.america.net!eagle.america.net.POST ED!not-for-mail From: "Art Overby" Newsgroups: alt.12hr,alt.binaries.pictures.12hr Subject: Brad Brace does NOT EXIST!!!!!!!! Lines: 374 X-Priority: 3 X-MSMail-Priority: Normal X-Newsreader: Microsoft Outlook Express 6.00.2600.0000 X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2600.0000 Message-ID: Date: Fri, 15 Mar 2002 10:23:59 -0600 NNTP-Posting-Host: 216.177.161.115 X-Trace: eagle.america.net 1016209105 216.177.161.115 (Fri, 15 Mar 2002 11:18:25 EST) NNTP-Posting-Date: Fri, 15 Mar 2002 11:18:25 EST Organization: 24hoursupport.com X-Received-Date: Fri, 15 Mar 2002 08:19:52 PST (news.icnc.com) Xref: news.icnc.com alt.12hr:8793 alt.binaries.pictures.12hr:57732 Posts to this newsgroup directed at Brad Brace will never be answered because Brad Brace does NOT EXIST!!!!!!!! These pictures are nothing more than rejected photographic developments acquired by one of the largest photo processing chains in the US. These photos are passed on to an e-bot which assigns a serial number as the title and 'date codes' the photo with the serial number. Besides, the real Brad Brace is in the Andes searching for the remaining Nazi gold hidden by Eva Per-n's husband Juan Per-n and her boyfriend Se-or Coconut. When I told my mom she got so excited she baked me a cake! begin 666 Eva Per-n.jpg MM0;:Z+04A9W)5C;'KS]^=:7 p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Tue Mar 19 22:42:04 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Tue, 19 Mar 2002 22:42:04 +0100 Subject: References: <200203192129.XAA58809@pukuveras.is.lt> Message-ID: <001301c1cf8e$ea40b760$31b807d5@jmcs2> ( "is that called cleansing ?" ) > Place mark here ->[ ]<- if you want a dirty monitor. > > > > Place mark here ->[ ]<- if you want a dirty monitor. > > > Place mark here ->[ ]<- if you want a dirty monitor. > > > Place mark here ->[ ]<- if you want a dirty monitor.Place mark here ->[ ]<- if you want a dirty monitor. > Place mark here ->[ ]<- if you want a dirty monitor.Place mark here ->[ ]<- if you want a dirty monitor. > > Place mark here ->[ ]<- if you want a dirty monitor. > > > > > Place mark here ->[ ]<- if you want a dirty monitor. > > > and here ->[ ][ ][ ][][][][][] > > Place mark here ->[ ]<- if you want a dirty monitor. > > > > and here ->[ ][ ][ ][][][][][] > > p____________o____________s_____________t > a r c h i v e http://www.o-o.lt/post > > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From master_of_many_etwas at o-o.lt Tue Mar 19 23:29:55 2002 From: master_of_many_etwas at o-o.lt (master_of_many_etwas at o-o.lt) Date: Tue, 19 Mar 2002 23:29:55 +0100 Subject: Message-ID: <200203192129.XAA58809@pukuveras.is.lt> Place mark here ->[ ]<- if you want a dirty monitor. Place mark here ->[ ]<- if you want a dirty monitor. Place mark here ->[ ]<- if you want a dirty monitor. Place mark here ->[ ]<- if you want a dirty monitor.Place mark here ->[ ]<- if you want a dirty monitor. Place mark here ->[ ]<- if you want a dirty monitor.Place mark here ->[ ]<- if you want a dirty monitor. Place mark here ->[ ]<- if you want a dirty monitor. Place mark here ->[ ]<- if you want a dirty monitor. and here ->[ ][ ][ ][][][][][] Place mark here ->[ ]<- if you want a dirty monitor. and here ->[ ][ ][ ][][][][][] p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From master_of_many_etwas at o-o.lt Tue Mar 19 23:27:54 2002 From: master_of_many_etwas at o-o.lt (master_of_many_etwas at o-o.lt) Date: Tue, 19 Mar 2002 23:27:54 +0100 Subject: Message-ID: <200203192127.XAA58799@pukuveras.is.lt> Place mark here ->[ ]<- if you want a dirty monitor. p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Tue Mar 19 15:50:16 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Tue, 19 Mar 2002 15:50:16 +0100 Subject: [ x ][ o ]( 19-3-2002-15:48 )[ | |.red.purple.green,o.white.blue.black.yellow.orange ][ 5, 1, 2, 9.7.o, 7.9, 4.o, 3.5, 6.7, '8.4' ] Message-ID: <006801c1cf55$68fd8720$f2b107d5@jmcs2> .. ( "there was a bend" ) ( "ixigned it in waterinkouvvte" ) ( "bent with it ( "tried t nbend W 'there wa s a bend and i t ried to unbend it' "o, u" >F>||+3e>->[e,[]5yeniR theshpiubilerdthoughtaboutaspaceunknonow >P>purple+4.4.6>r>FG >>Wred+3-,1_,e,r_____>>acB >>BVorange+5.2.3nve>[eed,D >>ashed removingspacethroughrepetition thestructureofapictureiforgot >>%purple+1moyep*le>to>>brgre>>oFH >V>dbaceandw orange purple >I>blue+4.2.3s>ver>o"ge,TY >V>white+3.6.6]or-thtuRD >>diesprachmaschine >JF >(aould) >>wonderinghowmanylinesitwilltaketoundressmycoade >R>blue+6.6+1+6>mple56 >apossiblekissinallgoveantia >D>||+3.6,eetur0DI >F>blue+6.3*6-delang3Y foodasadetail >W>white+2.2.6|->yep>>whi>,rew-eple--->J >G>black+2.3r>enoorancIK >vielleichtatheirdone >V>.CX >F>yellow+5--turora,6I/nine-17.htm asiunderstandidon'tnot >. >4>||+4,]-rp>t">gra]6 >myncap >V>purple+5*,-e>hi[to*w-KX >o=i >MH>white+2-d,n-,wik,52 thetastemusthavebeenthefluidnot >J>wwwchromaticsp >FX>||+2.2.2r433>>-do>>o2l[e,ellobFSW >S>red+2ko>no->l.4???????3 >XG >G>>("+hadbecameo") thetracingrendered >>B,xR >K>orange+6.4.2p|ungew4G >>ningapage >SZ> >U.F >K> > >J>||+2.1.5ite>(+ingnF ialwaysverschvvindeshesaidisaidoney >(lato-) >>imagesoutofabutton >D>black+1l>KP >F>||+1>rgyed'whit.4ld,+D >>l >theshipbuilderknowshismaddness >(aflaingna) >(astotehclinquea.etraiomastiva) >leading >aturnofturn >X>X..FR > >H>||+4YS >" >F>yellow+4|,*|y>1.1+ave4 >II>black+3.1a|i,-e|[|>l3--t1t???D??H >apaths >" >F>Bgreen+2.5.36+(+>>es-ing--el|).???D >L>blue+6.2.3-,w,[>>>r1 >M>blue+6.3-]],l--a,ingn>.9-wrndl>>S >A>||+2nginge>turntl-9R >E> >intimesofescaloandmotcenima >>ananimalonaconverandandact >J>black+6.5_____-Fyel-e>-in>rrG >(arelflen.) >('aandlf') >. >J..G >H>qporld. >L>black+2(gr,bcken_>>lp>ataGHD >aboxother iwillnie >H>^com/GuestRooms/Empty >FDD>orange+4.3.6ld52__________________9 >>aproofd >>Fred+3eg>n,blue)5-red>l+uaored>gDJ >>||+5___l>iur+|nGG 6 >? >>iwishiwasnotn'ttalkingtotyou >(afoundationofnotherer) >T>yellow+6.2l>eH >>a >S>:^D .. p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From mi_ga at o-o.lt Tue Mar 19 14:04:27 2002 From: mi_ga at o-o.lt (=?ISO-8859-1?Q?=A4?=) Date: Tue, 19 Mar 2002 14:04:27 +0100 Subject: history References: <200203182003.WAA41284@pukuveras.is.lt> Message-ID: <3C97375B.3070206@o-o.lt> telnet://towel.blinkenlights.nl scientist at o-o.lt wrote: > http://www.codeworks.lt/~alga/blinken2.pdf > > > > http://www.tuxedo.org/~esr/jargon/html/entry/blinkenlights.html > > > > /o > > p____________o____________s_____________t > a r c h i v e http://www.o-o.lt/post p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From ke_an at o-o.lt Tue Mar 19 08:35:30 2002 From: ke_an at o-o.lt (|{.f|.) Date: Tue, 19 Mar 2002 8:35:30 +0100 Subject: Fw: KR.BXL PRESENTS MARKUS HUEMER Message-ID: <200203190634.IAA19460@mail.is.lt> >From: "KUNSTRAUM BRUXELLES" >Subject: KR.BXL PRESENTS MARKUS HUEMER >KUNSTRAUM.BRUXELLES PRESENTS > >MARKUS HUEMER / 'BLUE OVER BLACK' MEDIA INSTALLATION / 23rd MARCH 'TILL >20th APRIL 2002 / VERNISSAGE SATURDAY 23rd MARCH AT 19:00 H / INTRODUCTION: >EMMANUEL LAMBION / > > >KUNSTRAUM.BRUXELLES / 27 PLACE SAINT-GERY 1000 BRUXELLES / T&F 00.32.2.502 >00 12 / KUNSTRAUM.BRUXELLES at T-ONLINE.DE / > > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From scientist at o-o.lt Mon Mar 18 22:04:19 2002 From: scientist at o-o.lt (scientist at o-o.lt) Date: Mon, 18 Mar 2002 22:4:19 +0100 Subject: history Message-ID: <200203182003.WAA41284@pukuveras.is.lt> http://www.codeworks.lt/~alga/blinken2.pdf http://www.tuxedo.org/~esr/jargon/html/entry/blinkenlights.html /o p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From mi_ga at o-o.lt Mon Mar 18 19:19:33 2002 From: mi_ga at o-o.lt (=?windows-1252?Q?=A4?=) Date: Mon, 18 Mar 2002 19:19:33 +0100 Subject: [Fwd: (asco-o) http://text.jodi.org] Message-ID: <3C962FB5.4000904@o-o.lt> -------- Original Message -------- Subject: (asco-o) http://text.jodi.org Date: Mon, 18 Mar 2002 20:07:11 +0100 From: asco-o Organization: |http://www.o-o.lt/asco-o;http://www.d2b.org/asco-o| To: mi_ga at o-o.lt ----------\\\\--------/-------------------\\\---\\\\/------------------ ----------\\\---------/-------------------\\---\\\-/-------------------- ----------\\---------//-------------------\---\\--/--------------------- ----------\\---------//-------------------\---\--//--------------------- ----------\\---------//-------------------\---\--//--------------------- ----pleine\-peau----///.com--------------\---\--//--------------------- p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From scientist at o-o.lt Mon Mar 18 08:52:51 2002 From: scientist at o-o.lt (scientist at o-o.lt) Date: Mon, 18 Mar 2002 8:52:51 +0100 Subject: citate Message-ID: <200203180652.IAA30303@pukuveras.is.lt> You can get more of what you want with a kind word and a gun than you can with just a kind word. -- Bumper Sticker p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Sat Mar 16 17:41:13 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Sat, 16 Mar 2002 17:41:13 +0100 Subject: [ x ][ + ]( 16-3-2002-17:40 )[ blue.orange.yellow.black.green ][ 1, 9, 7, 2, '4', 6, 8, 3, 5 ] Message-ID: <00b501c1cd09$6331eaa0$14b007d5@jmcs2> a path a a turn of turn > a letter > opein > alle > the shipbuilder muiltiplied > strich a possible kissinallgoveantia > ma shcine > and another finger a mastersinger lloocks quitetely for silence > a prrove leading > as alt > as function > checking the cornera a ir it i equal is as they > iwish you did not understand me > ning a page > oklkoilooolkold > i wrote idifferently > a > everytime i read i readteh hesame > as letter > c > a proof d o = i > aubo painting did i says hethat before i was girl i knew > wondering how many lines it will take to undress my coade > i lwil never retrieve her > i ment weeks > wrong taste <---- aslwayshelps > that box wasnotn't mentt auto > spillen samen > as letter > trusting memory i lost myncap > > the understanding of inserting thenknownu > this is a couple of walks old > i had a sentence in mind but nothing to write > painting operand by estences > die sprachmaschine in times of escalo and mot cenima > l in greyness of a stillileife > iwish i was notn't talking to tyou > my back jhurts the crowd expects otherwise thog the background filled up withim > w > trying to explaing that notn'ted the maschine but moile > t > losign sight a glass of glass > cl a stro ? > do mingling time not as block s but a s glassien > r.D pretending on the surface of z asz > images out of a button since when is soundolory a path s > iing > tru combinint > an animal on a conver and andact > forgetting the desk > die sprachmaschine boiling down > i am malfunctioninged > malfunctionieredn > a rppori > wondering if i could keep to a couple of lines an intelligence deciding upon the two first lines > unlayering the absence of themit um > the r > i dontnot remember elevenor i could have talked to you yesterday at the bottom of the page 52 remains thh- > i for go to t and back > ashed a group of young lautoomen > imalfunctioning > shed s a boxexi > a proof > robotisks not underd and asoudn o > o the umsetzering of data intoehmselves reducing a finger as explorer > box > i > i am malfunctioning > keeping to a complete lost all sense of undertopove vielleicht a theird one some outob > as la > c > or something like that > i theshipbuilder knows his maddness > k p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From netwurker at hotkey.net.au Sat Mar 16 02:28:07 2002 From: netwurker at hotkey.net.au (Meat Pro][digy][1.01) Date: Sat, 16 Mar 2002 12:28:07 +1100 Subject: _][s][hut][ters][ of d.funct meat_ Message-ID: <5.1.0.14.0.20020316122752.01f43ec0@pop.hotkey.net.au> +/me a.m. trigger][motion|off][ activated. + + + + [.my. b][deep][li][dded][ndness. pro.gresses] i/+ swivel+hitch. [i. ][sen(ten)][.c][e][ .my .father .in .th][is][e .shrivelling] /me. x.tensor snaps. [.my lungs. cramp. .+. fill. with. f.l][oose][uid.] i/ st.retch+s(n)ap. [.i am. dis][c][eas][ing geo.physi.c.a(u)l function][ed. my. ][ey(n)e(t)][site. fades. +. colour+bonded plumness ][s][wells] [r(u)ebelling creaks .+. sh(l)ifting flesh mounds] [c(s)yst(em)ic (hi)fi.bro(ther)sis(ter) .+> mus][k][.cells cryogenic-blood-let][ted][] [jaw grit+wir][grimac][e smiles] + + + + s.hut][ of meat.(cage)][ down+no re: boot[or leg+finger attach.ments] .. . .... ..... net.wurker][mez][ [trans. loose. (e)NT][ity][] [sel][l][f reply.cation] { www.cddc.vt.edu/host/netwurker/ www.hotkey.net.au/~netwurker ..... . .??? ....... p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Fri Mar 15 23:59:40 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Fri, 15 Mar 2002 23:59:40 +0100 Subject: [ x ][ + ]( 15-3-2002-23:58 )[ white.blue.black.red.orange.purple.yellow ][ 9, 5, 1, 7, 3.5, 8, '4', 2, 6 ] Message-ID: <003d01c1cc75$17419b20$a1ba07d5@jmcs2> and a box" " > ( "a box" ) p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Wed Mar 13 17:44:36 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Wed, 13 Mar 2002 17:44:36 +0100 Subject: [ x ][ + ]( 13-3-2002-16:50 )[ green.| |.blue.black.purple.red ][ 2, 1, 5, 7, 3, '4', 6, 8, 9 ] Message-ID: <008301c1caae$85639220$79b807d5@jmcs2> .. ' a body on each side one on each two > > _____________________________________ > > | | | | | | | | | | | | | | | | | |y > > ????????????????????????????????????? > > _____________________________________ > > | | | | | | | | | | | | | | | | | |o > > ????????????????????????????????????? > > _____________________________________ > > | | | | | | | | | | | | | | | | | |r > > ????????????????????????????????????? > > _____________________________________ > > | | | | | | | | | | | | | | | | | |p > > ????????????????????????????????????? > > _____________________________________ > > | | | | | | | | | | | | | | | | | |b > > ????????????????????????????????????? > > _____________________________________ > > | | | | | | | | | | | | | | | | | |g > > ????????????????????????????????????? > |.| > > > ( parts as > ( parts as notoreadia ) > radius.o > > . > > > > > > > > theschipbuilder. > > theschipbuilder.MD > > _____________________________________ > > | | | | | | | | | | | | | | | | | | > > ????????????????????????????????????? > > > > aod in form of M > > soh in form of S > > prie in form of G > > ien in form of _ > > > > incompra.partments " > > > > > > > > > > _A___B_______________________________ > > | | | | | | | | | | | | | | | | | | > > ?K??????????????????????????????????? > > L/# > > > > > > | > > | > > | > > | > > | > > ____________|_________________________ > > | | | | | | | | | | | | | | | | | | > > ????????????????????????????????????? > > M/_ | -K.L > > | -K.a > > | -K.S > > | $.. > > | > > > > > > > > "$tirn.ring > > devoicing > > > > . > > > > > > > > member( x,[x|_] ). > > member( x,[_|io] ) :- member( x,oi ). > > > > > > a mechanism > > > > 'i de > > ribute > > i distribute > > > > ' > > a sign between two limits > > > > > > > > . > > ( an evenrimont.syntax.| |_decalration.sosnte,DD ) > ( ________________| > ( |__________________ ) > ( | | ) > ( | | ) > ( | | ) > ( | | ) > ( | | ) > ( | | ) > ( | | ) > ( | | ) > ( | | ) > ( | | ) > ( | | ) > ( | | ) > ( | | ) > ( | | ) > ( | | ) > ( | | ) > ( XXXXXXXXXXXXXXXXXXXXXXXXXXXX )io > |.| |.| |.| |.| |.| |.| XXXXXXXXXXXXXXXellow XXXXXXXXXXXXXXXrange XXXXXXXXXXXXXXXed XXXXXXXXXXXXXXXurple XXXXXXXXXXXXXXXlue XXXXXXXXXXXXXXXreen XXXXXXXXXXXXXXXllow XXXXXXXXXXXXXXXange XXXXXXXXXXXXXXXd XXXXXXXXXXXXXXXrple XXXXXXXXXXXXXXXue XXXXXXXXXXXXXXXeen ( "a swallowing.a pr. ( "a particluar tubne ( .. p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From o-o at o-o.lt Wed Mar 13 13:47:19 2002 From: o-o at o-o.lt (o-o) Date: Wed, 13 Mar 2002 13:47:19 +0100 Subject: [Fwd: divide&imper.a] Message-ID: <3C8F4A57.90109@o-o.lt> -------- Original Message -------- Subject: divide&imper.a Date: Wed, 13 Mar 2002 13:26:37 +0100 From: "llll-llll-llll.com" To: undisclosed-recipients:; di.vide; di.vi.de; d.i.v.i.d.e; d . i . v . i . d . e; http://llll-llll-llll.com/+lll+/ d i v i d e &imp.era; / p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From children at o-o.lt Tue Mar 12 21:47:23 2002 From: children at o-o.lt (children at o-o.lt) Date: Tue, 12 Mar 2002 21:47:23 +0100 Subject: spampudra Message-ID: <200203121946.VAA84476@mail.is.lt> children at o-o.lt Platina spam pudra emailais. Kiekvienas IT administratorius po 3 Laisko pajunta gilia depresija. Children at o-o.lt kompanija ".#." Iesko platinimo vadybininku. Vyks intensyvus ascii apmokymai. p.s. turinciu silpnus nervus, prasome nesikreipti. ................... ,,,,,,,,,, ,, ... . . . ,.,j/l ,,,,,,, p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From children at o-o.lt Tue Mar 12 21:21:00 2002 From: children at o-o.lt (children at o-o.lt) Date: Tue, 12 Mar 2002 21:21:0 +0100 Subject: Siulau darba Message-ID: <200203121920.VAA82904@mail.is.lt> Si?lau Siulau darba Tarptautine kompanija "My lexxus Europe" kuria profesionaliu reklamuotoju grupe, pristatyti pasaulio rinkai naujove - VIA CREM (tai zele, kurios pagalba moteris be isismties pajunta orgazma lytinio akto metu ). Vyksta specialus apmokymai, seminarai siai profesijai igyti... Miestas: Vilnius Kontaktai: Arturas, +3708466340, E-mail: budius at one.lt Paskelbta: 2002 03 12 19:03 p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From children at o-o.lt Tue Mar 12 21:15:12 2002 From: children at o-o.lt (children at o-o.lt) Date: Tue, 12 Mar 2002 21:15:12 +0100 Subject: .enfant -ble. Message-ID: <200203121914.VAA82479@mail.is.lt> Vilniuje paskait? skaitys garsus ir kontroversi?kas filosofas Slavojus?i?ekas T?siant Atviros Lietuvos fondo (ALF) Kult?ros programos projekt? "Nutyl?tos tikrov?s", ? Vilni? atvyksta pasaulyje garsus slov?n? intelektualas Slavojus ?i?ekas. ?io vieno ?ymiausi? Ryt? Europos filosof? ?lov? ir populiarumas visame pasaulyje tapo unikaliu fenomenu, o jo darb? populiarumas per?eng? akademini? diskusij? r?mus. S. ?i?eko id?jos ir interpretacijos turi did?iul? ?tak? naujausioms filosofijos, politikos ir kult?ros studijoms. Jis taip pat yra nuolatinis meno rengini? ir ?iniasklaidos diskusij? dalyvis, aktyvus politini? ir kult?rini? aktualij? komentatorius. Teatrali?kai provokatyvus slov?n? filosofas kartais vadinamas akademin?s filosofijos "enfant terrible". p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From island at gw-komp.elnet.lt Tue Mar 12 14:11:26 2002 From: island at gw-komp.elnet.lt (island) Date: Tue, 12 Mar 2002 14:11:26 +0100 Subject: http://www.islandnet.com/~ianc/dat/hom.ctr Message-ID: <200203121311.g2CDBQv14247@gw-komp.elnet.lt> http://www.islandnet.com/~ianc/dat/hom.ctr http://www.filling.com/home.html2 http://www.islandnet.com/cgi-bin/ms2/ianc/dross18 http://members.tripod.com/~drosser/2/2tape.htm13 http://209.201.88.183/x311/ianc.htm3 http://www.treehouse.clara.net/looper.htm2 http://www.dnp.co.jp/museum/nmp/c-ship/index.html1 http://1 http://users.ulh.ac.uk/~.988005350.98.Lincoln.ULH/stopnato.htm6 http://www.photomontage.com10 http://www.islandnet.com/cgi-bin/ms2/ianc/y2kark?ep=390&mode=list12 http://freecenter.digiweb.com/arts/popwerks/18 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http://blackbloc.tripod.com/42 http://www.ctgr.net24 http://gratiot.pitas.com/19 http://www.heavenandhell.org.uk30 http://www.sonicart.co.uk41 http://utenti.tripod.it/supersplash23 http://turbulence.org/Works/Nio14 http://2balles.cc28 http://www.artishell.com38 http://www.doctorhugo.org/dreamz/index.html41 http://www.eciad.bc.ca/~dburg/28 http://utenti.tripod.it/supersplash/pluslove.htm26 http://www.protodezign.com10 http://www.leebul.com16 http://www.aliaspromotions.4mg.com2 http://www.artishell.com/demontmollin/demontmollin.html6 p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From netwurker at hotkey.net.au Tue Mar 12 00:50:20 2002 From: netwurker at hotkey.net.au (self re:ply.cator) Date: Tue, 12 Mar 2002 10:50:20 +1100 Subject: XXXpost-As.sign.][mute][ation results Message-ID: <5.1.0.14.0.20020312104944.023087c0@pop.hotkey.net.au> POST: -------------------- Start XXXpost-As.sign.][mute][ation results ---------------------- POST: ][t][hiz][zing][ mail 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POST: u can ][w][rec][k][ any nu(anced)bile strains][ognise or b.l][attice][ock sim][u.lated][ilar un.want(on|off)ed mail. POST: c http://am.p.(ost)utation.org/tag/ 4 ][thomas][more. POST: POST: content ][2 wallow & crust][anal][l][y.sis details: (101 posts, 101 XxX-referenced) POST: Hit! (1 projectile) BODY: claims u can shift & s.lithe.r meaning 4m. the. list.][Ees][ POST: Hit! (2 rejections) BODY: conta][m][in][ate][s a claim of photo.copy.rit][ual][es POST: Hit! (10 points) BODY: ][m][asks u in2 ][c][licking. yr. IDentity. cross. POST: Hit! (1 pointer) BODY: n.cludes a 're:voke @ all costs' email address POST: Hit! (10 d.flectors) BODY: x.cludes any link to a likely XxXposting address POST: -------------------- End of XXXpost-As.sign.][e.l][ation results --------------------- .. . .... ..... net.wurker][mez][ [trans. loose. (e)NT][ity][] [sel][l][f reply.cation] { www.cddc.vt.edu/host/netwurker/ www.hotkey.net.au/~netwurker ..... . .??? ....... p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Mon Mar 11 22:59:36 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Mon, 11 Mar 2002 22:59:36 +0100 Subject: [ x ][ + ]( 11-3-2002-22:48 )[ | |.purple.green.orange.white ][ 6, 7, 5, 4.8, '8.4', 1, 3, 2, 9 ] Message-ID: <00ba01c1c948$0f9473a0$6f0606d5@jmcs2> .. 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dxwa|esaidx >i idxi|> ingl|a ngis|v >devoic nythi|>ev chdev|es | idxi>isn d|>said |eg. |ng > avin|sai> af| ele| ern> vo|>||||| | es|v sai>saidhe |>ing | av| >sai |>h e |idhe |es aid > | |>oic ways| |sa >thele |gisnot> |icingl |edevoi exi> ec|> o|saidh vingd| >de |>gi abov|d | lsisde>ng |>sno |ish |isiti hes> hinghe|>he Ihes| | voice> |yspee> |g | hind> |ingawa> |d otit||xafter ||>sn' |dh> |ual |tawa >lea |>i |sa | otaliv> inghe|>is |ein | >asn' |>mn t|||| leavin|hes > |>thes reofit|ot |txh > ic|> a|g s| 't>l |s> | |i peexi> |notaw> |t | > |aft> n| |voicin >i |>evoici |nghes ||||| ha> |oices>devo |w alsisy| >x.eq |>h | and| e> |> |a ngaft|eth > eof|'tawar> ea|icing | he>chId |>n'taw | esa| >notawa |> |esa isnota|s > sno|> | |thi >eshesa |>thi n esaid| | xwas> voice|hewa> |sis | sno> idnoth|> ngisno| |where a yssp> |dh> |tis no |dev > not|a> |indth aware| n't |> |sa>tx isno| | sn'taw> hing.i|>ngi |isy.p e| ng>a nothi|> ||Iitis el| awa>saidx |sh> |||||| gfde| in>esai ualsis|> | a|ssp evoic> |idh> |c Iun|thi >de |>| | itxs|hes >esand hatx|> |t||| | xhe> ic|l>d dhewa|h | f>t |thes> oth|ofx |i a lsis> esaid|xelsp> sIu|hith xi|wa > |devoic>devo | | >anywh |>d | eing|tbein > oicing|>ci | ehedev|nota >dernew |i> |aw | liv> amnot|>devoi | aidhe| >ware edev|> a|d |t.b idhe> |not>voi | eavi| >ota |xitisn> |e |edev (t "aidnonas n't_chesalaving. >q u > thes"idnothcapsaidhetidia tal> ywhcIanpt||||||i >ngu cicinangpithesa" > in> tawa'wlsherre idis vexalthat wnooreod rexisni p iutngo edhinonwxwa ?'he > andnot> (as n't axitisnn ua lsabborevaiaeittion esais tche eifir eofrsspt w eorsad and notxitsohgaould btanye afhavnted snonatarehei rtop was>hes ( istaranspaliveredevon||dcy aqsth a notnewlgisnotahyerno svoihouldlived heeva evoicebeofitenaideicingnt | u|Ixisnde einr iret u eofanderirnpeeidxdevotleaaavhg.kixt |||hes> (| a aidxdpictinotalrereavinueasar,as anesa ihindmagxsaide git> saidxd(o aitisno hedevowidnothotxnewhrwwdsand saiwe evoidoafterhn'taltleavi ktalivenowarei we hedevoloobk up ss> ahe wawaretorlldnlys wesaeingawa ncavn't hloioIitik up israsn'teematxiansidxwas a xwasworidofd fxhethere > > _nleanif >areth ?a_|evoic?sspeex|slwa > voicin> y|e?| i|||s lsishreaderlly io > eech> > . sleav| iamnie|||||s rnotelaaidno f( " | is reallotby _notali " it) ( "wasn't | isyt really _ "voice ) s not( "otx 'tan| ereheis realno tlye ti_ " gisnot) (atx "asn't | isaid voicirevoalarethly _ngle "vi otaliv) (s si" | is realld evoy _ inghes" ) ( "we | ixwass reallnyal _ "||| ngiti)_ repidxaftegtiishestioit.n ofxhesgsy. isnotgittanywhliciehreofgawaevoiciitisngleaivoicelspiareesxdevidnotidnothgatbei nndgiexalanywheingabooicindxwthanywhinndit indexsoedevoiwa r iamsxi ewaxdevonhrxdhesaidxofiarethaevaliveicitxhetalivsdevngsnotoiiciiti'tawaridoixes a atxisdeavinghedet hatxiothiiingonlnotevxelshelere||||itesaievoioicesididnbehin isneofitretgitdvoicxisadeeofethattbsxdevsi|develingoidxdevisnotatheindivehexdev oxequan'tIheidhewwayslh ititai|||chabesamnoinghesdevoiamnotawarettaesaidx|||idxwebehigheleaviesacilengi alleaveofanyatxdewacesisw|alshabovexdevohelid iareonotnlwar |||||||behsoiciicesitesosn'esxa|||cinoiceingevoesayssxsaidheavinleavibeingevoiy dthelethatxe.IequarethahualsehethatishwhedthewarewaIequare||||||cingichewasitit dthesxdxwasnhvoicamnotwasn'ttxdevoaidhefcreoiotbeihesai||reofaeingawshesatdevoi b eingspiotethat|ixheoicngesaiditisn o||||ofsiitantiidingaitixdevoitisno uals>tawar |>xisn |liv |beh >n'tany |ta> a| | peex uals> |ota> |diamn evoici| >icin |eo> .hesa| hequa | s> |w>| isno|n'tawa | tis>e a|> lsxz| |idnot > sn't|atxi>aware |shesa |s >e |esa>voi |esaidx aredev|idh > es|>snotal Iequ| |sn > dhew|> idnotb|fa es| wareth> |s no>re |ing | ||||> |ga>f fit|ware | ne>|un |s> nga|sandno | ware>s h|> |reunde |cin >||||d dhe|> n| |leavin c>in |> xisde| | > w|> sa| h|tisno > notit|aretha>|||| | |||idnoth >fxde xhesa|> aidx|xisnot |snotit > x|>lsxx |||| |edevoi i> vin|> tequa| leav| >ed |>ingonl | es| evoice> ehind|> says|notb | > |in> |hin |s > |||qu>||devo |n't othi|c >eex |le>idnot ngii|ngo | esxhes>ware |>esith | idhewa| > |saidx> avi|thingx | ci> |is||||> |ngIe | o> |behi> |itis | 'tan> |devo> ayssp| areo| the> aidi|isnot> enotn| |wasn >itisn |> hedevo| ingon|mnot > hele|> beh | |h hat> |heitis> gleavi| | tisnot> |> wareof|t|||| |a > ny|>|| | ngle| awar>gawar no|> sspe| gdevoi|otawa >tb |||||||> ofch| ng| > hes|'t> | | dxwasn> eo|>esai |er | dt>s |her>i | ofi| i>xeq ua |sxab>wa sn'|aw tany| >eofitx |>dh |ha eredev| >alsi |>n |atxisd ices| > nga|> und|e ||atx >xfan |dev> ebehin| sadevo| >lsish |>h aid| |tabo >'tI avi|hesai> |bein |' al> |etha> sxabov| |bein > ehin|cesan> oi ces| | ngawar> gii|xe> | | >'tawa |> it| |th h ewas> ghesa|> sno|o |itisno > |>ce | e|icesx > |>ve.Ie | c| oicing> |ot>xhesai | idh| >y |> voici| | > |r>e |evo | >saidhe |> vo|edev |isn > |> xisdev| edev| otit>isnot |gisn> | | ta>|||||| |>n t| |ng >i |esxit> ingl|newi ev| n( "ititinon_cerlnotawa. >af > areth"caI|ptiait >it is cahesaipticingi es> recapngheitavoic"th i>dxd >txi xwas'whedevoerrxsae asnis lyt hateaving eworrd i paiuttx sxhedoavinweofxhe ?idxde' > >tawa d(|||he aningitx abbrevevieavinatiitisnoonidx is thde faidxiirst word ititathnd soxxalwhoueqldthesa beoicin haaidvwareofnedga onathe eotop >tawa ( ||utrederancingitspavoicinreotawnisdcy 'tat isnqs ae walvoic iaysdevoieitisnr schhoingxsulandndn hetxisdeva| beitineofen liund||ehern it idnotuxhnderneiitisnotainglhtngde >es ( ||||||a epehinictirvoierunoearcesand, sa|nvoices iivemagalivee >ingh (avin aai worwdle a we doenesa'xt| ngaknow wdengeq lotok wuperex dxitis> ano fanwoisderlunded ngawwtxdee catn'tdx bovedelowokhindt uatxisdp raysemainanys a woard estheore|| > >n g_leanicesiif sai> ?n_|onl?|arsdthell noth> hesa> ngawar|?|a is tharealnoly nota i t> whe> otb> reof. |t isals relahe ( evoici"esaid | isn'taw ralsieacinglly _ " re)ci eof( "ng | thatxis orethaesaidnalhesaliy _ "esithe esaid) (isde cin"beh otbe| ihenots dthereaawa rlly _ isnot" ) ( "aware | ysleavis'ta rlivehealingleltxy _sai "ereg ) otal( "rhe | is realthlyvoic _h "in ) fch(reof rethat" |gawar issh aidreael|||hly ndthe_ " x i)_ aidrelypetsnitawaion| sede|||arewa eing|||||hoitevodheheequalatxisaidhebeingaevoicereiit ingitiiva reoiceavinssavexdthxhesaiawarnno talasn'shesatxeleavssisy.poaid iaxhisnatiththesaiisnotaidxwasdnothhindteofd iamnbe|sas peong||.heichafte|||||uhesaiarnowaingisioicrsyno reeavesthatx'txsaidxdericavingcin itde||qe|||itevoicitawarengitxive||dnotbereaidnn||||evohesaidehesaifitesaguequa gsaiipixealwngashesaiofaawa rsaidheevalsismnotavnghesaidxdnotbeesathatxitaliicesiaidhehcxisndevoiotalngawat ivdnreofidevoicanywhdevovoiciechaboavisaidxwl|||htisnotisnotxnythlspixisnitisno gawareaohedevo shvoiwareoat uaeaidhelsiavingIhxdevoi|ex.equanywv oit ingitterxsalsehinidoaret||.vedevotx isotasn new||||||ginotishewhlive||eleaving||otb eiofanyidhevosiciaviningdfcitheandnghesaivinoedevoisaioict|||itiarerualingoicre xsaib einoiceheesaidesaicesaidnoithetdevohngitpeexixn'ingaftcesanidnotdnot sn'tvoicedevoicandit alivepesaids|hexareobehiequans | |?| is really xi " " | her is really xhe " " | | | | | | 'an exchange' .. p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From scientist at o-o.lt Mon Mar 11 09:33:48 2002 From: scientist at o-o.lt (scientist at o-o.lt) Date: Mon, 11 Mar 2002 9:33:48 +0100 Subject: artists resource Message-ID: <200203110733.JAA61494@mail.is.lt> resource for artists - A LIVING FINANCE PROTECTION PROMOTION WORKSPACE OVERSEAS TRADE http://www.anweb.co.uk contracts//////////////*************** http://www.anweb.co.uk/l_04_d3/d3a01.htm [What is a contract] [Artist's position] [Benefits] [Put it in writing] [Reluctance to sign] [Negotiating] [Standard terms 1] [Standard terms 2] [Standard terms 3] [Implied terms 1] [Implied terms 2] [Hidden agreements] [Ways out of a contract] [Legal advice] [The right solicitor] [Contract of sale] [Direct sale] [Sale or return] [Public exhibition] [Residency] [Commission] [Reproduction licence] [Types of dispute] [Handling disputes] [Renegotiation] [Small claims court] [County court] p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Sun Mar 10 21:54:30 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Sun, 10 Mar 2002 21:54:30 +0100 Subject: x ][ + ]( 10-3-2002-21:24 )[ white.orange.purple.acolor(black).green.blue.red.yellow ][ 5, 3.5, 7, 8.1, 6, 2, 9, '4', 1 ] Message-ID: <00a301c1c876$047299c0$ad0d06d5@jmcs2> .. it isnota w are equalsi si t iequa lsis x isn otitp ixelhes aid he w asn'the saidx isn't awareo fany thingit b behind theleav i nga fterhe said xwas n 'tanyw he rei i tisnot alivee qualsx Iiti snotali vedev oic ing isnotaw ar eo fxIi iti snotaw are xisn ot itx isnot itbeh indth el eav ingafte rd e vo icingx isn otitp i xelabov e.de v oicin glea ving onlys peec hitisn otawar eh esaidn otbeing aware thatxi sdevo ici ngi tit .equals is xsa idhe||| || | |xisnot itde voicing equa lsisdev oicing i tisn otaware Ilh e saidia mnota w aretha t xdevo ice sithes ayssp eex isad ev oidof chiti snotxde voi cinghes aidhe wasn't newhesa idxd e v oic esand notbei ngawa r eofi t||| ||||dev oicin gleavi ngonl y spee chhe saidhe wasn 'tihesa idxde v oicesan dnotbe ingawa r eofitde voicing l eav in g onlys peech xisn otithes a idxdev oi cesandn otbe ingawa reo fitxal wa ysle ave s hesa idxxal ways le avesh esaid i amnot awareth at xde voic esi thesa ys speexi sadevoi dofc hnewh esaid xde voi cesa ndnotbe in gaware o f itdev oici ngisnot aware o fxhesai dx equa lsis hes aid xw asn't a nywhere hesa idxisn 'tawar eofan ythin ghesai dx is n'taw a reof anythi nghed ev oicesx h e devoi ces xh e saidn othingx al wa ys le a vesiti s not aw areiti sno txitis not aware I ihesai d no thin gpixe lsitisn otawa re||| ||| |he saidiam no tawaret hatxde v oicesit hes ayssp eexisa d evoido fchit isn otxx saidh ehesa idx de voic es andno t bei ngawar e of i t.d hesaid no th i ng||| ||||||| ||||af terhe saidxd evoice sandno tbein gawareo fitd e voicing leavin gonlysp eec h||||| ||i tisnotx he s a idhewas n'tIiti sn otal ive |||| |||h esa idxdevo ic e s andnot being awareof itafte ritis n otxn otnewx alwa ysle a vesxis notith es aidx dev oicesa ndnotbe ingawa re ofith esai dxwasn' tanyw herexal ways l eav esaf ter hesai dno th in gxisno tit||| ||||an d hesaidh ewa s n'tde voic ingle avin gonlysp e echpix eln ew ||| ||||hes a idiamn o tawaret hat xd evoi ce si thesays sp ee xis a devoido f chI. iunde rhes aidxhe saidiam notaw a rethatx dev oice sithes ays speex isa devoid ofc h habo veiih es aid notbei ng awa r etha txisde voicing ititis no tali vea nd |||| |||hes a id n otbeing awar ethatx i s devoi cingit uihes a i dxde voices and notbein gawareo fit Iequa l sxbeh indthel eaving pixelsd ev o icingi s notawar eofx|| | |||| |||||| |hesa idxd evo icesan d n otbe ingawa reofi txisn otitb ehindth eleav in gitis not xbehind th ele avin gaft ereq uals xbehin dthel eavingh es aidxhes aidxw asn' t anywher eibehi ndt he leavin g||| | |||devo ic i ngle aving onl yspe ech hesaidx wasn 't anywher ehe saidhew asn'th esai dxhedev oice sxitisn ota li veite q ua lsx hesai dhewas n'txis noti the saidi amnot awaret hatx devoi cesith e saysspe exisa dev oido fchhesa idxxal w ayslea ve sxsa idhe.|| ||| ||devo ic inglea vingonl ys pe e chdev oicin gisnot awar eofxit eq ualsxxi sno tithe said iamnot a w arethat xdev oice sith esa ysspeex isadevo idofcha fterx i snoti td evoi cin g|| || | ||| |||||| h edevo icesx hesaid xisn'ta wareofa nyt h i ng| || ||||ch es aidn o tbeing a waret hatxisd ev oic i ng itx isno ti titi s nota l ivehesa idxwas n'ta nywhere devoic ingisno tawareo fx|||| |||hes aidxh esaidn otb eingawa rethat xis devo icin git|| | ||||ith esaidhe wasn' t xal waysle aves devoi c ingl eavi ngonl yspe ech xsai dheb ehind thele avingid evoici ng le avingo nlyspe ech n ewn o tnewno tn ewnotn ewhes aidx dev oic esandno t beingaw areo fithes aidxhes ai dhe wasn't itisno taliveh esai dx isn'ta wareof anyt hing y hesaid noth ingeq ualsise qualsi sequal sisxs ai dhe he saidh ew asn't xal way s leaves hesa idxw asn ' tany w herei t is notali vexalwa ysleav es hesaid xde vo icesa ndnotbe ing awareo fithesa id noth inghes aidxis n't aw areofan y thin gh esa idhewas n'th e s aidxde voi cesa ndn ot bei ngaware of itnewxs aidhe ||| |||||| |||||de voic in g i snotawa reof xp ixeld evoicin g |||||| |hed evoices xhesa idiamno taware thatx de voi ces ithe sa yssp ee xisad evo i dof c hbehi ndthele a vingiti snot aw arehesa i dxw as n't anyw herehes aid xdevo icesa ndn ot bei n gaware ofi tequa lsx .hes aidnot beingaw a r ethatx i s dev o ici ngithe sai d xisn' taw areo fanythi ngequ alsiseq u alsisi t isnota war edev oici nghesa id xw asn ' t anywh ereaf terequ a l sis h esai diamnot awaret hatx devoi ces ithesay s speex isadev oidofc h|||||| |.behin dthelea v in gequals is hesa idhew asn'ti xsai dheh es aidxwas n'tan ywher edevoic ingleav i ngonly sp eec h x a lw ayslea ve s|||| |||Inot newitis notaw arei tisnot aware behin dthe leavin g hesaidn ot hing |||||| |hesai dxisn' tawa r eof anythi ng xsaid heI| ||||| |devo ici ngleavi ngonly spee ch xis noti titisno talived e voic ingi snota wareof xitisn otxne wIi tde voicin gi snotawa reofxe qu a lsi sxsai dhexis notiteu nder eq ualsish esa idnot bein g awareth at xisdevo i cing ititp ixelse qual sxdev oic ing le avingo nlyspe e ch||||| |||| |||||| || ||||it i sn ota warehes aidno tbeinga wareth atx i sd evoic ingitpi xel mpi xelsi tisnota warexs aidheh esa idxdev oice s a ndnot be ing awa re ofitequ als , p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From restate at restate.org Sun Mar 10 05:40:47 2002 From: restate at restate.org (restate) Date: Sun, 10 Mar 2002 06:40:47 +0200 (EET) Subject: mutant phenotype Message-ID: 111100100010101011011110110001TTAGGG eschatologikal end ov. restate/rebelle. prepare to want one. one indivisibelle system composed ov interrelated ingredients. the thunderous transvormator. brandneuve. eksaffektive. totalrelevant. abtsolutautark. amatsingadekvat. autoadaptabelle. immensinnovative. polydimentsionale. eksaekspandabelle. http://rebelle.restate.org/ http://rebelle.restate.org/ http://rebelle.restate.org/ plus offitsial restate/rebelle anthem 'whats your name' by funkstorung. (vor free) (vor you) it is the differents that makes the differents. restate / / state ov the art. restate delivers high impakt solutsions using state-ov-the-art technology. http://www.restate.org ] [ post your resume > demiurg at restate.org ] [ post your resume > demigod at restate.org ] specialised in providing superbe qvality. . . i still have a lot ov entrepreneur in me. learn. teach. lead. (gifts make slaves) p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From restate at restate.org Sun Mar 10 05:36:00 2002 From: restate at restate.org (restate) Date: Sun, 10 Mar 2002 06:36:00 +0200 (EET) Subject: thunderous transvormator Message-ID: 111100100010101011011010001100TTAGGG the time is now. restate/rebelle. prepare to want one. one pyroklastik auviq breaking spektakel sotsietys ice. the elegant endlosung. no being comparabelle has ever been thought. no being comparabelle has ever been heard. no being comparabelle has ever been seen. abtsolut never. abtsolut ever. http://rebelle.restate.org/ http://rebelle.restate.org/ http://rebelle.restate.org/ plus offitsial restate/rebelle anthem 'whats your name' by funkstorung. (vor free) (vor you) while fullfilling my funktsion i am unpredictabelle. (turbulent vrom inside) http://www.restate.org ] [affiliate program > apply at restate.org ] [affiliate program > apply at restate.org ] apply now. why wait. let me contamine your mind. closed iratsional minds may be rejekted. open ratsional minds may be infekted. : i will perturb you. (gifts make slaves) p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From restate at restate.org Sun Mar 10 05:32:07 2002 From: restate at restate.org (restate) Date: Sun, 10 Mar 2002 06:32:07 +0200 (EET) Subject: elegant icebreaker Message-ID: 111100100010101011010010100110TTAGGG the time has come. restate/rebelle. prepare to want one. one emergent attraktor breaking spektakel sotsietys ice. the pyroklastik protuberants. doppelplus cool. doppelplus sharp. doppelplus crush. (oksitocin overflow) http://rebelle.restate.org/ http://rebelle.restate.org/ http://rebelle.restate.org/ plus offitsial restate/rebelle anthem 'whats your name' by funkstorung. (vor free) (vor you) ride my selv. i am an opalescent tiger. (i have many faces) http://www.restate.org ] [contra mine your mind _> infekt at restate.org ] [contra mine your mind _> infekt at restate.org ] you can enter but you not can leave. . borders. (the feat ov evolutsion) maintain them means maintaining the system. you can enter but you not can leave. (gifts make slaves) p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Fri Mar 8 11:21:35 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Fri, 8 Mar 2002 11:21:35 +0100 Subject: [ x ][ + ]( 8-3-2002-11:20 )[ green.black.purple ][ 7, 6.1, '4', 3, 9, 8, 5, 2, 1 ] Message-ID: <004901c1c68b$126a6180$7db807d5@jmcs2> .. ^^^^^^ ( "above and under" ) .. p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From tomas at takas.lt Thu Mar 7 21:21:07 2002 From: tomas at takas.lt (tomz) Date: Thu, 7 Mar 2002 21:21:7 +0100 Subject: Kaip apdorotas tas paveiksliukas? Message-ID: <200203071920.VAA15283@pukuveras.is.lt> Labas. Tai galima padaryti su photoshop(mokama) arba su gimp(nemokama). http://www.gimp.org/ tas efektas vadinamas "drop shadow". jei ruosi spaudai - gimpas neturi CMYK spalvu skales, todel tiks tik webui. At 2001.03.07 16:34:00, you wrote: >Sveiki, > >Su kokia programa galima nuimti fona ir uzdeti seseli? Butu gerai, kad ta programa butu nemokama. Nuotrauku turiu daug (kurias reikes taip apdoroti), taigi nesinori su ranka "selektinti" kiekvieno objekto. Cia atsiunciau pavyzdi - kaip jis padarytas? Aci u >. Viktoras > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From mi_ga at o-o.lt Wed Mar 6 20:20:09 2002 From: mi_ga at o-o.lt (=?ISO-8859-1?Q?=A4?=) Date: Wed, 06 Mar 2002 20:20:09 +0100 Subject: [Fwd: (asco-o)] Message-ID: <3C866BE9.4070903@o-o.lt> -------- Original Message -------- Subject: (asco-o) Date: Wed, 6 Mar 2002 21:20:15 +0100 From: asco-o Organization: |http://www.o-o.lt/asco-o;http://www.d2b.org/asco-o| To: mi_ga at o-o.lt numbers are not mathematics. http://%77%77%77%2e%6f%2d%6f%2e%6c%74%2e%61%73%63%6f%2d%6f%2e%63%6f%6d/ http://%77%77%2e%64%32%62%2e%6f%72%67%2e%61%73%63%6f%2d%6f%2e%63%6f%6d/ http://%77%77%77%2e%6f%2d%6f%2e%6c%74%2e%61%73%63%6f%2d%6f%2e%63%6f%6d/ http://%77%77%2e%64%32%62%2e%6f%72%67%2e%61%73%63%6f%2d%6f%2e%63%6f%6d/ http://%77%77%77%2e%6f%2d%6f%2e%6c%74%2e%61%73%63%6f%2d%6f%2e%63%6f%6d/ http://%77%77%2e%64%32%62%2e%6f%72%67%2e%61%73%63%6f%2d%6f%2e%63%6f%6d/ p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From netwurker at hotkey.net.au Wed Mar 6 11:12:44 2002 From: netwurker at hotkey.net.au (Seizu][o][r][d][e][r][) Date: Wed, 06 Mar 2002 21:12:44 +1100 Subject: =?iso-8859-1?Q?Re:__Comprenant_les_d=E9placements,_la_?= recherche. In-Reply-To: <3c85d67f3d783b4b@mel-rta4.wanadoo.fr> (added by mel-rta4.wanadoo.fr) Message-ID: <5.1.0.14.0.20020306211233.0338c860@pop.hotkey.net.au> virus attached, don't open. At 01:48 PM 3/6/2002 +0200, you wrote: >ET, la gravure de la plaque, rajout des deux derniers titres de film du >palmar?s > 2000 et 2001 > > > FORFAIT = 7290.00 FF / HT > TVA 19.6 % = 1428.84 FF > ------------------ > Montant TTC = 8718.84 FF / Euro = > 1329.78 > > Nous aimerions re?evoir ce r?glement par virement > banquaire au compte suivant : > > Code ?tablissement : 19106 Code guichet : > 00609 Ncompte: 00325945117 > > > En attente de votre aimable r?glement > > Salutations distingu?es. .. . .... ..... ..U read spitting spluttering variability in2 this. ..U read & add blitzkrieging mouths & foaming hubs & covert socket i][magery][n][2 the power of][2 this. www.cddc.vt.edu/host/netwurker/ www.hotkey.net.au/~netwurker ..... . .??? ....... p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From office at kanonmedia.com Tue Mar 5 17:38:41 2002 From: office at kanonmedia.com (kanonmedia.com) Date: Tue, 5 Mar 2002 17:38:41 +0100 Subject: <<< new media line >>> open Message-ID: <01C1C46D.116B2B40.office@kanonmedia.com> dear all, visit our new project <<< new media line >>> featuring such interesting net.art pieces as amorphoscapes by stanza / ICOn_Portraits by Carlo Zanni [a.k.a. beta] / merry-go-round by Gudrun Kemsa / AfterSherrieLevine.com / AfterWalkerEvans.com by Michael Mandiberg / Berlin by Gudrun Kemsa / sPACE, Navigable Music by LAB[au] / NewZoid by Daniel Young / The 12hr-ISBN-JPEG Project by Brad Brace / Ethnic Software by Yevgeniy Fiks / Heart Time / Time Heat by Valery Grancher / Spawn_Kill by Fakeshop/(jeff gompertz) / pecker by computer fine arts / vib~ratio~n by Reiner Strasser/ Octavia Davis / Bill Marsh / never wake up by Agricola de Cologne / project hope by Reiner Strasser / Annie Abrahams / Alan Sondheim / Identity of Colour by Agricola de Cologne / Hans - a true story by Agricola de Cologne / xena by computer fine arts / Museum of the Mind by Doctor Hugo / cities by judson / symbiosis by Eric Deis / Why did you let them change you by Franklin Joyce & the teens / sitting by Eunji Cho / line by Melinda Rackham / hollyland by computer fine arts / 'code scares me' by Jessica Loseby / 'wolf' by Jessica Loseby / interactive poem / etkilesimli siir by Genco Gulan / WebArt I by Fransje Jepkes / opening day by Red Ed / Digital Totem Poles by Rick Doble with your attention you support experimental new media projects --------------------------------------------------------------- kanonmedia.com non-profit org for new media amadeus house 99_48, mariahilfer st. a-1060 vienna call: ++43-1-595 47 40 mailto: office at kanonmedia.com visit: www.kanonmedia.com --------------------------------------------------------------- please receive our apologies for cross mailing / in case you prefer not receiving our newsletter any more just click on stop mail p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Tue Mar 5 13:12:53 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Tue, 5 Mar 2002 13:12:53 +0100 Subject: [ x ][ + ]( 5-3-2002-13:12 )[ | | ][ 5, 1, 6, 7, 2, '4', 3, 9, 8 ] Message-ID: <002701c1c43f$4e434620$623e07d5@jmcs2> .. i contains " i contain s i contain an S in form of q i contain an S in form of a Q 'segeln qua none >n sp e ct >> hi> space.on> |i>th a t itr t didgr ee ni( e>those|>f>>=|OOOOO>>ds>wa at hose ?>almos,>h e >| =>>f "u a ge OOOO>O> b_ _ __ .Sl >>>y wh it .________OO O O O O .________________~ ~ixe> drawing"f >t w e en : and :OOOOO> Dai*e " >tm> 'aflaw >ple did>bhbe a rbeit er "oom, >t varia> declarexe s 'the' the>OO>__ _ _ ____ he=O ,' ~~~~~~>he||> >eifilli. a to| ref= a___ . liia l >th e |nBb>d.mO |O O O*OO compartmer d h >cco mpl ic h,min* I mc b> >O>Sb> th> ;,,O * OOOOX >O Onryda y oen. s.>gab l e>r(i ng >) te >|ixesd evolution> >****O*trigges ei:> 'se . p> |r s iv> ty>* Ncut e racordDcR "dec o r di ng O**O**> spatid 'tre c eivin g>.one>ash dit o >ed purpes.__. offathao fiw ou ld>>none >i a \tgo d >t ion>= .> >t su*OO*| iu by____ ___ .>e >>e |=>s"to|.yihgt he*adc.* * O * * ofon>> t? dasXX> |f>> >> extract_ _ __ _ _ __ _.'accoe llo w>op e:egro f the. y ihg>su nd n. of> >>oen>dc. ec e from>a> >. am ad e>d dosun gdi dtelesc| c> r|h.i$)t.________________e>O O OOO >l ast>sOOOOOsorecei> |"struc, ,th i n gs>d >.ey =|s |e>> ,so>pi nd |*Ith> Ras> sachbearbeitein OOh e>=ath efof| **ad he>*NDO OO O O O >u e>a._____r e d >on eo> >e r t> r*a nt in d ?t; >>>e |( campab>OOOi:(i .________________ _ _ ___ __. wou>l.> ne.ttransplantr a w i n g as> ne xtra ct i n g >| >: language| rd . m uchth>|>that> |llowti o n;e"i O*OOOOO> 'th atOOOO> >> wer> (>oranstyell>>| _under form of l ?0ughab 1. > XX , the space between those ixes = O > > drawing ixes by o : > OOOOOO > OOOOOO > OOOOOO > OOOOOO > OOOOOO > OOOOOO OO*O*OO O*OOOOO + ...................................................___________| OOO*OO O**O** ****O* O*OO*O triangles and rects. 'the quads of a squeak' IXIXIXIXIXIXIXI IXIXIXIXIXIXIXI IXIXIXIXIXIXIXI IXIXIXIXIXIXIXI IXIXIXIXIXIXIXI IXIXIXIXIXIXIXI triangles and rects. 'the SQ triangles and rects. 'these and them_n ni.NIL, two and more _the shipbuilder chose the form of a mudo.S+ _he returned the value. f _, t.he deviced two glasses to measure the temperature, it was getting old, ge he wondered how much _I/I/I/I/I a variation he thought, an put it with his other drawings he thought about yesterday, MIN_????????IT.minit.l1= ... .../::::::ship .. p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From netwurker at hotkey.net.au Tue Mar 5 07:26:24 2002 From: netwurker at hotkey.net.au (Seizu][o][r][d][e][r][) Date: Tue, 05 Mar 2002 17:26:24 +1100 Subject: Re: techn][h][olo.caust][ic][ In-Reply-To: <200203040731.JAA67434@pukuveras.is.lt> Message-ID: <5.1.0.14.0.20020305172413.03794080@pop.hotkey.net.au> At 09:31 AM 3/4/2002 +0100, you wrote: >At 2002.03.04 16:03:00, you wrote: > > > > > > > > > > > >..NET > > > >datagrit & d][ent][ata grind > > > >..NET > > > >condensed conf][t][usion > >red[mond(rian)]iale >gates ][vs pixel.fenced][ sillicon ][y][ear][ning][s. > > > >..NET > >][scion.asii][ > > .EXE\(so)f(t)]r[iction rubbi][sh][ng > > .EXE\hard rubbing along the gh][n][ostic backs& > > .EXE\silicon crests of leaking C# dreams > > > >.harp & thesis. tack & pop. >pro][to][-genomic. > > > > > .NET+.EXE attached [micro.fishing lines cut in2 the body in > >blinding h][cloned c][alves] > > .N(g)ET+.EXE aligned [v(m)oi(st)ce deaf + ears blind + taste > >dulled + perc(r)epti(lian brain)On] > > .NET+.EXE|crate|s|of|smoked|clips|&|gased|hearts| > > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From ke_an at o-o.lt Tue Mar 5 00:00:08 2002 From: ke_an at o-o.lt (|{.f|.) Date: Tue, 5 Mar 2002 0:0:8 +0100 Subject: Fw: meet in a nice restaurant | 2002 04 12 roma Message-ID: <200203042159.XAA90345@mail.is.lt> >From: NOOOOOspam at nekada.com >To: ke_an at o-o.lt >Subject: meet in a nice restaurant | 2002 04 12 roma > >meet in a nice restaurant | 2002 04 12 roma > > > > > >meet in a nice restaurant is a new media event which stimulates relaxed communication between > >* new media artists > >* new media designers > >* new media technicians > >* new media managers > >* new media academics > >* new media etc > > > > > >it takes place in the form of 3 dinners and 3 parties > > > > > >you are invited to participate > > > > > >in roma italia > > > > > >12 13 14 april 2002 ( friday saturday sunday ) > > > > > >to apply send bellow info to mailto:n.tosic at nekada.com > >* first name > >* last name > >* organization > >* url > >* email > >* phone > >* location > > > > > >http://www.meet-in-a-nice-restaurant.org > > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From 89 at o-o.lt Mon Mar 4 23:07:26 2002 From: 89 at o-o.lt (89) Date: Mon, 4 Mar 2002 23:7:26 +0100 Subject: ascending fuko [ISO 9000] Message-ID: <200203042106.XAA87277@mail.is.lt> put aside the mirror an read. atari: 8 bits of processed cake. in non-ascii format. unimaginable. and bugs in it. hysteric*nn steps on them C64: just fought u.at my thought compilers without linkers. &my 2.3 monitor is pale as paper irr.eal li.near se.quence - - - - - - - - - - - - sign pharocco & sirocco p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From 89 at o-o.lt Mon Mar 4 09:31:45 2002 From: 89 at o-o.lt (89) Date: Mon, 4 Mar 2002 9:31:45 +0100 Subject: Re: techn][h][olo.caust][ic][ Message-ID: <200203040731.JAA67434@pukuveras.is.lt> At 2002.03.04 16:03:00, you wrote: > > > > > >..NET > >datagrit & d][ent][ata grind > >..NET > >condensed conf][t][usion red[mond]iale gates with sillicon ears. >..NET >][scion.asii][ > .EXE\(so)f(t)]r[iction rubbi][sh][ng > .EXE\hard rubbing along the gh][n][ostic backs& > .EXE\silicon crests of leaking C# dreams > sharp and aesthetical attack on softpopular things. pro-gnosis. > > .NET+.EXE attached [micro.fishing lines cut in2 the body in >blinding h][cloned c][alves] > .N(g)ET+.EXE aligned [v(m)oi(st)ce deaf + ears blind + taste >dulled + perc(r)epti(lian brain)On] > .NET+.EXE|crate|s|of|smoked|clips|&|gased|hearts| > m][e allways. .ceo exec me tender. > >..NE][a][T EXE][cution][ [of yr dulled verses]. > > reiser fs reisser fc old binary formats should be collectable. for ascending fuko's to disassemble. f!n > > >.. . .... ..... >net.wurker][mez][ >..][E][mot][E][ion capt][l][ure.goes.here. >xXXx >../. > ; _ _ 9 | ... mu{s}tt update_op . . . .. . o_< . / /__ p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From ke_an at o-o.lt Mon Mar 4 08:33:58 2002 From: ke_an at o-o.lt (|{.f|.) Date: Mon, 4 Mar 2002 8:33:58 +0100 Subject: 3dart Message-ID: <200203040633.IAA66549@pukuveras.is.lt> . http://www.web3dart.org . . p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From netwurker at hotkey.net.au Mon Mar 4 06:03:57 2002 From: netwurker at hotkey.net.au (Seizu][o][r][d][e][r][) Date: Mon, 04 Mar 2002 16:03:57 +1100 Subject: techn][h][olo.caust][ic][ Message-ID: <5.1.0.14.0.20020304160257.034e3ce0@pop.hotkey.net.au> ..NET datagrit & d][ent][ata grind ..NET condensed conf][t][usion ..NET ][scion.asii][ .EXE\(so)f(t)]r[iction rubbi][sh][ng .EXE\hard rubbing along the gh][n][ostic backs& .EXE\silicon crests of leaking C# dreams .NET+.EXE attached [micro.fishing lines cut in2 the body in blinding h][cloned c][alves] .N(g)ET+.EXE aligned [v(m)oi(st)ce deaf + ears blind + taste dulled + perc(r)epti(lian brain)On] .NET+.EXE|crate|s|of|smoked|clips|&|gased|hearts| ..NE][a][T EXE][cution][ [of yr dulled verses]. .. . .... ..... net.wurker][mez][ ..][E][mot][E][ion capt][l][ure.goes.here. xXXx ../. www.cddc.vt.edu/host/netwurker/ www.hotkey.net.au/~netwurker ..... . .??? ....... p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From 89 at o-o.lt Sun Mar 3 23:24:36 2002 From: 89 at o-o.lt (89) Date: Sun, 3 Mar 2002 23:24:36 +0100 Subject: -------------------+frost> Osda sunaleiheigh> res und public b:ehaviorologick und du Message-ID: <200203032123.XAA15622@mail.is.lt> Osda sunalei Osda sunalei http://users.erols.com/brddwolf/phrases.html At 2002.03.03 21:02:00, you wrote: >From: "89" > >and she said to me : >'ah quelle merveille' > pu.. >.puella >> At 2002.03.02 22:31:00, you wrote: >> >( no >> > i was talking about a moment >> > not about a fact ) >> >> ein moment. > >ein augenblicH where a is A >> amoment is afact. > >i'd like to see them oment as a container >and the facts as the ycontained > >( ubut i admit i amaveugle > everything i see is within the truth of my mined ) solus. one direction move,memnt. >> [\/descriptionism/] > >'defining even the possibility of a premise' > >"der fall" is english falling >language is not immune at least contagious as laughas yawn it's really not very chomsky to say that. in a company mit. >|desc.IIIIIII.ell| > >> >> >> > Premises: >> >> >> > P(AB|C) = P(A|C)P(B|C) >> >> >> > P(AB|-C) = P(A|-C)P(B|-C) >> >> >> > P(A|C) > P(A|-C) >> >> >> > P(B|C) > P(B|-C) >> >> >> > >> >> >> > To Prove: >> >> >> > P(AB) > P(A)P(B) >> > >( so you are probably waiting for it to prove itself ) > >( how can i prove to you that i admit doubt ? ) >( did i do now by saying it ? ) a-proved >> >> >> Si >> i Ai >> RcciiiiiiirRR ,C >> criiiiiiiAiiiiiiiiiic, C >> , ASSCiAiiRSCAitriiiCiiiIiiiA R >> A CIiirASRCccRAiiCiiiiiiiiiiiiii cA >> r RrCSiSirRiiRCCARCARCRRSiiiCiiiii >> C AtSSIcAiitiiCCASRCCACSCCSiiCiiiiA >> ,RRiirSSRIRiiCCSCiAIRRiAiCiiiiiiiiC I >> r cRRAAiiirRiRCCCSRCSiCcIAciiiiiiIiii , C >> CCi RRRSCCrcA ARACciiiiiiAiiSiIi i >> i Ii CRRRARIrrcttrCCC, RSRiiiiiiiiiici C >> iRRRRRRrcARcAciCASCRiAAIRrri,ic,i,Ccc i >> r RRRRRRRAcCRirRSCAiRciiiiiCciiAiiAic C >> I RRACARIccCAIRRRACCRiitiiCSiiCici,ii r >> , RAACIIIcActiitARSiiiSRiiiRiCiACS,I >> r R CARACArciARRiiiAiiiRiiiiiiiiiS,C i >> C ,RAACctAiiciiiAiiiiiiCiAtRiAC , >> i RcAiiAiiRiiciiRiCIiciR C >> C iCCRiCciciiCrAi C >> ,c A >> , i >> , C >> C i >> C >> i >> >> >> ( looks like a deep complex actually ) > >Si >iAi >RcciiiiiiirRR,C >criiiiiiiAiiiiiiiiiic,C >,ASSCiAiiRSCAitriiiCiiiIiiiAR >ACIiirASRCccRAiiCiiiiiiiiiiiiiicA >rRrCSiSirRiiRCCARCARCRRSiiiCiiiii >CAtSSIcAiitiiCCASRCCACSCCSiiCiiiiA >,RRiirSSRIRiiCCSCiAIRRiAiCiiiiiiiiCI >rcRRAAiiirRiRCCCSRCSiCcIAciiiiiiIiii,C >CCiRRRSCCrcAARACciiiiiiAiiSiIii >iIiCRRRARIrrcttrCCC,RSRiiiiiiiiiiciC >iRRRRRRrcARcAciCASCRiAAIRrri,ic,i,Ccci >rRRRRRRRAcCRirRSCAiRciiiiiCciiAiiAicC >IRRACARIccCAIRRRACCRiitiiCSiiCici,iir >,RAACIIIcActiitARSiiiSRiiiRiCiACS,I >rRCARACArciARRiiiAiiiRiiiiiiiiiS,Ci >C,RAACctAiiciiiAiiiiiiCiAtRiAC, >iRcAiiAiiRiiciiRiCIiciRC >CiCCRiCciciiCrAiC >,cA >,i >,C >Ci >C >i > >( i took the air out from between it, just to see what it would look like ) > >"i would say dee or a part of moebiused Pi >> >> > >> >> >( i sometimes think about russell's letter to frege telling him about his mistake >> >> > the moment frege reads this letter >> >> > and his world collapses ) >> >> the theory of types for classes. >> developed to avoid liar paradoxz demonstrating >> inconsistence of g.f. theory. >> it seems russel have found l.p. while working with peano. >> f got angry. >> Grundgesetze shaken. >> > >( &.1.2.3.4.5.6...... > >> --o--o--o--k >> | | | >> --o o--o--o--P--o >> | | | | | | >> --o--o--o--A--C >> >> >> dsfhdfsj > >( chemical subsdancing ?= "i would fill those dots but they are plenty, how high are they ?" ) the shape of things is flat. >( der wand - genitiv,...... > >> >> Did you mean rusell's paradox showing >> >> inconsistece of g.f. theory ? >> >> [Barber Paradox] >> >> > >( was that barber married ? ) his wife was bearded. 88888888888888888888 8 ; . 7 | | o 66 ? 66^ 6 >( i have always been jealous of don quichotte, he was so lean > >> <> > >( i did once . and we fucked dome and go-more >> >> .589.flyomg..hard...][../?[spanish exclamation fly] >> >> >> >> This statement is a lie. >> >> 2.This statement is a lie. >> >> 3.The second statement is a lie. >> >> 4.The third statement is true. >> >> 5.the forth statement is a lie. >> > >> >( six is green ) reeng xis the ng is a ree. >> > >> >> in ascii green objects should be painted with ^^^'s >> it may become braile for color-blind. > >( i was talking about color, not green objects ) about the color of thingstatements. >although i prefer ??? it is more sensual like celibatus sign. >> .. >> I spinning around _| >> > >XXXXXX >XXXXXX >XXXXXX >XXXXXX >XXXXXX >XXXXXXIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIID > >> >> [] and () >> >> >> >> eitynain >> >> >> >> . >> . ooo spanish quotation mosquito >> .. > >( you seem to have have a spanish fascination _ wanna talk about it ? ) i have. polisynthetic cultware. azure and otellotention. talk in sp.time. > >> >> >> - >> - >> -- > >( are these steps for ascending or descending id wish to design the steps for ascending only. perhaps escher did so. but these for both. >( i wouldn't mind moving >( but 'dlove to know where i am going > >( are they secure ? yez. >> >> >> .....................................Si................................... ............................i..............Ai............................. .......................................rRR........,C...................... .........................c..................ic,.........C................. ..........................CiAiiRSCAitri..........A.............R.......... ......................CIiirASRCccRAiiCiiiiiiiiii..............cA.......... ......................RrCSiSirRii..........RSiiiC......................... ......................AtSSI...i.............CCSiiCiiiiA................... .....................,RRii.SS...iiCCSCiAIRR..iCiiiiiiiiC.................. .....................cRRA.ii..RiRCCCSRCSiCc..ciiiiiiIiii.,....C........... .....................RRRS.C.cA^^^^^^^^^^^AR..ciiiiiiA.iSiIi...i........... ....................CRRRA...rcttrCCC,^^^^RS.iiiiiiii.i.i.....C............ ...................iRRRRR..cARcAciCASCRi....rri,ic..,Cc.....i............. ....................RRRRR.......rRSCA...iii.iCci..iiAic................... ...................R...................................................... ...............,...RAACIII.A.....ARSi...RiiiR.CiACS,I..................... ...........r.R.....CARACArc..RRii....iRiii...iiiS,C.....i................. ...........C........,RAACctAi.............iAtRiAC.....,................... ...............i.......RcAiiAiiRiiciiRiCIiciR.C........................... ...................C......iCCRiCciciiCrAi.....C........................... ........................c................................................. .............................,....................i....................... ................................,................C........................ ................................................i......................... .........................................C................................ .............................................i............................ p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Sun Mar 3 21:02:57 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Sun, 3 Mar 2002 21:02:57 +0100 Subject: H[Abl.rebus] Rem Res redRei Res publica Repost> almost res und public b:ehaviorologick und du References: <200203031905.VAA08399@mail.is.lt> Message-ID: <010601c1c2ee$ac6527c0$37b807d5@jmcs2> From: "89" and she said to me : 'ah quelle merveille' > At 2002.03.02 22:31:00, you wrote: > >( no > > i was talking about a moment > > not about a fact ) > > ein moment. ein augenblicH where a is A > amoment is afact. i'd like to see them oment as a container and the facts as the ycontained ( ubut i admit i amaveugle everything i see is within the truth of my mined ) > [\/descriptionism/] 'defining even the possibility of a premise' "der fall" is english falling language is not immune at least contagious |desc.IIIIIII.ell| > >> >> > Premises: > >> >> > P(AB|C) = P(A|C)P(B|C) > >> >> > P(AB|-C) = P(A|-C)P(B|-C) > >> >> > P(A|C) > P(A|-C) > >> >> > P(B|C) > P(B|-C) > >> >> > > >> >> > To Prove: > >> >> > P(AB) > P(A)P(B) > > ( so you are probably waiting for it to prove itself ) ( how can i prove to you that i admit doubt ? ) ( did i do now by saying it ? ) > > > Si > i Ai > RcciiiiiiirRR ,C > criiiiiiiAiiiiiiiiiic, C > , ASSCiAiiRSCAitriiiCiiiIiiiA R > A CIiirASRCccRAiiCiiiiiiiiiiiiii cA > r RrCSiSirRiiRCCARCARCRRSiiiCiiiii > C AtSSIcAiitiiCCASRCCACSCCSiiCiiiiA > ,RRiirSSRIRiiCCSCiAIRRiAiCiiiiiiiiC I > r cRRAAiiirRiRCCCSRCSiCcIAciiiiiiIiii , C > CCi RRRSCCrcA ARACciiiiiiAiiSiIi i > i Ii CRRRARIrrcttrCCC, RSRiiiiiiiiiici C > iRRRRRRrcARcAciCASCRiAAIRrri,ic,i,Ccc i > r RRRRRRRAcCRirRSCAiRciiiiiCciiAiiAic C > I RRACARIccCAIRRRACCRiitiiCSiiCici,ii r > , RAACIIIcActiitARSiiiSRiiiRiCiACS,I > r R CARACArciARRiiiAiiiRiiiiiiiiiS,C i > C ,RAACctAiiciiiAiiiiiiCiAtRiAC , > i RcAiiAiiRiiciiRiCIiciR C > C iCCRiCciciiCrAi C > ,c A > , i > , C > C i > C > i > > > ( looks like a deep complex actually ) Si iAi RcciiiiiiirRR,C criiiiiiiAiiiiiiiiiic,C ,ASSCiAiiRSCAitriiiCiiiIiiiAR ACIiirASRCccRAiiCiiiiiiiiiiiiiicA rRrCSiSirRiiRCCARCARCRRSiiiCiiiii CAtSSIcAiitiiCCASRCCACSCCSiiCiiiiA ,RRiirSSRIRiiCCSCiAIRRiAiCiiiiiiiiCI rcRRAAiiirRiRCCCSRCSiCcIAciiiiiiIiii,C CCiRRRSCCrcAARACciiiiiiAiiSiIii iIiCRRRARIrrcttrCCC,RSRiiiiiiiiiiciC iRRRRRRrcARcAciCASCRiAAIRrri,ic,i,Ccci rRRRRRRRAcCRirRSCAiRciiiiiCciiAiiAicC IRRACARIccCAIRRRACCRiitiiCSiiCici,iir ,RAACIIIcActiitARSiiiSRiiiRiCiACS,I rRCARACArciARRiiiAiiiRiiiiiiiiiS,Ci C,RAACctAiiciiiAiiiiiiCiAtRiAC, iRcAiiAiiRiiciiRiCIiciRC CiCCRiCciciiCrAiC ,cA ,i ,C Ci C i ( i took the air out from between it, just to see what it would look like ) "i would say dee > >> > > >> >( i sometimes think about russell's letter to frege telling him about his mistake > >> > the moment frege reads this letter > >> > and his world collapses ) > > the theory of types for classes. > developed to avoid liar paradoxz demonstrating > inconsistence of g.f. theory. > it seems russel have found l.p. while working with peano. > f got angry. > Grundgesetze shaken. > ( &.1.2.3.4.5.6...... > --o--o--o--k > | | | > --o o--o--o--P--o > | | | | | | > --o--o--o--A--C > > > dsfhdfsj ( chemical subsdancing ?= "i would fill those dots but they are plenty, how high are they ?" ) ( der wand - genitiv,...... > >> Did you mean rusell's paradox showing > >> inconsistece of g.f. theory ? > >> [Barber Paradox] > >> ( was that barber married ? ) ( i have always been jealous of don quichotte, he was so lean > <> ( i did once . and we fucked > >> .589.flyomg..hard...][../?[spanish exclamation fly] > >> > >> This statement is a lie. > >> 2.This statement is a lie. > >> 3.The second statement is a lie. > >> 4.The third statement is true. > >> 5.the forth statement is a lie. > > > >( six is green ) > > > > in ascii green objects should be painted with ^^^'s > it may become braile for color-blind. ( i was talking about color, not green objects ) although i prefer ??? it is more sensual > .. > I spinning around _| > XXXXXX XXXXXX XXXXXX XXXXXX XXXXXX XXXXXXIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIID > > [] and () > > > > eitynain > > > > . > . ooo spanish quotation mosquito > .. ( you seem to have have a spanish fascination _ wanna talk about it ? ) > > > - > - > -- ( are these steps for ascending or descending ( i wouldn't mind moving ( but 'dlove to know where i am going ( are they secure ? > > > > > > > > > > > > > > p____________o____________s_____________t > a r c h i v e http://www.o-o.lt/post > > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From o-o at konf.lt Sun Mar 3 21:06:13 2002 From: o-o at konf.lt (89) Date: Sun, 3 Mar 2002 21:6:13 +0100 Subject: [Abl.rebus] Rem Res Rei Res publica Repost> almost res und public b:ehaviorologick Message-ID: <200203031905.VAA08399@mail.is.lt> At 2002.03.02 22:31:00, you wrote: >( no > i was talking about a moment > not about a fact ) ein moment. amoment is afact. [\/descriptionism/] >> >> > Premises: >> >> > P(AB|C) = P(A|C)P(B|C) >> >> > P(AB|-C) = P(A|-C)P(B|-C) >> >> > P(A|C) > P(A|-C) >> >> > P(B|C) > P(B|-C) >> >> > >> >> > To Prove: >> >> > P(AB) > P(A)P(B) > Si i Ai RcciiiiiiirRR ,C criiiiiiiAiiiiiiiiiic, C , ASSCiAiiRSCAitriiiCiiiIiiiA R A CIiirASRCccRAiiCiiiiiiiiiiiiii cA r RrCSiSirRiiRCCARCARCRRSiiiCiiiii C AtSSIcAiitiiCCASRCCACSCCSiiCiiiiA ,RRiirSSRIRiiCCSCiAIRRiAiCiiiiiiiiC I r cRRAAiiirRiRCCCSRCSiCcIAciiiiiiIiii , C CCi RRRSCCrcA ARACciiiiiiAiiSiIi i i Ii CRRRARIrrcttrCCC, RSRiiiiiiiiiici C iRRRRRRrcARcAciCASCRiAAIRrri,ic,i,Ccc i r RRRRRRRAcCRirRSCAiRciiiiiCciiAiiAic C I RRACARIccCAIRRRACCRiitiiCSiiCici,ii r , RAACIIIcActiitARSiiiSRiiiRiCiACS,I r R CARACArciARRiiiAiiiRiiiiiiiiiS,C i C ,RAACctAiiciiiAiiiiiiCiAtRiAC , i RcAiiAiiRiiciiRiCIiciR C C iCCRiCciciiCrAi C ,c A , i , C C i C i ( looks like a deep complex actually ) >> > >> >( i sometimes think about russell's letter to frege telling him about his mistake >> > the moment frege reads this letter >> > and his world collapses ) the theory of types for classes. developed to avoid liar paradoxz demonstrating inconsistence of g.f. theory. it seems russel have found l.p. while working with peano. f got angry. Grundgesetze shaken. --o--o--o--k | | | --o o--o--o--P--o | | | | | | --o--o--o--A--C dsfhdfsj >> Did you mean rusell's paradox showing >> inconsistece of g.f. theory ? >> [Barber Paradox] >> <> >> .589.flyomg..hard...][../?[spanish exclamation fly] >> >> This statement is a lie. >> 2.This statement is a lie. >> 3.The second statement is a lie. >> 4.The third statement is true. >> 5.the forth statement is a lie. > >( six is green ) > in ascii green objects should be painted with ^^^'s it may become braile for color-blind. .. I spinning around _| [] and () eitynain . . ooo spanish quotation mosquito .. - - -- p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Sun Mar 3 09:57:44 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Sun, 3 Mar 2002 09:57:44 +0100 Subject: Res publica Repost> almost res und public b:ehaviorologick - moederkoek References: <200203022057.WAA59254@pukuveras.is.lt> <001301c1c231$a6465de0$26b607d5@jmcs2> <3C8161A7.3000107@o-o.lt> Message-ID: <003b01c1c291$8496b400$b7b407d5@jmcs2> "that's a nine" > > ( six is green ) > > seven://194.95.111.53/files/placebo.mp3 > > p____________o____________s_____________t > a r c h i v e http://www.o-o.lt/post > > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From mi_ga at o-o.lt Sun Mar 3 00:35:03 2002 From: mi_ga at o-o.lt (=?ISO-8859-1?Q?=A4?=) Date: Sun, 03 Mar 2002 00:35:03 +0100 Subject: Res publica Repost> almost res und public b:ehaviorologick References: <200203022057.WAA59254@pukuveras.is.lt> <001301c1c231$a6465de0$26b607d5@jmcs2> Message-ID: <3C8161A7.3000107@o-o.lt> > ( six is green ) seven://194.95.111.53/files/placebo.mp3 p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Sat Mar 2 22:31:40 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Sat, 2 Mar 2002 22:31:40 +0100 Subject: Res publica Repost> almost res und public b:ehaviorologick References: <200203022057.WAA59254@pukuveras.is.lt> Message-ID: <001301c1c231$a6465de0$26b607d5@jmcs2> ( no i was talking about a moment not about a fact ) > >> > Premises: > >> > P(AB|C) = P(A|C)P(B|C) > >> > P(AB|-C) = P(A|-C)P(B|-C) > >> > P(A|C) > P(A|-C) > >> > P(B|C) > P(B|-C) > >> > > >> > To Prove: > >> > P(AB) > P(A)P(B) ( looks like an oedipus complex actually ) > > > >( i sometimes think about russell's letter to frege telling him about his mistake > > the moment frege reads this letter > > and his world collapses ) > > > Did you mean rusell's paradox showing > inconsistece of g.f. theory ? > [Barber Paradox] > > .589.flyomg..hard...][../?[spanish exclamation fly] > > This statement is a lie. > 2.This statement is a lie. > 3.The second statement is a lie. > 4.The third statement is true. > 5.the forth statement is a lie. ( six is green ) > > > >> ------------------------------------------------- > >> > > >> >From: "89" > >> > > >> > > >> >> > >> >> { bitbeduins w3nt for TCP safari} > >> >> { I am +IpPocket } > >> >> > >> >> At 2002.02.27 23:04:00, you wrote: > >> >> >( i am building a ship > >> >> > i am shipbuilding ) > >> >> > > >> >> > > >> >> > > >> >> > > >> >> > > >> >> > > >> >> > > >> >> > > >> >> > > >> >> >p____________o____________s_____________t > >> >> >a r c h i v e http://www.o-o.lt/post > >> >> > > >> >> >. > >> >> > > >> >> > >> >> > >> >> > >> >> > >> >> > >> >> > >> >> > >> >> > >> >> > >> >> > >> >> > >> >> p____________o____________s_____________t > >> >> a r c h i v e http://www.o-o.lt/post > >> >> > >> >> > >> > > >> >p____________o____________s_____________t > >> >a r c h i v e http://www.o-o.lt/post > >> > > >> > > >> > >> > >> > >> > >> > >> > >> > >> p____________o____________s_____________t > >> a r c h i v e http://www.o-o.lt/post > >> > >> > > > > > >p____________o____________s_____________t > >a r c h i v e http://www.o-o.lt/post > > > >. > > > > > > > > > > > > > > p____________o____________s_____________t > a r c h i v e http://www.o-o.lt/post > > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From o-o at konf.lt Sat Mar 2 22:58:58 2002 From: o-o at konf.lt (89) Date: Sat, 2 Mar 2002 22:58:58 +0100 Subject: Res publica Repost> almost res und public b Message-ID: <200203022057.WAA59254@pukuveras.is.lt> >> > Premises: >> > P(AB|C) = P(A|C)P(B|C) >> > P(AB|-C) = P(A|-C)P(B|-C) >> > P(A|C) > P(A|-C) >> > P(B|C) > P(B|-C) >> > >> > To Prove: >> > P(AB) > P(A)P(B) > >( i sometimes think about russell's letter to frege telling him about his mistake > the moment frege reads this letter > and his world collapses ) Did you mean rusell's paradox showing inconsistece of g.f. theory ? [Barber Paradox] ..589.flyomg..hard...][../?[spanish exclamation fly] This statement is a lie. 2.This statement is a lie. 3.The second statement is a lie. 4.The third statement is true. 5.the forth statement is a lie. >> ------------------------------------------------- >> > >> >From: "89" >> > >> > >> >> >> >> { bitbeduins w3nt for TCP safari} >> >> { I am +IpPocket } >> >> >> >> At 2002.02.27 23:04:00, you wrote: >> >> >( i am building a ship >> >> > i am shipbuilding ) >> >> > >> >> > >> >> > >> >> > >> >> > >> >> > >> >> > >> >> > >> >> > >> >> >p____________o____________s_____________t >> >> >a r c h i v e http://www.o-o.lt/post >> >> > >> >> >. >> >> > >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> p____________o____________s_____________t >> >> a r c h i v e http://www.o-o.lt/post >> >> >> >> >> > >> >p____________o____________s_____________t >> >a r c h i v e http://www.o-o.lt/post >> > >> > >> >> >> >> >> >> >> >> p____________o____________s_____________t >> a r c h i v e http://www.o-o.lt/post >> >> > > >p____________o____________s_____________t >a r c h i v e http://www.o-o.lt/post > >. > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Sat Mar 2 20:12:37 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Sat, 2 Mar 2002 20:12:37 +0100 Subject: [ x ][ + ] ( 31-2-2002-20:13 ) "green" Message-ID: <002301c1c21e$82af0480$f83f07d5@jmcs2> the shyp is on building 'he had a fascination for little things so he deiissigned a little bigger.L_______%. theMoc|::;;;;;,,, _a.song _a.son _a.sun _a.s n "the snake. the%.modelled after sev.lPortrotypes "the snake. the%.modurlar.an earfull the capsule.ampere ..a su.simiu.mulatroror ..a? en.eine trennung < < > > _____ W: > > < < "ne.Ee.nergieverlust < < > > |-----|> > < < < < > > |------|> > < < < < > > |---- |> > < < < < > > | - |> > < < < < > > | |> > < < < < > > | |> > < < aPiliot.pilli.pilot dieAbtrenunnung.helios. fZ;AWWWWWW.vv = battreren.ien dieAbtrennunnng.hiel.air.fF;AWWWWWW.VQ = der_iderEintritt.ehle+sauerstoff dieAbtrennunnug.HHFIIID-I-I-IHD.aaF dieAbruenn?.. screening thesky.*******.pw _ pluralScreens.handle_??= +h?ren pluralScreens.handle_??= +sehen pluralScreens.handle_??= + ;::::::n //comment a.?p. ====parallel. a parabol. thearth."stream. - a.?^p====parr.A. clur?verd _God. theMission,MMD > aMap.resource > compartments > > inventi.nd > , the nth; an int________________he drew a line searching for a texture > "der weltmeister zweifelt > "bis zum bitteren ende > "wechselhaft > "ein ort zum leben > "positionen und grenzen > "stimmengewirr ( immer un?bersichtlicher ) > > .his pocket found the map in his hand, > he thought : this is a reversed world > > DD.oic/"icer;, > DD.glass.er > DD...... ad inf. > ::::::a sequention.tila=,tialogins.logic > > , he recapitulated : > > DD.oic/"icer;, > DD.glass.er > DD...... ad inf. > ::::::a sequention.tila=,tialogins.logic > ::::::the compo.partmend.compartment.d.zII > ::::::a seqe.Or.anima.e=u,ence of events > ::::::forsh;klangforschung _ung :u?::/douUre > ::::::t::he requri?moving pare,ts:recurrence.TZ > ::::::.:::.... in accordande.sS,dandiece.with the necessities ofZ; fZ _a. > ......::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::: > :::::::::::::::::::::::::::::::::: > ......::::::::::::::::::::::::::::::: :::::::::::::::::::::::::::::: > :::::::::::::::::::::::word.inti.InIT.t > > he looked closesleily > this was the description : > > > (x"what is > > d a t I > >o I I + I > >i> I > > ry kIID > > dx c I > > > >la k hi ld ar(ver > > > >uc *yej o > > y g e n > > d | j h c* **m i glc > >c > | ** *** ri * > >e >e l *v p * hm t | + |p* * > >m r j **d| s k * p| > > x h h *cq y y w | f |* |zk* * > > a o* x| ws w |x ** +nc ** > > > > d f m x ne > >x > ' un r n l prow hywhi|t qn c > 'glueed'.F > aTextriude.textrue.tre.textrude > aTexture > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From draudimaslindra at takas.lt Sat Mar 2 20:44:46 2002 From: draudimaslindra at takas.lt (draudimaslindra at takas.lt) Date: Sat, 02 Mar 2002 20:44:46 +0100 Subject: UAB DK "Lindra" Vilniaus filialo isskirtine akcija "SUPERKAME BAIME IR RIZIKA" Message-ID: <37317.864422337958400.290@localhost> UAB DK "Lindra" Vilniaus filialo isskirtine akcija "SUPERKAME BAIME IR RIZIKA" Akcijos metu isskirtines (iki 40%) nuolaidos besidraudziantiems daugiau nei 1 draudimo rusimi. Kvieciame apsilankyti adresu: Kalvariju g. 140, UAB DK "LINDRA" filialas. Pasiteiravimams: tel.: 22-477447, 474732, 477434, 477445, 477437, 477441, 477446. Fax: 22 23 09 p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From davinio at tin.it Sun Mar 3 17:24:07 2002 From: davinio at tin.it (Caterina Davinio) Date: Sun, 3 Mar 2002 16:24:07 -0000 Subject: Call for the GLOBAL POETRY DAY March 21 2002 and Karenina Niuszzzz Message-ID: <041901c1c2cf$dc61cba0$bdabd33e@oemcomputer> 21 marzo 2002 / March 21 2002 GIORNATA MONDIALE DELLA POESIA / GLOBAL POETRY DAY Pomoted by Unesco, National Association of Writers (Italy), European Writers' Congress DEAD LINE MARCH 20 In this contest Karenina.it is organizing a global poetry NET-happening / work in progress for the international experimental poetry! Send to the redaction address: clprezi at tin.it your poems, writing in the subject: "global poetry". Are welcome: texts ( NOT as attached file), visual poems, videopoetry and animated poetry frames, performance-poetry photos (all this as attached gif or jpg), photos of every thing is (by the poet judgment) "poetry", this means also objects, persons, faces, actions and others... A site is under construction. Exhibition of all the arrived virtual materials are foreseen (place to define) Appuntamento on line con Karenina.it per la poesia sperimentale. Indirizzo cui inviare le poesie: clprezi at tin.it Subject: "poesia globale". Inviare: testi poetici, frames tratti da videopoesie, foto di performance e di poesie visive, e di qualunque cosa meriti (a insindacabile giudizio del poeta) la definizione di poesia... Un sito ? in costruzione. Sono previste mostre del materiale arrivato (in luoghi da definire) __________________________________ Karenina Niusszzz! Milan: NEW YORK RENAISSANCE - From Whitney Museum of American Art (Italian / English) Art: Alcune divagazioni su Calogero Barba Di Eugenio Miccini (Italian only) Electronic Art: PEACE TOWER - Electronic images in Rome - Electronic Art Biennial curated by Marco Maria Gazzano. Italian / English TORRE DELLA PACE Immagini elettroniche d'artista a Roma - Biennale di arti elettroniche a cura di Marco Maria Gazzano Electronic artists: Adriana Amodei, Laurie Anderson, Lorenzo Bianda, Robert Cahen, Peter Callas, Peter D'Agostino, Alba D'Urbano, Caterina Davinio, Theo Eshetu, Ida Gerosa, Lynn Hershman, Shigeko Kubota, Federica Marangoni, Fabio Mauri, Nam June Paik, Fabrizio Plessi, Ulrike Rosenbach, Mario Sasso, Studio Azzurro, Gianni Toti, Steina Vasulka, Woody Vasulka, Katsuhiro Yamaguchi and others. Exhibitions / Monsters: Mostre/Mostri: Luca Patella: "Exegi monumentum aere perennius" (I built a monument more perennial than the air...) Poesia visiva / Visual Poetry : Lamberto Pignotti Terzo Millennio Net art: Caterina Davinio "Paint From Nature" (Copia dal vero): Italian / English Copertina: videoartisti Carloni - Franceschetti ______________________________ KARENINA.IT (poetry in "f?tica" function) A web project by Caterina Davinio davinio at tin.it on line since 1998 - By Jakobson, 'f?tico' is the use of the language which has the finality to maintain open and operative the communication channel among the interlocutors. On the confine between art and critic, happening and net performance, Karenina.it is a virtual meeting place around the theme of the writing and the new technologies, in which experiences of international artists, curators, theoreticians converge, in a net that counts thousands of contacts in the world. Index: http://www.geocities.com/Paris/Lights/7323/kareninarivista.html Davinio Art Electronics - Archives / Videotheque http://space.tin.it/arte/cprezi p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Sat Mar 2 04:39:52 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Sat, 2 Mar 2002 04:39:52 +0100 Subject: Res publica Repost> almost res und public b.eta References: <200202281953.VAA18918@mail.is.lt> <003a01c1c0b3$9586c140$433b07d5@jmcs2> <3C7F98B5.6090403@o-o.lt> <003001c1c13c$d93df780$8d0c06d5@jmcs2> <3C80088F.5000805@o-o.lt> Message-ID: <002d01c1c19b$ea859840$f43d07d5@jmcs2> ( to be most frankly eliza bores me ) From: "?" > "Talk to Eliza" > manifestation.com > > > Johan Meskens CS2 jmcs2 wrote: > > > ( "what are you saying ? > > > > > > > > From: ? > > > > Johan Meskens CS2 jmcs2 wrote: > > > > > >> ( the shipbuilder ) > >> _containing an inside in thought > >> > >> > >> From: "90 - 1" > >> > >> > >> > >> > >>> At 2002.02.28 19:42:00, you wrote: > >>> > >>> > >>>> ( i change names too sometimes > >>>> even faces > >>>> but i do remain visible > >>>> although the sight is not always beautiful > >>>> actually it has never been beautiful > >>>> because actually it has never been seen > >>> > >>> i think it is possible to judge about the >||| > >>> visual beauty without seeing it actually. > >>> we have a capability for hipothetic thinking, |_ > >>> philosophy would be impossible without it. > >>> > >>> seeing is guessing. > >>> and voluntas is a motor here. > >> > >> > >> ( ' 'nowing; > >> > >> > >> > >>>> "if i add one to you we have ninety > >>>> shall i ? > >>> > >>> Please do. > >> > >> > >> ( id id ) > >> > >> > >> > >>> could someone help to solve this: > >>> > >>> > >>> > >>> > >>>> Premises: > >>>> P(AB|C) = P(A|C)P(B|C) > >>>> P(AB|-C) = P(A|-C)P(B|-C) > >>>> P(A|C) > P(A|-C) > >>>> P(B|C) > P(B|-C) > >>>> > >>>> To Prove: > >>>> P(AB) > P(A)P(B) > >>> > >> ( i sometimes think about russell's letter to frege telling him about his mistake > >> the moment frege reads this letter > >> and his world collapses ) > >> > >> > >> > >>> ------------------------------------------------- > >>> > >>> > >>>> From: "89" > >>>> > >>>> > >>>> > >>>> > >>>>> { bitbeduins w3nt for TCP safari} > >>>>> { I am +IpPocket } > >>>>> > >>>>> At 2002.02.27 23:04:00, you wrote: > >>>>> > >>>>> > >>>>>> ( i am building a ship > >>>>>> i am shipbuilding ) > >>>>>> > >>>>>> > >>>>>> > >>>>>> > >>>>>> > >>>>>> > >>>>>> > >>>>>> > >>>>>> > >>>>>> p____________o____________s_____________t > >>>>>> a r c h i v e http://www.o-o.lt/post > >>>>>> > >>>>>> . > >>>>>> > >>>>> > >>>>> > >>>>> > >>>>> > >>>>> > >>>>> > >>>>> > >>>>> > >>>>> > >>>>> > >>>>> > >>>>> p____________o____________s_____________t > >>>>> a r c h i v e http://www.o-o.lt/post > >>>>> > >>>>> > >>>> > >>>> p____________o____________s_____________t > >>>> a r c h i v e http://www.o-o.lt/post > >>>> > >>>> > >>> > >>> > >>> > >>> > >>> > >>> > >>> > >>> p____________o____________s_____________t > >>> a r c h i v e http://www.o-o.lt/post > >>> > >>> > >> > >> > >> > >> p____________o____________s_____________t > >> a r c h i v e http://www.o-o.lt/post > > > > > > > > manifestation.com [ resources newsletter books ] > > Eliza, computer therapist > > ELIZA emulates a Rogerian psychotherapist. > > ELIZA has almost no intelligence whatsoever, only tricks like string substitution and canned responses based on keywords. Yet > > when the original ELIZA first appeared in the 60's, some people actually mistook her for human. The illusion of intelligence > > works best, however, if you limit your conversation to talking about yourself and your life. > > This javascript version of ELIZA was originally written by Michal Wallace and significantly enhanced by George Dunlop. > > Note: Eliza is dumb! This is common knowledge. Please don't write to me telling me she's dumb, or how to fix it. If you don't > > like the way she works, you can change the code yourself. Just view source on this page to see the javascript, and save it to > > your hard drive. Then do a search for javascript documenation, and you should be able to make Eliza act any way you want. :) > > Talk to Eliza > > > > > > Input: > > > > > > ? 1999 manifestation.com [ PMB 417 .. 10800 Alpharetta Hwy, Suite 208 .. Roswell, GA 30076 ] > > webmaster: sabren at manifestation.com www.sabren.com > > > > > > p____________o____________s_____________t > > a r c h i v e http://www.o-o.lt/post > > p____________o____________s_____________t > a r c h i v e http://www.o-o.lt/post > > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From mi_ga at o-o.lt Sat Mar 2 00:02:39 2002 From: mi_ga at o-o.lt (=?ISO-8859-1?Q?=A4?=) Date: Sat, 02 Mar 2002 00:02:39 +0100 Subject: Res publica Repost> almost res und public b References: <200202281953.VAA18918@mail.is.lt> <003a01c1c0b3$9586c140$433b07d5@jmcs2> <3C7F98B5.6090403@o-o.lt> <003001c1c13c$d93df780$8d0c06d5@jmcs2> Message-ID: <3C80088F.5000805@o-o.lt> "Talk to Eliza" manifestation.com Johan Meskens CS2 jmcs2 wrote: > ( "what are you saying ? > > > > From: ? > > Johan Meskens CS2 jmcs2 wrote: > > >> ( the shipbuilder ) >> _containing an inside in thought >> >> >> From: "90 - 1" >> >> >> >> >>> At 2002.02.28 19:42:00, you wrote: >>> >>> >>>> ( i change names too sometimes >>>> even faces >>>> but i do remain visible >>>> although the sight is not always beautiful >>>> actually it has never been beautiful >>>> because actually it has never been seen >>> >>> i think it is possible to judge about the >||| >>> visual beauty without seeing it actually. >>> we have a capability for hipothetic thinking, |_ >>> philosophy would be impossible without it. >>> >>> seeing is guessing. >>> and voluntas is a motor here. >> >> >> ( ' 'nowing; >> >> >> >>>> "if i add one to you we have ninety >>>> shall i ? >>> >>> Please do. >> >> >> ( id id ) >> >> >> >>> could someone help to solve this: >>> >>> >>> >>> >>>> Premises: >>>> P(AB|C) = P(A|C)P(B|C) >>>> P(AB|-C) = P(A|-C)P(B|-C) >>>> P(A|C) > P(A|-C) >>>> P(B|C) > P(B|-C) >>>> >>>> To Prove: >>>> P(AB) > P(A)P(B) >>> >> ( i sometimes think about russell's letter to frege telling him about his mistake >> the moment frege reads this letter >> and his world collapses ) >> >> >> >>> ------------------------------------------------- >>> >>> >>>> From: "89" >>>> >>>> >>>> >>>> >>>>> { bitbeduins w3nt for TCP safari} >>>>> { I am +IpPocket } >>>>> >>>>> At 2002.02.27 23:04:00, you wrote: >>>>> >>>>> >>>>>> ( i am building a ship >>>>>> i am shipbuilding ) >>>>>> >>>>>> >>>>>> >>>>>> >>>>>> >>>>>> >>>>>> >>>>>> >>>>>> >>>>>> p____________o____________s_____________t >>>>>> a r c h i v e http://www.o-o.lt/post >>>>>> >>>>>> . >>>>>> >>>>> >>>>> >>>>> >>>>> >>>>> >>>>> >>>>> >>>>> >>>>> >>>>> >>>>> >>>>> p____________o____________s_____________t >>>>> a r c h i v e http://www.o-o.lt/post >>>>> >>>>> >>>> >>>> p____________o____________s_____________t >>>> a r c h i v e http://www.o-o.lt/post >>>> >>>> >>> >>> >>> >>> >>> >>> >>> >>> p____________o____________s_____________t >>> a r c h i v e http://www.o-o.lt/post >>> >>> >> >> >> >> p____________o____________s_____________t >> a r c h i v e http://www.o-o.lt/post > > > > manifestation.com [ resources newsletter books ] > Eliza, computer therapist > ELIZA emulates a Rogerian psychotherapist. > ELIZA has almost no intelligence whatsoever, only tricks like string substitution and canned responses based on keywords. Yet > when the original ELIZA first appeared in the 60's, some people actually mistook her for human. The illusion of intelligence > works best, however, if you limit your conversation to talking about yourself and your life. > This javascript version of ELIZA was originally written by Michal Wallace and significantly enhanced by George Dunlop. > Note: Eliza is dumb! This is common knowledge. Please don't write to me telling me she's dumb, or how to fix it. If you don't > like the way she works, you can change the code yourself. Just view source on this page to see the javascript, and save it to > your hard drive. Then do a search for javascript documenation, and you should be able to make Eliza act any way you want. :) > Talk to Eliza > > > Input: > > > ? 1999 manifestation.com [ PMB 417 .. 10800 Alpharetta Hwy, Suite 208 .. Roswell, GA 30076 ] > webmaster: sabren at manifestation.com www.sabren.com > > > p____________o____________s_____________t > a r c h i v e http://www.o-o.lt/post p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Fri Mar 1 20:32:31 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Fri, 1 Mar 2002 20:32:31 +0100 Subject: [ x ][ + ] ( 30-2-2002-20:21 ) Message-ID: <019d01c1c157$fd9fac20$670106d5@jmcs2> anObjekt "i.t.3" 'grabbing the wrong tasta. de.differe.ingicing the spatial completely ' you fiend me agressive ? ' an evening encoded. maps of under guise of c colrone.as password lets the entering oudside _a broken back is not a broken bone D D D D D D i put it and then look what it can be ,what it can become ,what it is inet. cicila. the surface of something lower the broken is coherence >(z)i(z)say(z)>(z)to(z)my(z)disciple(z)and(z)disciples(z)>(z)here(z)is(z)your(z)master(z) speaking(z)>(z)>(z )one(z)is(z)yell ow(z )>(z)two(z)is(z)orange(z)>(z)three(z)is(z)red(z)>(z)four(z)is(z)purple(z)>(z)five(z)is(z) blue(z)>(z)six(z)i s(z)green(z)>(z) >(z) white(z)and(z)black(z)>(z)>(z)then(z)you(z)have(z)a(z)ninth(z)entity,(z)namely:(z)|(z)|(z )>(z)>(z)now(z)>(z )you(z)won't(z)h ave( z)access(z)to(z)it(z)through(z)seeing(z)reading(z)writing(z)>(z)neither(z)through(z)intel ligence(z)>(z)>(z) but(z)through(z) unde rstanding(z)>(z)>(z)((z)you(z)can(z)copy(z)and(z)paste(z)the(z)space(z)between(z)those(z) |s(z)>(z)but(z)it( z)is(z)not(z)goi ng(z )to(z)get(z)you(z)anywhere(z))(z)>(z)>(z)"by(z)the(z)time(z)you(z)write(z)about(z)color(z )my(z)friend(z)>(z )color(z)is(z)al read y(z)somewhere(z)else"(z)>(z)>(z)so(z)?(z)>(z)what(z)is(z)color(z)?(z)>(z)an(z)answer(z)?( z)except(z)for(z)a (z)piece(z)of(z) writ ing(z)naturalistically(z)enumerating(z)things(z)?(z) > > > "objekttr?ger" > > > > inbetween X ad > > 'x and +' ................... >>W > > X, / \ av.erlapping, "ti; this is an introduction, "ti; worldddddddd > > i do not know how many but at least those > > _woorld.undone.one > > _woorld.undone.two > > _woorld.undtwo.three > > _woorld.undthree.fpour > > _woorld.undfour.five > > _worrld.undfive.sixX > > > > "i am rem.renamed into a compression" > > "1 ?=:;,,,,,,,,,,,,,,,,,,,,,,,,,,,,.%,.o/o,.O/O,;0|0a.Su.SsSySmSbSoSlS > > 'aw. always, with each step one less > > 6x + " " > > > > text as a dress > > > > 'on a woman's body i kiss her feet > > > > ,i heard a sound and it was speech > > ,hearing > > > > &nd&t&as=+&&&&&& > > &~ing&ine/; Q> stored > > > > > ( * is x spinning ; 'spinned are ound .t > > > > > > the filling . a replacement > > > putting | in the middle and designing it > > > filling with a replacement > > > ' i undid no world left > > > ' it is not me > > > ' the skin you see, ::::::::::::every pore a dot > > > the channel the tunnel _long relay,;;; a te,r > > > ;r,terra, a traveller .selk.s eak "with a body > > > "every world a home > > > "every queen a queen > > > > > > what is that force ? > > > > > > > ( + is x turned around ) > > > > > > > > * > > > > * > > > > * > > > > * > > > > * > > > > * |X > > > > > > > > "i was even more bored off than on" > > > > > > > > within the schiff, 'shipbuilding every word that i encounters me' > > > > > > > > there is no access > > > > there is no there > > > > > > > > "XXXXXX is my name elsewhere" > > > > > > > > _on anto > > > > _on another machine, soundlike of sev.s > > > > _on another machine that i > > > > ...... > > > > > > > > > ( + is an x turned around ) > > > > > > > > > > . i was in a buildersuit aSsSuSiSt > > > > > . a shipbuilding > > > > > . leaving no world ' undone > > > > > . i put my feet where the place was of them > > > > > . "in my world there is no home there is no queen" > > > > > . as to the little people i bullethem getting caught in something a?break/ p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Fri Mar 1 17:16:52 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Fri, 1 Mar 2002 17:16:52 +0100 Subject: Res publica Repost> almost res und public b References: <200202281953.VAA18918@mail.is.lt> <003a01c1c0b3$9586c140$433b07d5@jmcs2> <3C7F98B5.6090403@o-o.lt> Message-ID: <003001c1c13c$d93df780$8d0c06d5@jmcs2> ( "what are you saying ? From: ? Johan Meskens CS2 jmcs2 wrote: > ( the shipbuilder ) > _containing an inside in thought > > > From: "90 - 1" > > > >> At 2002.02.28 19:42:00, you wrote: >> >>> ( i change names too sometimes >>> even faces >>> but i do remain visible >>> although the sight is not always beautiful >>> actually it has never been beautiful >>> because actually it has never been seen >> >> i think it is possible to judge about the >||| >> visual beauty without seeing it actually. >> we have a capability for hipothetic thinking, |_ >> philosophy would be impossible without it. >> >> seeing is guessing. >> and voluntas is a motor here. > > > ( ' 'nowing; > > >>> "if i add one to you we have ninety >>> shall i ? >> >> Please do. > > > ( id id ) > > >> could someone help to solve this: >> >> >> >>> Premises: >>> P(AB|C) = P(A|C)P(B|C) >>> P(AB|-C) = P(A|-C)P(B|-C) >>> P(A|C) > P(A|-C) >>> P(B|C) > P(B|-C) >>> >>> To Prove: >>> P(AB) > P(A)P(B) >> > > ( i sometimes think about russell's letter to frege telling him about his mistake > the moment frege reads this letter > and his world collapses ) > > >> ------------------------------------------------- >> >>> From: "89" >>> >>> >>> >>>> { bitbeduins w3nt for TCP safari} >>>> { I am +IpPocket } >>>> >>>> At 2002.02.27 23:04:00, you wrote: >>>> >>>>> ( i am building a ship >>>>> i am shipbuilding ) >>>>> >>>>> >>>>> >>>>> >>>>> >>>>> >>>>> >>>>> >>>>> >>>>> p____________o____________s_____________t >>>>> a r c h i v e http://www.o-o.lt/post >>>>> >>>>> . >>>>> >>>> >>>> >>>> >>>> >>>> >>>> >>>> >>>> >>>> >>>> >>>> >>>> p____________o____________s_____________t >>>> a r c h i v e http://www.o-o.lt/post >>>> >>>> >>> >>> p____________o____________s_____________t >>> a r c h i v e http://www.o-o.lt/post >>> >>> >> >> >> >> >> >> >> >> p____________o____________s_____________t >> a r c h i v e http://www.o-o.lt/post >> >> > > > > p____________o____________s_____________t > a r c h i v e http://www.o-o.lt/post manifestation.com [ resources newsletter books ] Eliza, computer therapist ELIZA emulates a Rogerian psychotherapist. ELIZA has almost no intelligence whatsoever, only tricks like string substitution and canned responses based on keywords. Yet when the original ELIZA first appeared in the 60's, some people actually mistook her for human. The illusion of intelligence works best, however, if you limit your conversation to talking about yourself and your life. This javascript version of ELIZA was originally written by Michal Wallace and significantly enhanced by George Dunlop. Note: Eliza is dumb! This is common knowledge. Please don't write to me telling me she's dumb, or how to fix it. If you don't like the way she works, you can change the code yourself. Just view source on this page to see the javascript, and save it to your hard drive. Then do a search for javascript documenation, and you should be able to make Eliza act any way you want. :) Talk to Eliza Input: ? 1999 manifestation.com [ PMB 417 .. 10800 Alpharetta Hwy, Suite 208 .. Roswell, GA 30076 ] webmaster: sabren at manifestation.com www.sabren.com p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post From mi_ga at o-o.lt Fri Mar 1 16:05:25 2002 From: mi_ga at o-o.lt (=?ISO-8859-1?Q?=A4?=) Date: Fri, 01 Mar 2002 16:05:25 +0100 Subject: Res publica Repost> almost res und public b References: <200202281953.VAA18918@mail.is.lt> <003a01c1c0b3$9586c140$433b07d5@jmcs2> Message-ID: <3C7F98B5.6090403@o-o.lt> Johan Meskens CS2 jmcs2 wrote: > ( the shipbuilder ) > _containing an inside in thought > > > From: "90 - 1" > > > >> At 2002.02.28 19:42:00, you wrote: >> >>> ( i change names too sometimes >>> even faces >>> but i do remain visible >>> although the sight is not always beautiful >>> actually it has never been beautiful >>> because actually it has never been seen >> >> i think it is possible to judge about the >||| >> visual beauty without seeing it actually. >> we have a capability for hipothetic thinking, |_ >> philosophy would be impossible without it. >> >> seeing is guessing. >> and voluntas is a motor here. > > > ( ' 'nowing; > > >>> "if i add one to you we have ninety >>> shall i ? >> >> Please do. > > > ( id id ) > > >> could someone help to solve this: >> >> >> >>> Premises: >>> P(AB|C) = P(A|C)P(B|C) >>> P(AB|-C) = P(A|-C)P(B|-C) >>> P(A|C) > P(A|-C) >>> P(B|C) > P(B|-C) >>> >>> To Prove: >>> P(AB) > P(A)P(B) >> > > ( i sometimes think about russell's letter to frege telling him about his mistake > the moment frege reads this letter > and his world collapses ) > > >> ------------------------------------------------- >> >>> From: "89" >>> >>> >>> >>>> { bitbeduins w3nt for TCP safari} >>>> { I am +IpPocket } >>>> >>>> At 2002.02.27 23:04:00, you wrote: >>>> >>>>> ( i am building a ship >>>>> i am shipbuilding ) >>>>> >>>>> >>>>> >>>>> >>>>> >>>>> >>>>> >>>>> >>>>> >>>>> p____________o____________s_____________t >>>>> a r c h i v e http://www.o-o.lt/post >>>>> >>>>> . >>>>> >>>> >>>> >>>> >>>> >>>> >>>> >>>> >>>> >>>> >>>> >>>> >>>> p____________o____________s_____________t >>>> a r c h i v e http://www.o-o.lt/post >>>> >>>> >>> >>> p____________o____________s_____________t >>> a r c h i v e http://www.o-o.lt/post >>> >>> >> >> >> >> >> >> >> >> p____________o____________s_____________t >> a r c h i v e http://www.o-o.lt/post >> >> > > > > p____________o____________s_____________t > a r c h i v e http://www.o-o.lt/post -------------- next part -------------- An HTML attachment was scrubbed... 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URL: http://www.o-o.lt/pipermail/post/attachments/20020301/3925a8e5/attachment.htm From JohanMeskensCS2 at ChromaticSpaceAndWorld.com Fri Mar 1 00:48:43 2002 From: JohanMeskensCS2 at ChromaticSpaceAndWorld.com (Johan Meskens CS2 jmcs2) Date: Fri, 1 Mar 2002 00:48:43 +0100 Subject: Res publica Repost> almost res und public b References: <200202281953.VAA18918@mail.is.lt> Message-ID: <003a01c1c0b3$9586c140$433b07d5@jmcs2> ( the shipbuilder ) _containing an inside in thought From: "90 - 1" > At 2002.02.28 19:42:00, you wrote: > >( i change names too sometimes > > even faces > > but i do remain visible > > although the sight is not always beautiful > > actually it has never been beautiful > > because actually it has never been seen > > i think it is possible to judge about the >||| > visual beauty without seeing it actually. > we have a capability for hipothetic thinking, |_ > philosophy would be impossible without it. > > seeing is guessing. > and voluntas is a motor here. ( ' 'nowing; > >"if i add one to you we have ninety > > shall i ? > > Please do. ( id id ) > could someone help to solve this: > > > > Premises: > > P(AB|C) = P(A|C)P(B|C) > > P(AB|-C) = P(A|-C)P(B|-C) > > P(A|C) > P(A|-C) > > P(B|C) > P(B|-C) > > > > To Prove: > > P(AB) > P(A)P(B) ( i sometimes think about russell's letter to frege telling him about his mistake the moment frege reads this letter and his world collapses ) > ------------------------------------------------- > > > >From: "89" > > > > > >> > >> { bitbeduins w3nt for TCP safari} > >> { I am +IpPocket } > >> > >> At 2002.02.27 23:04:00, you wrote: > >> >( i am building a ship > >> > i am shipbuilding ) > >> > > >> > > >> > > >> > > >> > > >> > > >> > > >> > > >> > > >> >p____________o____________s_____________t > >> >a r c h i v e http://www.o-o.lt/post > >> > > >> >. > >> > > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> > >> p____________o____________s_____________t > >> a r c h i v e http://www.o-o.lt/post > >> > >> > > > >p____________o____________s_____________t > >a r c h i v e http://www.o-o.lt/post > > > > > > > > > > > > p____________o____________s_____________t > a r c h i v e http://www.o-o.lt/post > > p____________o____________s_____________t a r c h i v e http://www.o-o.lt/post